Gerald Undone posted a 9 minutes video where he discusses some less known features of the Canon EOS R, and also tips and tricks for settings and customisation. If you have the “left eye issue” then this video might be for you.
Is this real? Photographer Michael the Maven made a short video where he points to what he feels is a “left eye problem” some Canon mirrorless cameras have.
Basically, Michael the Maven complains about the ergonomics and the user interface of the Canon EOS RP. He writes:
The left eye problem deals with cameras which lack a joystick and are asking photographers to use their right thumbs on the touch screen while looking through the viewfinder to move their focusing squares. The left eye problem is not unique to Canon, the Sony A6400 has the same issue, as well as a few other cameras. The reason Im picking on Canon is because I have seen this 3 times now on the Canon R, RP and M50.
Anyone made comparable experiences with Canon cameras?
Canon EOS-1D Mark III and EOS-1D Mark II N – Two Budget Professional Camera Options
This is a continuation of my series of articles about highly capable cameras for those of you on a budget. This article is for professionals, or those seriously seeking to be professionals. I chose these two cameras for review because you can get both for about $900.00 used if you play your cards right. Considering you’d have to pay about ten times that much when they were new to get both, I’d say they qualify as excellent subjects for my budget article series here. Warning: These are top quality professional instruments. If you haven’t held a Canon 1D series camera before (or a Nikon equivalent), you still don’t know what a top quality professional instrument feels like. I thought I did, I was wrong. And before those 5D guys jump on my case I say to them: Pick one up and use one before you reply, and you’ll know. Then, you’ll just agree and we can be friends again.
The Canon EOS R has been DxOMarked and gets a score of 89.
A DxOMark of 89 puts the Canon EOS R behind the competition, with the Nikon Z 6 scoring a 95 and the Sony a7 III a 96. The EOS R’s score is very close to the one of the EOS 5D Mark IV, which is not surprising since these cameras have very similar image sensors.
From DxOMark’s conclusion:
While not possessing the low noise levels of the Nikon Z 6 and Sony A7 III, which have slightly lower pixel density and BSI architecture in their favor, the EOS R’s sensor is one of Canon’s best. It comes very close to the one used in the pro-level EOS 1Dx Mark II, particularly in its low light, high ISO capabilities.
With a low noise floor, the dynamic range of the Canon 30MP sensor greatly improves over its predecessors. The EOS R is much more capable of handling high-contrast scenes, thus allowing a photographer faced with protecting highlights at capture to lift shadows in post-processing without incurring some of the noise penalties.
With its first model in a new system, Canon has equipped the EOS R with one of its best sensors—and that, together with some very interesting lenses, signals that it’s taking “mirrorless” very seriously.