Canon Cinema EOS C300 used to shot “O.J.: Made in America”, Winner of the 2017 Academy Award® for Best Documentary Feature

Eos C300
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Canon press release:

MELVILLE, N.Y., March 10, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to congratulate O.J.: Made in America, ESPN Films’ five-part documentary directed by Ezra Edelman and shot by Nick Higgins on winning the 2017 Academy Award® for Best Documentary Feature. The film blends archival video with new footage captured primarily with the Canon EOS C300 Digital Cinema Camera.

Cinematographer Nick Higgins chose the EOS C300 camera for O.J.: Made in America because of the small form factor and ability to capture long takes without stopping. Higgins said, “The EOS C300 was the best camera to shoot this documentary. I really appreciate the small form factor, and was able to roll for hours and hours with just two 64 GB cards and AC power.”

The ability to shoot for long periods of time with limited interruption was crucial. “Interviews for this film lasted at least three hours and were typically around five or six hours long; our longest was eight hours long,” Higgins explained. “The topic of conversation was always intense, and the flow would have been completely thrown off if I had to interrupt for the camera. That’s why the EOS C300 was so important to this project.”

In terms of lenses, Higgins’ relied on the Canon EF 50mm f/1.2L USM lens. “I shot the vast majority on the 50mm at an f2,” Higgins said. “That way, I could make the background abstract without fearing that the subject would go in and out of focus as they breathed.”

“When our skilled engineers develop cameras and lenses, it is our greatest hope that they end up in the hands of filmmakers like Nick Higgins and the team behind O.J.: Made in America,” said Yuichi Ishizuka, President and COO, Canon U.S.A., Inc. “We extend our congratulations on the Oscar® win, from everyone at Canon.”

For more information about Canon Cinema EOS cameras and lenses, please visit the Canon U.S.A. website at cinemaeos.usa.canon.com.

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Canon EOS C300 and EOS C300 Mark II firmware updates available for download

Canon Cinema EOS C300 Mark III
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Previously announced, the firmware updates for the Canon EOS C300 and EOS C300 Mark II are now available for download.

At a glance, the firmware updates provide the following (more in the video below):

  • The EOS C300 Mark II Digital Cinema Camera (EF-Mount) updates will allow various functions such as support for the Canon EVF-V70 OLED Electronic Viewfinder, WFT-E8 Wireless File Transmitter, Shutter Angle Priority, support for Zebra range at 65 percent or below, 2K Crop Audio Recording, Built-In Mic Audio off, and Peripheral Illumination Correction when using the new EF 24-105mm f/4L IS II USM lens.
  • The EOS C300 Mark II Digital Cinema Camera (PL-Mount) updates will allow various functions such as support for the Canon EVF-V70 OLED Electronic Viewfinder, WFT-E8 Wireless File Transmitter, Shutter Angle Priority, support for Zebra range at 65 percent or below, 2K Crop Audio Recording, and Built-In Mic Audio off.
  • The EOS C300 Digital Cinema Camera (EF-Mount) updates will allow various functions such as support for the WFT-E8 Wireless File Transmitter, Shutter Angle Priority, Grip Zoom Function when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses, Auto Iris and Push Iris when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses and Peripheral Illumination Correction when using the new EF 24-105mm f/4L IS II USM lens.
  • The EOS C300 Digital Cinema Camera DAF (EF-Mount) updates will allow various functions such as support for the WFT-E8 Wireless File Transmitter, Shutter Angle Priority, Dual Pixel CMOS AF (DAF) when using CINE-SERVO 17-120mm EF-Mount and COMPACT SERVO 18-80mm lenses, Grip Zoom Function when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses, Auto Iris and Push Iris when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses and Peripheral Illumination Correction when using the new EF 24-105mm f/4L IS II USM lens.
  • The EOS C300 Digital Cinema Camera (PL-Mount) updates will allow various functions such as support for the WFT-E8 Wireless File Transmitter and Shutter Angle Priority.

Canon EOS C300 Mark II: B&H Photo | Adorama

Canon Announces Firmware Updates for the EOS C300 and EOS C300 Mark II Digital Cinema Cameras at NAB Show New York 2016

Canon Cinema EOS C300 Mark III
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To learn more about the firmware updates, please visit usa.canon.com/nabny2016firmware.

Canon press release:

MELVILLE, N.Y., November 9, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced firmware updates for both the Canon EOS C300 and EOS C300 Mark II Digital Cinema Cameras being showcased at NAB Show New York 2016, November 9 and 10 at the Jacob K. Javits Center in New York City. These firmware updates support a number of feature updates for users including improvement of accessory support, ease of use, Dual Pixel CMOS AF (DAF) and creative flexibility.

Firmware updates are as follows:

  • The EOS C300 Mark II Digital Cinema Camera (EF-Mount) updates will allow various functions such as support for the Canon EVF-V70 OLED Electronic Viewfinder, WFT-E8 Wireless File Transmitter, Shutter Angle Priority, support for Zebra range at 65 percent or below, 2K Crop Audio Recording, Built-In Mic Audio off, and Peripheral Illumination Correction when using the new EF 24-105mm f/4L IS II USM lens.
  • The EOS C300 Mark II Digital Cinema Camera (PL-Mount) updates will allow various functions such as support for the Canon EVF-V70 OLED Electronic Viewfinder, WFT-E8 Wireless File Transmitter, Shutter Angle Priority, support for Zebra range at 65 percent or below, 2K Crop Audio Recording, and Built-In Mic Audio off.
  • The EOS C300 Digital Cinema Camera (EF-Mount) updates will allow various functions such as support for the WFT-E8 Wireless File Transmitter, Shutter Angle Priority, Grip Zoom Function when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses, Auto Iris and Push Iris when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses and Peripheral Illumination Correction when using the new EF 24-105mm f/4L IS II USM lens.
  • The EOS C300 Digital Cinema Camera DAF (EF-Mount) updates will allow various functions such as support for the WFT-E8 Wireless File Transmitter, Shutter Angle Priority, Dual Pixel CMOS AF (DAF) when using CINE-SERVO 17-120mm EF-Mount and COMPACT SERVO 18-80mm lenses, Grip Zoom Function when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses, Auto Iris and Push Iris when using CINE-SERVO 17-120mm EF-mount, CINE-SERVO 50-1000mm EF-Mount and COMPACT SERVO 18-80mm lenses and Peripheral Illumination Correction when using the new EF 24-105mm f/4L IS II USM lens.
  • The EOS C300 Digital Cinema Camera (PL-Mount) updates will allow various functions such as support for the WFT-E8 Wireless File Transmitter and Shutter Angle Priority.

To learn more about the firmware updates, please visit usa.canon.com/nabny2016firmware.

These firmware updates are scheduled to be available on December 13, 2016. To see these products with the firmware updates mentioned above at NAB Show New York 2016, visit Canon U.S.A., Inc. at Booth #1133. Follow Canon throughout the show on Instagram at @CanonUSA and Twitter at @CanonUSApro.

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No Joke: Canon Cinema C100 and C300 get crazy price drops

c100

May sound like a late April joke, but it isn’t. It’s a clear sign that Canon is going to announce new Cinema cameras at NAB 2015.

Canon has reduced the price of both the C100 and C300 to an insane level. The Canon Cinema C100 is on sale for $2,999 (body only) B&H Photo | Adorama), and the C300 for $6,499 (body only) B&H Photo | Adorama).

All Canon C100 deals at Adorama | all C300 deals at Adorama

Humor: What Canon really thinks about the DSLR Video Revolution

EOSHD‘s Andrew Reid made this short and hilarious video trying to figure out what Canon’s big shots think about the so-called “DSLR video revolution” Canon is actively promoting since years (well, at least since the EOS 5D Mark II). Andrew added his own subtitles to a viral video of a Spanish speaking man at a TV show. I am sure you will have a good and spontaneous laugh.

The video came out after Andrew Reid compared the EOS C300 ($12,000) to the Samsung NX1 ($1,500). As he says, after having made the comparison he “couldn’t help imagining this“.

[via PetaPixel]

Canon Cinema EOS Gear used to Capture “The Last Patrol”, a Documentary About the Consequences of War

Sebastian Junger’s The Last Patrol was captures using Canon Cinema EOS products. The documentary premiered October 23, 2014, and takes part in the Margaret Mead Film Festival.

Whether fighting or documenting the realities on the ground as a journalist, how does the context of war transform a person’s identity? What happens to that identity when soldiers return home? Sebastian Junger, war journalist and author of The Perfect Storm, explores these questions on a soul-searching journey with three comrades-in-arms. Junger, joined by Brendan O’Bryne and Dave Roels, protagonists of the Academy Award-nominated documentary, Restrepo, and combat journalist Guillermo Cervera walk along railroad tracks from Washington, D.C. to Pennsylvania. They move with a purposeful invisibility designed to echo the isolation felt by many who return from war. The men live outdoors and discuss the transition from soldier to civilian. With the backdrop of a varied United States revealed by the path of the tracks—ghettos and wealthy suburbs, heavy industry and farm country—the juxtaposition of scenery and conversations uncover diverse and conflicting American perceptions of war and what it means for veterans to come home.

Canon’s press release:

Canon Cinema EOS Products Capture Sebastian Junger’s The Last Patrol

MELVILLE, N.Y., November 14, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, is proud to announce that Academy Award®-Nominated director Sebastian Junger (Restrepo, Korengal) and cinematographer Rudy Valdez chose Canon EOS Digital Cinema cameras and lenses for their new documentary The Last Patrol, the third installment of Junger’s trilogy of war documentaries. The pair of filmmakers relied on the Canon EOS C300 Digital Cinema camera to capture The Last Patrol, which premiered on HBO on November 10, 2014 and is currently airing on HBO.

The Last Patrol follows Junger, photojournalist Guillermo Cervera, and combat veterans Brendan O’Byrne and Dave Roels as they hike the 300-mile stretch of railroad lines from Washington, D.C. to New York City – a trek Junger originally planned with his close friend and acclaimed war photographer Tim Hetherington before Hetherington was killed in 2011 while covering the Libyan civil war. The goal of the journey was to get to know America again after a decade of war and discuss why combat is so incredibly hard to give up. Because hiking along the tracks is illegal, they moved with a purposeful invisibility designed to echo the isolation felt by many who return from war.


Interview with Sebastian Junger

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