Canon announce new Compact Native 4K Resolution Laser LCOS Projectors

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The Canon REALiS 4K600Z and the REALiS 4K601Z Pro AV LCOS Projectors have the suggested list price of $77,990, and are scheduled to be available through authorized Canon dealers by December 2017.

Press release:

Canon U.S.A. Expands Line Of Compact Native 4K Resolution Laser LCOS Projectors

Offering Superb Image Quality for a Wide Range of Markets and Applications Including Immersive Simulations and Multi-Projection Blending

MELVILLE, N.Y., November 7, 2017 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the REALiS 4K600Z Pro AV LCOS Laser projector which incorporates all of the same features as Canon’s current award-winning REALiS 4K600STZ with the new standard throw ratio of 1.3-2.4:1 (throw ratio of 4K600STZ is 1.0-1.3:1). Suitable for a wide range of markets and applications including government, museums, higher education, and medical education and training, the 4K600Z projector utilizes Canon’s unique LCOS technology with AISYS-enhancement, an advanced Genuine Canon 4K projection lens and dual image processors to create beautiful ultra-high-resolution images.

“Canon’s 4K600STZ LCOS projector has been very well received in a variety of new markets and applications, and we’re excited to introduce this new model that further delivers on these markets’ needs,” said Yuichi Ishizuka, president and chief operating officer, Canon U.S.A., Inc. “We are confident that our new REALiS 4K600Z projector will not only provide an extremely high quality of imagery, but will also help professionals in these markets advance their work and training to new heights.”

The REALiS 4K600Z Pro AV LCOS 4K projector is designed to offer an impressive native 4K resolution of 4096×2400 available pixels, making it ideal for those applications like simulation/training, design and engineering that require extremely high detail, and can also benefit from larger vertical display areas. The 4K600Z projector is also fully equipped with a unique Canon designed 4K high-performance dual-image processing engine, reproducing uncompressed 4K video at up to 60 frames per second (60P) using high-speed image processing technology.

The REALiS 4K600Z Pro AV LCOS 4K features exclusive Canon technology, such as the AISYS (Aspectual Illumination System) optical engine that is designed to offer maximum brightness and contrast while maintaining a compact size. The projector’s Genuine Canon 4K Lens, which can project up to a maximum of 600 inches, is marked with a distinct red line around the lens signifying Canon’s highest quality of imaging technology. This model also includes a special Marginal Focus function, which can be used to help ensure content projected on the peripheral portions of domed surfaces remains in focus—particularly important to those in the simulation, training and educational fields.


Additional technology found in the REALiS 4K600Z Pro AV LCOS projector includes:

  • Laser Phosphor Light Source: Provides an extensive list of benefits including extended operation life of up to 20,000 hours (20,000- 40,000 hours with extended mode1), 360 degree installation—on any axis, fast boot up at approximately two seconds2, wide color gamut supporting RGB, and super quiet modes which allow for operation at just 29db.
  • 6000 Lumens: Delivers bright, stunning images with an impressive dynamic contrast ratio of up to 10,000:13, as well as a consistent level of brightness throughout its zoom range (when screen size remains unchanged).
  • High Dynamic Range (HDR): Provides the ability to reproduce content with outstanding high contrast, making gradation close to that of human vision. Additionally, the projector supports the input of video content simulating the 4K/8K broadcast-standard ITU-R BT.2020 color gamut.
  • DICOM® Simulation Mode4: The Canon REALiS 4K600Z projector’s DICOM® Simulation Mode4 is ideal for those in the medical education and training field who require displaying monochrome digital X-rays, CAT scans and MRIs with superb grayscale gradation. This mode, which offers both clear and blue base color temperature presets, simulates the results of devices compliant with the Digital Imaging and Communications in Medicine (DICOM) Part 14 standard4.
  • Versatile Connectivity and Network Management: The Canon REALiS 4K600Z offers many industry-standard interfaces to enhance usability, including two HDMI (version 2.0a), and four DVI inputs supporting single, stripe and cross configurations for 4K, 2K or HD video playback. Network management, including compatibility with PJLink™, Crestron Room View and AMX Device Discovery, also helps provide outstanding flexibility for monitoring and control.

REALiS 4K601Z Pro AV LCOS Projector
For those specific applications that require a projector with no wireless connectivity and functionality, the REALiS 4K601Z Pro AV LCOS Projector is available with all of the same features as the 4K600Z, with the wireless connectivity and functionality removed.

Price, Availability and Warranty/Support
The Canon REALiS 4K600Z and the REALiS 4K601Z Pro AV LCOS Projectors have the suggested list price of $77,990.00, and are scheduled to be available through authorized Canon dealers by December 2017*.

Both projectors are backed by Canon’s Five-Year Laser Projector Limited Warranty, and the Company’s award-winning Professional Service & Support, which includes both a Three-Year Advanced Warranty Exchange Service Program and a Service Loaner Program.

I/ITSEC 2017
Canon’s 4K Projectors will be on display in the Canon booth #2419 at I/ITSEC 2017 in Orlando, Florida, from Monday November 27th to Thursday November 30th.

For more information please visit usa.canon.com

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Explorer Of Light Stephanie Sinclair Celebrated At The Imaging Alliance ‘Salute Photographers Who Give Back’ Event

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Canon Celebrates Explorer Of Light Stephanie Sinclair At The Imaging Alliance ‘Salute Photographers Who Give Back’ Event

Pulitzer Prize-Winning Photojournalist to Be Honored for Her Acclaimed Work, Too Young to Wed, at the Third Annual Awards Ceremony in NYC

MELVILLE, N.Y., November 6, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to celebrate world-renowned photographer and Explorer of Light Stephanie Sinclair at the third annual Imaging Alliance’s “Salute Photographers Who Give Back” Awards, Nov. 6 at the SVA Theatre in New York City. Stephanie will be honored for her program Too Young to Wed, a nonprofit multimedia platform that seeks to raise awareness of child marriage while empowering girls in these circumstances to express their creativity through photography. Sinclair will be among three honorees at this year’s ceremony. In addition, images from Too Young to Wed created by child marriage survivors will be on display at the World Photo Press exhibition from now until November 26 at Dupont Underground in Washington, D.C.

The Imaging Alliance will salute Sinclair alongside two other professional photographers: Brooke Shaden and Jerry Ghionis. The trio is being honored for using their talent and passion to give back and heighten awareness of important social and cultural issues through the power of imaging. In addition, one SVA student who has used photography to educate and create awareness will be awarded the Anthony M. Ruotolo Photojournalism Award. The event will feature presentations by the three honorees followed by a short Q&A with the audience. Robert Caplin of The Photo Brigade will serve as master of ceremonies.

“It is with the utmost pleasure that at this year’s Imaging Alliance Awards we get to celebrate our very own Explorer of Light Stephanie Sinclair and her amazing work,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “With her Too Young to Wed initiative, Stephanie has dedicated her life for the last decade to inspiring change through imaging. We truly feel that she represents the embodiment of what our company stands for—an unwavering dedication to help people tap their creativity to reach new heights of their potential.”


Stephanie Sinclair is a New York-based photojournalist who has gained international acclaim for her attention to human rights issues. Through her photography and her Too Young to Wed foundation, she has shone a spotlight on issues such as child marriage, female circumcision, war and polygamy. Too Young to Wed provides visual evidence of the human rights challenges faced by women and girls around the world. The mission is to amplify courageous voices and build a global community dedicated to ending child and forced marriages, and to support positive change for these girls through programs such as literacy classes and the Tehani Photo Workshop. Named after an 8-year-old child bride in Yemen, this five-day workshop brings together 18 brave child marriage survivors to help them gain the skills to become budding photojournalists while learning tools to manage their trauma, express themselves, advocate for girls’ rights and become mentors to subsequent workshop participants.

Since the creation of the program in 1995, Canon’s Explorers of Light have been leaders in their respective fields, garnering awards and accolades for their work. These individuals work with Canon extensively as representatives, ambassadors, educators and as role models for aspiring creative artists. They participate in workshops, seminars, gallery showings and personal appearances throughout the United States. 

In addition to her honor at the Imaging Alliance Award, images of Too Young to Wed will be on display at the World Photo Press exhibition. World Photo Press exhibition, on display from now until Nov. 26 at Dupont Underground in Washington, D.C., is a partnership with the International Women’s Media Foundation (IWMF), which named Sinclair its 2017 Anja Niedringhaus Courage in Photojournalism award winner for her extensive work on child marriage. Along with images from Too Young To Wed created by child marriage survivors, the exhibit will feature the work of Louisa Gouliamaki and Nicole Tung, who earned honorable mentions from the IWMF, which highlights the role of leading women photographers and videographers as well as show powerful images of the struggles of young women suffering from tremendous inequality.

For more information on Stephanie Sinclair as well as the Explorer of Light program, visit: http://www.learn.usa.canon.com/explorers_of_light/eol_home.shtml.

About Imaging Alliance:
The Imaging Alliance is a non-profit organization representing the bold and diverse imaging industry, with a membership that encompasses manufacturers, software and application developers, retailers, media, photographers and others. It brings together critical assets from two respected, long-time industry associations: the Photo Manufacturers and Distributors Association (PMDA) and the Photo Marketing Association International (PMAI). The Imaging Alliance actively promotes the economic growth and sustainable development of both current and future imaging applications. Its members work together to create a sense of community through philanthropic activities that support visual communications. For more information, see http://www.theimagingalliance.com/.

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Monsoon IV is new jaw-dropping time-lapse of North-American storms (shot with Canon EOS 5DS R)

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Another great work by storm chaser Mike Olbinski (other works we featured).

Mike describes his latest effort:

This year I ventured far and wide. Phoenix never saw a good dust storm all summer, but I still was able to capture a few good ones in southwest portions of the state. The cover photo for this film was halfway to Yuma standing in the middle of Interstate 8 watching an ominous wall of dust roll down the highway towards me with lightning flashing behind it. It was an incredible moment.

One bonus this summer was a few successful chases up at the Grand Canyon. Finally. A couple of gorgeous sunsets, rain dumping into the Canyon, lightning at night, Milky Way…it all worked out and I’m stoked for the footage I captured there that made it into this film. I also ventured over into New Mexico twice to chase some wonderful, plains-like structure to end the monsoon this year.

All told I covered about 13,000 miles and chased as far west as Desert Center, CA, as far east as Wilna, NM and as far north as Tonelea, AZ. And two great storms down in Organ Pipe National Monument, which is only about 10 miles from Mexico.

[…]  I shot over 110,000 frames of time-lapse and likely only half of it ended up in the final cut. The editing has taken me weeks […]

Mike Olbinski used two Canon EOS 5DS R along with Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm lenses, and Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro. Enjoy!

New Canon 4K UHD Portable Zoom Broadcast Lenses announced

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Whiteout anyone seeing it coming, Canon just announced two new 4K UHD portable zoom broadcast lenses. Following Canon’s naming tradition for this kind of lenses, these two too have nice monikers, easy to remember:  Canon CJ45ex9.7B and CJ45ex13.6B. Easy Peasy.

The Canon CJ45ex9.7B is scheduled to be available in April 2018, while the CJ45ex13.6B will be available in May 2018. For full product specifications and more information on these lenses and the full-line of Canon 4K Broadcast Lenses please visit here.

Canon press release:

Canon Launches New 4K UHD Portable Zoom Broadcast Lenses

The New Broadcast Lenses Feature 45x Zoom, The Highest Zoom Ratio in Their Class1

MELVILLE, N.Y., November 1, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today two new portable 4K UHD broadcast lenses for use with broadcast cameras featuring 2/3-inch sensors: the Canon CJ45ex9.7B 4K UHD Portable Zoom Lens provides users with the highest zoom ratio in its class1, and the Canon CJ45ex13.6B 4K UHD Portable Zoom Lens features both the highest zoom ratio and longest focal length in its class1.

The Canon CJ45ex9.7B and CJ45ex13.6B lenses both feature a broad 45x zoom ratio and wide-angle focal length of 9.7 mm to 437 mm and 13.6 mm to 612 mm, respectively. Both telephoto zoom lenses are ideal pieces of equipment for Electronic Field Production (EFP) broadcast applications including wildlife/nature, sports, live events, documentaries, and helicopter/aerial. Additionally, both lenses are well suited for mid-size broadcast vans and surveillance applications.

“As the demand for more 4K UHD broadcasting continues to grow, Canon is constantly developing high-quality products to provide producers and broadcasters with outstanding optical performance,”said Yuichi Ishizuka, president and COO, Canon U.S.A. “The CJ45ex9.7B and CJ45ex13.6B both support a variety of broadcast applications, enabling users to capture breathtaking 4K UHD image quality in a form factor that is both lightweight and compact.”

The CJ45ex9.7B and CJ45ex13.6B both employ Canon proprietary optical design technology that features optimal lens positioning using both fluorite and Ultra-low Dispersion (UD) glass. The use of these lens elements enable users to capture high-quality 4K UHD imagery from the center of the imaging field to the periphery and across the entire zoom range, making them ideal for a variety of shooting situations—from close-up shots all the way to wide shots such as panoramic views of large venues.

The form factor and operational controls of the lenses will be very familiar to users who have previously operated one of Canon’s award-winning HD lenses. The lenses are designed to meet the demands of the on-the-go broadcast shooter where lightweight and compact are key advantages, comparable to HD super telephoto lenses. Both lenses feature three 20-pin connectors for zoom control, focus control and access to the virtual terminal, even in full servo setup with focus and zoom controllers connected. Futhermore, a 16-bit absolute value encoder in the digital drive unit helps eliminate the need for any initialization, enabling users to simply turn on the camera and begin shooting.

Availability

The CJ45ex9.7B 4K UHD Portable Zoom Lens is scheduled to be available in April 2018*, while the CJ45ex13.6B will be available in May 2018*. For full product specifications and more information on these lenses and the full-line of Canon 4K Broadcast Lenses please visit, https://www.usa.canon.com/bctv-lenses.

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This time-lapse video shows how a Canon EOS 6D shutter gets replaced

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Ever wondered what happens when the shutter of a DSLR gets replaced? Ever had the “Error 20” on your Canon DSLR? Well, this is what happens when the shutter of a Canon [shoplink 7139]EOS 6D[/shoplink] is replaced. It’s amazing to see how many components and layers are fitted in a modern DSLR body. Impressing! The video was posted by Photographic Repairs on their Facebook page.

Source

Canon releases Q3 2017 Financial Results, EOS 6D Mark II sales good, company claims

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Canon published financial results for Q3 2017. Results are not bad for the Japanese Company, though “sales volume of interchangeable-lens digital cameras declined compared with the previous year“. However, apparently “newly launched models as [shoplink 46185]EOS 6D Mark II[/shoplink] enjoyed solid demand”. Can’t be such a bad camera after all.

The company describes their global market situation as follows:

As for the markets in which Canon operates amid these conditions, demand for office multifunction devices (MFDs) overall remained at around the same level as the previous year amid the increase in demand for color models, while demand for laser printers continued to recover in emerging countries, centered on China, as the economy recovered. Demand for cameras shrank moderately, while demand for inkjet printers remained at the same level as the previous year. Additionally, there was solid demand for medical equipment, mainly in developed countries. Within the Industry and Others sector, demand for flat panel display (FPD) lithography equipment and manufacturing equipment for organic LED (OLED) displays enjoyed strong growth.

More specifically, the Image System Business

Within the Imaging System Business Unit, although sales volume of interchangeable-lens digital cameras declined compared with the previous year, owing to the shrinking market, unit sales of such newly launched models as EOS 6D Mark II enjoyed solid demand, allowing Canon to maintain the top share in the U.S., Japan, and major countries in Europe. As for digital compact cameras, sales of high-value-added models enjoyed solid demand; supported by healthy demand for the newly launched G9 X Mark II, part of the high-image-quality PowerShot G-series lineup, leading to an increase in unit sales from the same period of the previous year. Additionally, the decline in sales in the previous year due to shortages resulting from the Kumamoto earthquake contributed to the increase in unit sales for this year. As for inkjet printers, the newly designed home-use TS-series and refillable ink tank models that target emerging countries enjoyed strong demand, resulting in unit sales increasing from the same period of the previous year. As a result, sales for the business unit increased by 9.0% to ¥270.5 billion year on year, while operating profit totaled ¥39.2 billion, a year-on-year increase of 31.1%. Sales for the combined first nine months of the year totaled ¥795.3 billion, a year-on-year increase of 3.2%, while operating profit totaled ¥116.9 billion, a year-on-year increase of 26.1%.


All the documents regarding Canon’s Q3 2017 Financial Results are available to the public as PDF files:

For a quick overview have a look to the presentation material.