Above: Photo 101: How To Take Great Pictures with Rudy Winston
Canon announced the start of Canon Online Learning Center, and put a first set of classes online. The videos last less than one minute and are teasers.
Canon Educates and Inspires With New In-Depth Online Learning Program
Canon Online Learning Courses Designed to Support and Develop Imaging Skills for Passionate Photographers of All Levels
MELVILLE, N.Y., June 7, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, is launching Canon Online Learning, a new program of immersive digital courses designed to help photo and video enthusiasts of all levels develop their skills at their own pace. The program, which expands upon Canon’s robust mix of existing free and paid educational offerings, looks to educate parents, travelers, imaging hobbyists and working professionals with proven techniques from recognizable industry talents.
Available now are these initial seven courses, suitable for all skill levels:
Understanding EOS Camera Operations
Photo 101: How to Take Great Pictures
Printing Basics & Beyond
Great Landscapes Made Easy
Child’s Play: Simple Tips for Photographing Children
Getting Started with Flash Photography
Canon Insider Guide: EOS Rebel Series
These first seven courses, and subsequent classes to follow, will include video guides unique to each course with the option to download or print PDF materials. With the exception of Canon Insider Guide: EOS Rebel Series, courses will also include complementary resources such as bonus video content, lighting/shooting diagrams, shot lists, resource guides and interviews with course instructors. Additional interactive materials may include quizzes, assignments, interactive images and diagrams.
“Canon has always provided industry leading educational resources for our customers. Over the years, we have expanded our offerings to include live workshops, one-on-one in-person sessions and countless free lectures across the country. Now, for those passionate customers looking to take a deeper dive into photography or videography, we have developed a curriculum of content that addresses the various ways our customers use our products today, and it’s available at their convenience online, day or night,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “This new program also helps familiarize the imaging community with our wide range of educational tools, allowing them to learn valuable tips from our technical experts, as well as our Explorers of Light professional photographers.”
A Canon EOS C300 Mark II made it to the summit of the Everest. It happened on May 19, 2016, when an Austrian expedition reached the summit of the highest mountain on earth. The EOS C300 Mark II was used for what is going to be the first 4K production of Mt. Everest. The expedition was organised by Furtenbach Adventures.
There is a long interview with the guys who did it, mainly about the mountaineering-challenges, and it is in German. However, you can get a pretty decent machine translation here (at least you’ll grasp what is said). An excerpt:
Using the latest camera technology, the team led by Tyrolean expedition organiser Lukas Furtenbach, filmed all the way to the summit.It’s the first full 4K production from Mount Everest.Overall, they spent more than 1.5 hours at the top to create footage with various camera systems (including 360 ° VR cameras) for two projects of a German private television station and a cinema project.
Shooting 4K on Mt. Everest
The Canon EOS C300 Mark II was sponsored by Canon Germany as part of a case study for the company. As Lukas Furtenbach told me via email, they were very happy with the EOS C300 Mark II and its performance, which all along the way to the summit never missed a hit. The EOS C300 Mark II was operated by German cameraman Philip Flaming. The two projects mentioned above are TV-documentaries. Hope there will soon be a “making of” of these productions.
Shooting 4K on Mt. Everest
Furtenbach Adventures, the company that organised the ascension to Mt. Everest send me a brief press statement that I translated for you.
After no one was on the summit of Mount Everest for almost two years, we were one of the first expeditions reaching the summit of Mount Everest from Nepal. On 19/05/2016 at 6:15am there were 5 of 6 participants and a camera crew at the top. And they wrote film history.
After decades there was again an expedition of a Tyrolean [Austria, editors note] organizer with special features:
We were the first commercial expedition ever which has acclimatised at home as cohesive team high in the mountains, six weeks before the start of the expedition. This gave us an almost twice as long acclimatization time compared to other teams and we were better prepared to do the summit, could climb faster, and head right back to the secure Camp 2 (usually after having done the summit, people descends only into the more exposed Camp 4). As successive events on Mt. Everest have shown in the following days, this was the key to a safe ascent and descent. There were six deaths and more than eighty people with severe frostbite. The time our expedition had to spent on spot was far below that of most other teams, thanks to our acclimatization efforts at home. For us this is the future of commercial high altitude mountaineering, as it increases security and chances of success.
We had connected two film projects. Using the latest camera technology we shot all the way to the top. It is the first full 4K production from Mount Everest. Overall, we spent more than 1.5 hours at the top, to use the various camera systems (including 360 ° VR cameras) for two projects of a German private TV station. Our expedition also hosted the mammoth 360 Project.
It happened during the Stanley Cup Finals between the Pittsburgh Penguins and the San Jose Sharks. It’s a Canon EF 15mm f/2.8 fisheye lens that dropped on the rink while the game was going on. A few short clips of the accident made it on Twitter.
Tony & Chelsea Northrup posted a 16 minutes video where Tony speculates about future cameras and their features. The Canon EOS 6D Mark II, Canon EOS 7D Mark III and Canon EOS 5D Mark IV are examined, among others (Sony, Nikon etc). All in all his predictions are at least plausible.
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