“Everest” is a beautiful time lapse tribute to the Himalayas highest mountain

Everest

Everest is a mesmerizing time lapse film shot at night by Elia Saikal. You don’t see such time lapse clips very often.

Elia says:

These time lapse Images were captured as high as 6200m (camp 2) above sea level on Mt. Everest. We slept at 6000m for three consecutive nights on the summit of Mt. Lobuche East waiting for a glimpse of Everest from that vantage point. Around 11pm on the 2nd night, the skies opened up and the top of the world revealed herself in all of her glory.

No where else on the planet have I ever seen the Milky Way so clear, so vivid and so very much alive. It takes a great deal of discipline to stay up all night capturing the magic for the world to experience. Cameras freeze.Shutters freeze. Batteries freeze. Humans freeze. The high altitude environment is debilitating at best. Your body is taking a constant beating by the low levels of oxygen in the atmosphere. The higher you climb of course, the worse this becomes.

Elia used a Canon EOS 1D C (canon rumors), two EOS 5D Mark III (canon rumors), an EOS 5Ds R (canon rumors), and various lenses (24mm, 16mm, 11-24mm) to shot the clip.

You can follow Elia Saikal on Intagram, Facebook, or on his site.

“Vienna Moves” shows you the beauty of Vienna in Winter

Eos 5d Mark Iv

Vienna Moves is a shot clip by Alex Solovjev, where he combines different film techniques into one clip.

The video was entirely shot on a Canon EOS 5D Mark IV (), mostly in 4K with some 1080p shots. He used the flooding film techniques in his video: timelapses, hyperlapses, time ramping, camera flow. All is synced with music and ambient city sounds.

In his words:

The city may be different and not always like you used to see in the pictures, while still remaining unique and charismatic. My goal was not to show the main sights of the city, but to convey the feelings that you are experiencing in this city when the feast is over, and spring has not yet arrived.
This is Vienna, this is winter.

Enjoy!

“NYC Textures” is a hypnotic stop motion video of patterns you see in New York City

ynon lan

I’m happy to feature a new work by NYC based artist Ynon Lan.

Ynon Lan is a director and animator living in New York City. In his work he enjoys combining photography, videography and different animation techniques in inventive ways. His latest stop motion video, the one we are featuring here, was shot over a period of two weeks. Ynon walked around different areas of Manhattan and shot thousands of photos of the most interesting textures. In his own words:

Once you start walking around a big city like [NYC] looking for unique textures, you can’t help but noticing this endless variety.

I think a whole video could have been made on the different types of bricks alone.

The project started with a short experiment Ynon shot on his iPhone in a subway station and then uploaded on his Instagram profile. The results were promising and so he started the “NYC Textures” project, using the same concept and techniques. After over thousand photos shot the video was ready to be made. All ambient sounds you here in the video were recorded on location.

Last but not least: Ynon doesn’t use fancy or expensive gear to realise his ideas. He uses a Canon EOS 550D and the EF-S 18-135mm kit lens. Kudos!

You can follow Ynon Lan on Instagram, Vimeo, or you can visit his website.

We featured other works by Ynon Lan in the past:

Shooting the Aurora Borealis with Canon EOS 5D Mark IV and 6D Mark II (and pushing ISO to the limits)

aurora borealis

Astronomy and night sky photographer Phil Hart made two beautiful clips of the Aurora Borealis in Canada’s Yukon Territory. The results are beautiful and have a touch of magic.

To shot both Aurora Borealis clips, Phil Hart used a Canon EOS 5D Mark IV (price & specs) and an EOS 6D Mark II (price & specs) and fast Sigma ART lenses. With the EOS 5D Mark IV he  captured 1080p video at the camera’s maximum 32000 ISO setting. 4K video on the EOS 5D Mark IV didn’t work out well for Phil: the combination of the 1.7x crop factor and significant reduction in maximum allowable ISO speed were the bottlenecks. He used the EOS 6D Mark II to shoot 4K time-lapse video.

First, have a look at the mesmerising clips below.

Phil Hart tells the story of both clips on his site, with many details on his workflow.

[via PetaPixel]

“NYC Layer-Lapse” is an amazing display of New York City (and shot with Canon gear)

Layer-lapse

We featured other works by time-lapse photographer Julian Tryba in the last years. Tryba’s latest effort is a layer-lapse of New York City, NYC Layer-Lapse.

You may wonder what a “layer-lapse” is. Julian Tryba describes it as follows:

Traditional time-lapses are constrained by the idea that there is a single universal clock. In the spirit of Einstein’s relativity theory, layer-lapses assign distinct clocks to any number of objects or regions in a scene. Each of these clocks may start at any point in time, and tick at any rate. The result is a visual time dilation effect known as layer-lapse.

You have to watch the video to grasp the idea entirely.

To realize NYC Layer-Lapse Julian Tryba made 22 trips to New York, spent 352 hours filming, paid $1,430 in Parking Fees, drove 9,988 miles, and took 232,000 pictures. As you can see this is way more than a weekend project. He used five Canon DSLRs (Canon EOS 5Ds, EOS 5D Mark III, EOS 5D Mark II, EOS 6D, EOS 7D), a Sony A7rii, and a bunch of lenses (Canon 200-400mm, Canon 100-400mm ii, Canon 70-200mm 2.8 ii, Canon 16-35mm 2.8 ii, Canon 24mm f1.4 ii, Canon 24-70mm 2.8 ii, Zeiss T* 50mm 1.4, Canon 135mm f2, Sony G 16-35mm 2.8, Canon 24-105mm, Rokinon 20mm 1.8).

NYC Layer-Lapse is not your usual time-lapse clip, it is a work of art born from passion and hours of work. More about how it was made can be read here. Kudos!