Photography Bay posted their review about the Canon Powershot G7 X:
In a world of compact cameras dominated by smartphone cameras, the Canon G7 X is one of the few dedicated compact cameras that [Photography Bay] would still recommend buying today.
In this 8 minutes video, Peter Hurley reviews the upcoming Canon 5DS, a 50 megapixel studio camera that rivals medium format (via Resource Magazine).
Canon’s new EOS 5DS and EOS 5DS R are available for pre-order. Demand wil be high, be sure to make your pre-order as soon as possible in order to get it in June when it ships.
CanonUSA on YouTube posted a 6 minutes video about the Canon EOS 7D Mark II. Anything you want to know about the 7D2? The video is likely to give you an answer.
After a new set of 76 samples, Photography Blog posted their full review of the amazing Canon EF 11-24mm f/4L lens, the world’s widest rectilinear zoom. In the conclusion they write:
Image quality is outstanding. Chromatic aberrations are very well controlled, bokeh is pretty impressive despite the slow f/4 aperture and the wide-angle nature of the lens, and the Super Spectra coatings successfully prevent contrast loss attributable to flare. The only real optical issues are obvious vignetting throughout the zoom range (but particularly at 11mm), predictably obvious barrel distortion at the 11mm wide-angle focal length, and a slight lack of both centre and edge sharpness when shooting wide-open at f/4 at the 24mm focal length.
DxOMark tested Canon’s diminutive EF-S 24mm f/2.8 STM pancake lens. This small, inexpensive, and light weight lens for Canon’s APS-C DSLRs performs pretty good for a $150 lens.
Concluding, they write:
The EF-S 24mm prime also offers a notable step up in image quality compared to the standard 18-55mm Canon kit lenses, if you’re looking for a lightweight second lens option. Despite marginally worse overall results for Distortion, Vignetting, and Chromatic Aberration, the EF-S 24mm prime takes full honors for Sharpness with a Lens Metric Score of 11 P-Mpix compared to 8 P-Mpix for both versions of Canon’s 18-55mm standard zoom. Transmission is significantly improved, too, around 2 T-stops better than the kit lenses, making it a better option for low-light shooting. At 24mm, using the maximum apertures of f/2.8 on the EF-S 24mm or f/4 on the zooms, the EF-S 24mm prime is sharper at the center; stop down the EF-S 24mm to f/5.6, and resolution is homogenous across the frame, which is something the kit lenses can’t deliver.
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