Are you a Canon Shooter, is there something you are not happy with Canon?

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Image © Photography Bay & used with permission

Canon is the leading camera manufacturer, Canon is the market leader. However…

Canon does a lot of things in the right way (though not all agree) but this doesn’t mean everything is ok. Photography Bay made a list of things you may really dislike as a Canon bound photographer (my comments in parenthesis).

  1. Price of Lenses and Accessories
  2. One-Year Warranty on ALL Products (not for EU)
  3. Major Lag Between Product Announcement & Availability (think 5DS, it will be available in June 2015)
  4. Affordable 4K (uh, this is a good point – c’mon Canon give us this stuff)
  5. Lack of Internal Interval Shooting Options (this was eventually featured on the EOS 7D Mark II and the upcoming 5DS and 5DS R)
  6. Where is the Next Generation of Storage Formats?
  7. Slow to Adopt New Technologies and Trends (another good point)
  8. Mild Upgrades in the Canon Rebel Line
  9. Abandonment of the Serious HDSLR Shooter (I do not agree on this one)
  10. Market Segmentation

Each point of the list is discussed and explained, just have a look at Photography Bay to learn the reasons.

Canon Cameras Dominate the World Press 2014 Photo Award

 

Quesabesde made some interesting infographics about the cameras (and camera brands) used for the World Press 2014 Photo Award (won by Canon photographer Mads Nissen). The infographic above shows which camera models have been used the most. As you can see the EOS 5D Mark III, EOS 5D Mark II, and EOS-1D X clearly dominate. Canon predominance is  visible also in the next infographic below.

 

The Spanish text says (machine translated): Infographic created from data provided by World Press Photo. In the series of images made with several models has posted only the most used camera. The identity of a total of seven cameras are known.

[via Quesabesde ]

Q&A with Canon about Full-Frame Mirrorless, EOS 5DS, Auto-Focus Technology, and More

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At CP+ Imaging Resource interviewed some Canon reps. And these people are big shots in the Canon-Universe: Yasuhiko Shiomi (Senior General Manager, ICP Development Center, Yoshiyuki Mizoguchi (Group Executive, ICP Group, and Naoya Kaneda (Senior General Manager, ICP Development Center, all from the Image Communication Products Operations division at Canon Inc.

The interview touches many topics, among them: AF technology, Canon’s future plans with mirrorless cameras, the video features of the EOS 5DS, and more. Some excerpts:

Dave Etchells/Imaging Resource: My first question is on autofocus technology: The most recent generation of Hybrid CMOS AF is much faster than the previous one. Can you tell us what technical advances led to that improvement? Also, how would you compare the new Hybrid CMOS AF III’s performance to that of Dual Pixel CMOS AF, in terms of speed and accuracy?

Yasuhiko Shiomi/Canon Inc.: Compared with conventional models, first of all the number of pixels has increased significantly, and the pixel density has also increased. So we’ve incorporated Hybrid CMOS AF across the board with all of the models [that don’t already use Dual Pixel CMOS AF]. We’ve also improved the algorithms used to calculate AF, which has improved speed. However, with regard to Dual Pixel CMOS AF, the conditions that are required for applying this technology are different. It’s not really an apples to apples comparison.

What about Canon’s mirrorless strategy?

DE: Switching to mirrorless: Where do mirrorless systems fit into Canon’s longer-term strategy? Does Canon view mirrorless as primary or exclusively a sub-frame platform? Or do you see it as being more broadly applicable, and appropriate for both sub-frame and full-frame systems? And then the second half of the question is will we see the EOS M line evolve further, or will there be a completely new platform at some point?

Yoshiyuki Mizoguchi/Canon Inc.: Okay. In terms of how we view the role of mirrorless, first it’s within the EOS framework that we’re talking about. There was obviously the need to pursue smaller products that were more lightweight. So we kind of view the EOS mirrorless cameras from that perspective to begin with. It’s not just looking in terms of solely as a mirrorless product, but within the interchangeable lens camera segment. We kind of view it as playing a role within that … sort of an extended view, as a means of achieving a more compact, lightweight product. There was obviously the question of whether or not, within the regular DSLR format, there was a demand for lighter, smaller products. You know, there are various approaches on that, but this is a means for us to address that issue within sort of the EOS universe.

The interviewer also tryed to get some information from Canon reagrding the possibility of a full-frame mirrorless camera. Canon did not answer in a clear way. The interviewer thinks that “while Canon would never say “never” to a full-frame mirrorless body/lens system, their current thinking is that “compact” and “full-frame” really don’t belong in the same sentence together”.

There is obviously much more in the interview, and I reccoment you have a look at it.

[via Imaging Resource]

Rokinon 50mm f/1.4 AS IF UMC in Stock and Ready to Ship (B&H)

B&H Photo has the new Rokinon 50mm f/1.4 AS IF UMC lens in stock and ready ship for $399.

  • Canon EF Mount/Full-Frame Format
  • Aperture Range: f/1.4 to 22
  • One Hybrid and One Aspherical Element
  • Ultra Multi-Coating Lens Coat
  • Manual Focus & Aperture Lens
  • Internal Focus Design
  • Bright Distance & Depth of Field Scales
  • Minimum Focus Distance: 17.7″
  • Filter Thread Diameter: 77mm
  • Removable Petal Style Lens Hood

Canon to showcase Cinema EOS range at BVE 2015 with hands-on live shoot

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Canon to showcase Cinema EOS range at BVE 2015 with hands-on live shoot

United Kingdom, Republic of Ireland, 13 February 2015 – Canon will be showcasing its industry leading Cinema EOS range at BVE 2015 (Stand G12), giving visitors the chance of a hands-on demonstration in a live shooting set up.

Following a highly successful demonstration at BVE 2014, Canon will once again be recreating a live shooting environment allowing visitors to experience the company’s iconic Cinema EOS range, including the C100 MKII and C500 camera models.

Visitors to the Canon stand will be greeted with an immersive experience that also features Canon’s 4K monitor, cine servo and cine prime lenses as well as a DSLR counter for testing Canon’s range of DSLR cameras.

Austin Freshwater, Director, Professional Imaging at Canon UK and Ireland, said: “The broadcast industry is evolving constantly and our aim is to ensure that visitors get a real life feel for Canon’s latest innovations. We will exhibit Canon’s rich heritage in lens technology whilst looking to the future with 4K by allowing videographers the opportunity to get hands-on with our offering.”

Taking place on 24th-26th February at ExCeL London, BVE (Broadcast Video Expo) is Europe’s premier broadcast and production technology event, showcasing technologies and services for the production, management and broadcast of audio visual content.

Visit Canon at BVE on Stand G12.