Canon EOS DSLR Cameras and EF Lenses Touch Down on the Sidelines of the Big Game in Houston

Canon EOS
Canon EOS DSLR Cameras and EF Lenses Touch Down on the Sidelines of the Big Game in Houston (© Canon)

Canon press release:

Canon EOS DSLR Cameras and EF Lenses Touch Down on the Sidelines of the Big Game in Houston

MELVILLE, N.Y., February 7, 2017 – On February 5th, top sports photographers from across the country gathered in Houston to cover the Big Game between the teams from New England and Atlanta. With an estimated 75 percent* of the photographers in the Houston stadium using Canon EOS DSLR cameras and EF lenses, Canon’s iconic white lenses filled the sidelines from the opening kickoff to the final whistle. In addition to the EOS DSLR cameras and EF lenses on the sidelines, Canon’s line of HD broadcast lenses were also used extensively to help deliver the game to more than 110 million television viewers.

“It’s an honor to see yet another major sporting event where the country’s most talented and acclaimed sports photographers captured exciting moments with Canon equipment. These images will be seen by millions of people around the world and will forever be etched in sports history. We understand there are many equipment options for professional photographers and Canon is honored to serve these professionals and provide assurances that both our products and support live up to the requirements and expectations of our devoted customers,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.

A full complement of friendly and knowledgeable staff from the Canon Professional Services (CPS) team, a fixture at major sporting events throughout the year, were on site at the stadium for most of the week leading up to game day providing comprehensive equipment maintenance, extensive equipment loans and expert technical support to the major photo agencies and individual professional (or media) photographers covering the game.

For veteran sports photographer and Canon Explorer of Light Damian Strohmeyer, this was his 30th time covering the big game as a professional, and he was well stocked with Canon cameras and lenses. “Leading up to the game, I always make sure to meet with the Canon Professional Services team to run through my settings and firmware, and ensure that my gear is as ready for the big game as the players are,” Strohmeyer said. “During the game, there’s so much action that you can’t be worried about how your equipment will perform. Depending on where the play is, I need to stay prepared for anything that may happen, with no time to switch lenses. For this reason, I used three EOS-1D X Mark II cameras, equipped with EF 400mm f/2.8L IS II USM, EF 70-200mm f/2.8L IS II USM, and EF 24-70mm f/2.8L II USM lenses. After the game, I switched to an EF 16-35mm f/4L IS USM wide angle lens for post-game reaction shots. Everything performed fabulously, and my images came out looking great!”

Canon Professional Services will be proudly attending to professional photographers at over 30 events this year including major sporting, auto racing, Hollywood, and political events throughout the year.

For more information about CPS: http://www.cps.usa.canon.com/

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Canon unveils new photo paper at WPPI 2017, Canon Deep Matte

canon rumors

Canon press release:

New Canon Deep Matte Media Offers New Possibilities for Photo Labs and Professional Photographers

New paper type unveiled at WPPI helps Dreamlabo 5000 users explore opportunities for new products

MELVILLE, N.Y., February 7, 2017 – Continuing to expand its offerings to create new business opportunities for customers, Canon U.S.A., Inc., a leader in digital imaging solutions, has announced that the new Deep Matte single-sided media is now available for the DreamLabo 5000 inkjet production photo printer, offering customers an additional option for their high-quality photo output. Canon’s Deep Matte single-sided media features a smooth and glossless texture that accentuates the vivid shades, contrasting colors and high-quality image of the Dreamlabo 5000 printer’s superb output. Deep Matte media can be ideal for a variety of applications, including single prints, and with its outstanding creasing ability, the paper lends itself well to premium flush mount albums.

Attendees at the WPPI Wedding & Portrait Photography Conference and Expo, held from February 7 to February 9 at the Las Vegas Convention Center in Las Vegas, Nevada, are encouraged to visit the Canon booth (#405) to be among the first to see samples printed on Deep Matte media firsthand. Also present at WPPI will be Bay PhotoLab, who last year announced that they had added the Dreamlabo 5000 to their printing fleet; marking the first such installation on the west coast of the United States. Located outside of Santa Cruz, California, Bay Photo Lab sought to upgrade its printing capabilities to help meet the growing needs of their core customers, most notably professional photographers. With its ability to print accurate and vibrant colors at 2400 dpi, the DreamLabo 5000 was a perfect fit for Bay Photo Lab due to its flexibility and color consistency. At WPPI, Bay Photo Lab will be displaying prints and photo albums from their shop printed on Deep Matte media in their booth.

“Much like Canon, our company continually strives to bring great new products to our customers using innovative technology,” said Larry Abitbol, president of Bay Photo Lab. “We have always explored many different ways to expand our product line, which the addition of the DreamLabo 5000 printer will help us do. I hope that those attending WPPI will take the opportunity to visit us in the Canon booth to see the quality of our output from the DreamLabo 5000 printer up close.”

To learn more about the Dreamlabo 5000 printer, please click here. For more information on Canon media, visit www.usa.canon.com.

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Tamron announce 10-24mm F/3.5-4.5 Di II VC HLD, pre-order available ($499)

10-24mmTamron 10-24mm F/3.5-4.5 Di II VC HLD at a glance:

  • Canon EF-Mount/APS-C Format
  • 16-38.4mm (35mm Equivalent)
  • Aperture Range: f/3.5 to f/29
  • One XLD Element, One LD Element
  • Aspherical & Hybrid Aspherical Elements
  • BBAR and Fluorine Coatings
  • HLD Autofocus Motor
  • VC Image Stabilization
  • Moisture-Resistant Construction
  • Rounded Seven-Blade Diaphragm

Tamron announced also the 10-24mm F/3.5-4.5 Di II VC HLD lens. Pre-order at $499 at B&H Photo | Adorama.

Press release:

February 7, 2017, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the launch of 10-24mm F/3.5-4.5 Di II VC HLD (Model B023), a new ultra-wide-angle zoom lens for APS-C DSLR cameras.

Model B023 is a wide-angle zoom lens that covers an exceptionally large range—the largest focal length range in its class*1 (35mm equivalent is 16mm to 37mm). The lens is ideal for street photography, landscapes, group photos and casual everyday scenes. In 2008, Tamron launched the SP AF10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001) that provided an unprecedented focal length range in its class. Building on that lens’s popularity, the successor Model B023 has improved optical performance and new features. It embodies Tamron’s most advanced technologies, including the VC (Vibration Compensation) system, Moisture-Resistant Construction and Fluorine Coating, and the first implementation of Tamron’s new HLD (High/Low torque modulated Drive). Additionally, the Model B023 has a refreshing new design derived from the design of the new product lineup in the SP series.

Product name
10-24mm F/3.5-4.5 Di II VC HLD
(Model B023)
Date of Launch (in Japan)
The Nikon mount model: March 2, 2017
The Canon mount model: March 23, 2017

*1 Among ultra-wide-angle zoom lenses for APS-C DSLR cameras (As of January, 2017; Tamron)

Product Highlights

  • Inheriting the broadest focal length range in its class*1 of ultra-wide-angle zoom lenses
  • The new Model B023 achieves a broad focal length range of 10-24mm, the largest range among ultra-wide-angle zoom lenses for APS-C DSLR cameras. This is the 35mm equivalent of covering a very wide angle of view, from 16mm ultra-wide angle to 37mm semi-wide angle. A photographer can enjoy diverse wide-angle expressions with just this one lens, from dynamic landscapes far beyond the normal human field of vision to simple, casual snapshots.
    *1 Among ultra-wide-angle zoom lenses for APS-C DSLR cameras (As of January, 2017; Tamron)
  • Improved optical performance across the entire zoom range
  • The optical design of the new Model B023 consists of 16 lens elements in 11 groups. Special lens elements are utilized in an optimum configuration of one LD (Low Dispersion) lens element, one XLD glass element, one molded glass aspherical element, and one hybrid aspherical lens. While curbing an increase in the size of the optical system, the new lens very effectively compensates for a wide variety of aberrations in the entire zoom range, including transverse chromatic aberration, comatic aberration and distortions that tend to become more prominent with a wide-angle lens.
    Tamron’s highly regarded BBAR (Broad-Band Anti-Reflection) Coating and the optical design paying close attention to internal reflections in the lens barrel also curb the effects of harmful light rays that tend to occur with a wide-angle lens, achieving excellent resistance against ghosting and flare seen in backlighting situations.
  • Vibration Compensation that is especially useful in low light conditions
  • In response to the requests of many customers who have asked the company to equip a wide-angle lens with image stabilization, we have now installed Tamron’s acclaimed VC (Vibration Compensation) on the new Model B023. Optimizing the actuator and the control algorithm has made it possible to incorporate the VC, while maintaining the compact design of the previous Model B001. The VC especially enhances the photographer’s freedom in handheld shooting at dusk or in a dimly lit room, and under other relatively low light conditions, as the mechanism proves particularly effective in the shooting conditions with slower shutter speeds.
  • Equipped for the first time with the new HLD with outstanding driving power and stability
  • Tamron’s new HLD (High/Low torque modulated Drive) has been developed for use as the AF drive system for Model B023. With its outstanding driving power and stability, the HLD is capable of smoothly controlling the AF mechanism of the new Model B023 that is actually equipped with large focusing lens elements. When shooting in AF mode, the Full-time Manual Focus override allows you to instantly make fine focusing adjustments manually, without having to switch between modes.
  • Compressed into a compact body with structural ingenuity
  • While enhancing image quality, adding new functions and substantially improving the basic performance, Model B023’s space-saving design has ensured an optimum configuration for components such as the VC and AF unit, thus successfully reducing overall length compared to the previous Model B001. The lightweight and compact body with outstanding ease of use will prove to be very well-balanced when attached to an APS-C DSLR camera.
  • An even more user-friendly lens with Fluorine Coating and Moisture-Resistant Construction
  • The front surface of the foremost lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints, allowing for much easier maintenance. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.
  • Electromagnetic diaphragm system now used also for Nikon-mount lenses
  • An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses*2. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.
    *2 Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300S) (As of January, 2017; Tamron)
  • Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product
  • The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.
  • External design placing importance on functionality and ease of use
  • While inheriting the design that makes use of a lot of organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B023 comes with a highly sophisticated design that also places much importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring, the switch shape and the distance-scale window design.

Specifications

Model B023
Focal Length 10-24mm
Maximum Aperture F/3.5-4.5
Angle of View (diagonal) 108°44′- 60°2′ (for APS-C format)
Optical Construction 16 elements in 11groups
Minimum Object Distance 0.24m (9.4 in)
Maximum Magnification Ratio 1:5.3
Filter Size Φ77mm
Maximum Diameter Φ83.6mm
Length* for Canon 84.6mm (3.3 in)
for Nikon 82.1mm (3.2 in)
Weight for Canon 440g (15.5 oz)
for Nikon 440g (15.5 oz)
Aperture Blades 7 (circular diaphragm)
Minimum Aperture F/22-29
Image Stabilization Performance 4 Stops (CIPA Standards Compliant)
For Canon: EOS-80D is used / For Nikon: D7200 is used
Standard Accessories Lens hood, Lens caps
Compatible Mounts Canon, Nikon
  • Specifications, appearance, functionality, etc. are subject to change without prior notice.
  • * Length is the distance from the front tip of the lens to the lens mount face.

Tamron announce SP 70-200mm F/2.8 Di VC USD G2, pre-order available

SP 70-200mm
Tamron SP 70-200mm

Tamron SP 70-200mm F/2.8 Di VC USD G2 at a glance:

  • Canon EF-Mount/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • One XLD Element, Five LD Elements
  • eBAND, BBAR, and Fluorine Coatings
  • Ultrasonic Silent Drive Autofocus Motor
  • VC Image Stabilization
  • Dust and Moisture-Resistant Construction
  • Removable Arca-Compatible Tripod Mount
  • Rounded Nine-Blade Diaphragm

Tamron announced the SP 70-200mm F/2.8 Di VC USD G2. You can pre-order the SP 70-200mm F/2.8 Di VC USD G2 at $1,299 at Adorama and B&H Photo.

Press release:

February 7, 2017, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the launch of SP 70-200mm F/2.8 Di VC USD G2 (Model A025), a new telephoto zoom lens product for 35mm full-frame DSLR cameras. Model A025 was developed by substantially enhancing the features of its predecessor.
These included a thorough review of the optical, mechanical and electronic designs to enhance increase autofocus speed and precision, reinforce VC (Vibration Compensation) functions and to shorten MOD. New features include eBAND Coating, Moisture-Proof and Dust-Resistant Construction, Fluorine Coating and compatibility with tele converters. The lens design features a metal-based barrel for improved handling and ease-of-use. The result of this dramatic evolution is Model A025, a high-speed telephoto lens that widens the scope of expression for photography in a broad range of genres, such as portraits, landscapes, sports and photojournalism.

Product name
SP 70-200mm F/2.8 Di VC USD G2
(Model A025)
Date of Launch (in Japan)
February 23, 2017
The Canon and Nikon mount models will be launched simultaneously.

*1 CIPA Standards Compliant Using in VC MODE 3 (For Canon: EOS-5D MKIII is used / For Nikon: D810 is used)

Product Highlights

  • Outstanding resolution and contrast reproduction performance, beautiful bokeh and full compatibility with Tamron tele converters
  • Based on the current model (A009), the optical design has been revised and improved. Both the resolution and contrast reproduction performance far exceed the present levels.
    Bokeh has been enhanced and expanded to deliver outstanding background effects across the entire zoom range. Use of a circular diaphragm with nine blades further improves bokeh. The optical design of the new A025 consists of 23 elements in 17 groups. Optimum deployment of XLD (eXtra Low Dispersion) and LD (Low Dispersion) glass elements thoroughly eliminate chromatic aberrations, which tend to become particularly prominent in high-speed telephoto lenses, across the entire zoom range, while ensuring uniform, high-level image quality even on the periphery of the image plane.
  • The new lens is also fully compatible with the TELE CONVERTER 1.4x (Model TC-X14)*2 and TELE CONVERTER 2.0x (Model TC-X20)*2, which increase the focal length of the lens to 1.4 times and 2 times the original, respectively. Both tele converters are carefully designed and constructed to provide outstanding high quality.
  • Changes in zoom range when used with SP 70-200 mm F/2.8 Di VC USD G2 (Model A025)

    Mounted on 35 mm full-frame DSLR camera Mounted on APS-C format DSLR camera
    Without tele converter 70-200mm Approx. 109-310mm
    With 1.4x tele converter*2 98-280mm Approx. 152-434mm
    With 2.0x tele converter*2 140-400mm Approx. 217-620mm

    Changes in magnification ratio when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)

    Maximum Magnification Ratio
    Without tele converter 1:6.1
    With 1.4x tele converter*2 1:4
    With 2.0x tele converter*2 1:3

    Available focusing mode when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)

    When using viewfinder When using live view mode
    With 1.4x tele converter*2 AF Possible AF*3Possible
    With 2.0x tele converter*2 AF Possible AF*3Possible

    *2. For more detailed information about tele converters, please refer to the Tamron website.
    *3. Subjects with low contrast and/or luminosity values can sometimes result in out-of-focus images.

  • Improved VC system provides highest Vibration Compensation ability in its class*1 (5 stops using CIPA standard compliant) and offers three situation-specific VC modes
  • Utilizing Tamron’s original VC (Vibration Compensation) system, which uses a moving coil mechanism, further reinforcement of the drive system power and control performance has now achieved the highest VC level in its class,*4 with an image stabilization performance of 5 stops according to the CIPA standard (when using VC Mode 3).Also, the VC system of Model A025 offers three VC modes, including one mode exclusively for panning. Photographers can freely choose between the different VC modes according to the shooting conditions. Even for telephoto shooting in low light, which tends to be severely affected by camera shaking, photographers can now enjoy jitter-free handheld shooting with much greater flexibility.
    *4. Among 70-200mm F/2.8 interchangeable lenses for full-frame DSLR cameras (as of January :Tamron)VC MODE 1 is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.
    VC MODE 2 is exclusively used for panning.
    VC MODE 3 prioritizes the stabilization of the captured images and forgoes the stabilization of the viewfinder image.With the optional accessory TAMRON TAP-in ConsoleTM, you can customize the configuration of
    VC MODE 1. Choose the viewfinder view of either standard or image priority.
  • Demonstratively improved autofocus speed and responsiveness
  • Model A025 is equipped with a USD (Ultrasonic Silent Drive) ring-type ultrasonic motor, whose outstanding responsiveness and control ensures accurate high-speed focusing. Incorporating two advanced, high-performance microcomputers and optimizing the algorithm has improved both the focusing speed and accuracy compared with SP 70-200mm (Model A009). Additionally, thanks to the Full-time Manual Focus override mechanism, photographers shooting with AF can instantaneously make fine focusing adjustments using MF without wasting time by switching the AF-MF mode back and forth.
  • Focuses closer (shorter Minimum Object Distance, or MOD) for greater versatility
  • Improvements made to the focus cam and zoom cam inside the lens barrel have reduced the MOD from 1.3m (50.7 in) in the older Model A009 to 0.95m (37.4 in) for Model A025, which has a maximum magnification ratio of 1:6.1. The shorter MOD, coupled with the excellent optical performance of the SP 70-200mm (Model A025), allows photographers to further broaden their range of expression.
  • Optimized and exclusively designed eBAND Coating
  • The new A025 features Tamron’s original eBAND (Extended Bandwidth & Angular-Dependency) Coating, a technology that combines a nano-structured layer with an extremely low refractive index with the conventional multiple-layer coatings. Optimized and exclusively designed for this new zoom, the eBAND Coating provides superior anti-reflection performance, effectively reducing any flare and ghosting. Even when taking backlit portraits, the new lens delivers flawless, crystal clear images.
  • Moisture-Proof and Dust-Resistant Construction
  • Ideal for use in outdoor photography, the new 70-200mm telephoto zoom has moisture-resistant construction because special sealants that are dust-resistant and moisture-resistant are used at every joint and seam. The sealant material helps to prevent the intrusion of any dirt, dust or water droplets, compared to conventional Moisture-Resistant Construction.
  • Fluorine Coating for greater protection
  • The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints.
  • Electromagnetic diaphragm system now used also for Nikon-mount lenses
  • An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now available for in Nikon-mount lenses*5. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by the motor through electronic pulse signals.*5 Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s, D600, D610, D700, D750, D800, D800E, D810, D810A, D3x, D3s, D4, D4s, Df, D500, D5). (As of January; Tamron)
  • Lightweight and easy-to-hold tripod mount is compatible with Arca-Swiss style quick release plates
  • A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. Because the tripod mount is made of lightweight magnesium, it is much easier to carry.
  • Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product
  • The optional TAP-in Console provides a USB connection to a personal computer, enabling users to easily update the lens firmware as well as customize features, including fine adjustments to the AF and VC.
  • Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with a thorough attention to details
  • For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product’s robustness and improvements in the various individual functions. Tamron thoroughly reviews of all of the design and manufacturing processes in order to offer products to customers with even-higher levels of precision and quality.
    For the SP 70-200mm G2 (Model A025), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of the component parts and increased the precision of the overall zooming mechanism.

Specifications

Model A025
Focal Length 70-200mm
Maximum Aperture F/2.8
Angle of View (diagonal) 34°21′ – 12°21′ (for full-frame format)
22°33′ – 7°59′ (for APS-C format)
Optical Construction 23 elements in 17 groups
Minimum Object Distance 0.95m (37.4 in)
Maximum Magnification Ratio 1:6.1
Filter Size Φ77mm
Maximum Diameter Φ88mm
Length* for Canon 193.8mm (7.6 in)
for Nikon 191.3mm (7.5 in)
Weight** for Canon 1,500g (52.9 oz)
for Nikon 1,485g (52.4 oz)
Aperture Blades 9 (circular diaphragm)
Minimum Aperture F/22
Image Stabilization Performance 5 stops (CIPA Standards Compliant)
Using in VC MODE 3
(For Canon : EOS-5D MKIII is used / For Nikon : D810 is used)
Standard Accessories Lens hood, Lens caps, Lens case, Detachable tripod mount
Compatible Mounts Canon, Nikon
  • Specifications, appearance, functionality, etc. are subject to change without prior notice.
  • * Length is the distance from the front tip of the lens to the lens mount face.
  • **Weight includes the weight of detachable tripod mount.

Price drop on Canon EF 16-35mm f/2.8L III USM, $200 off – $1,999

Ef 16-35mm F/2.8L III

Canon EF 16-35mm f/2.8L III: B&H Photo, Adorama, Amazon USA, Amazon Canada, Canon Canada, Canon USA

At a glance:

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to 22
  • Three Aspherical & Two UD Elements
  • Subwavelength & Air Sphere Coatings
  • Ring-Type Ultrasonic Motor AF System
  • Internal Focus; Full-Time MF Override
  • Fluorine Coating on Exposed Elements
  • Dust- and Water-Resistant Construction
  • Rounded 9-Blade Diaphragm

The Canon EF 16-35mm f/2.8L III is $200 off at all major US reseller, now on sale at $1,999: Amazon | Adorama | B&H Photo