Canon Introduces 2 Lightweight Cinema Zoom Lenses For 4K & 2K Cams (CN-E 15.5-47mm T2.8L & CN-E30-105mm T2.8L)

Big announcement day at Canon today. Two nrew Cinema Zoom Lenses: CN-E15.5-47mm T2.8 L S/SP and CN-E30-105mm T2.8 L.

New Precision-Matched Wide-Angle and Telephoto Zoom Lenses in Both EF and PL Mounts Enhance Canon’s Cinema EOS System

LAKE SUCCESS, N.Y., August 29, 2012 – As the production of motion pictures, episodic television shows, commercials, documentaries, and other program content increasingly transitions to digital, Canon U.S.A., Inc., a leader in digital imaging solutions, continues to provide innovative Cinema EOS products designed to enable the most discerning filmmakers and producers to capture their unique creative visions. The latest of these Canon products, two new compact and lightweight cinema zoom lenses available in both EF- and PL-mount versions, were first announced at NAB 2012 and have now been officially added to the Canon Cinema EOS product line. Designated as the CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens, both are engineered to deliver exceptional optical performance for the latest large-format single-sensor 4K and 2K digital cinematography cameras. Both lenses feature a compact, lightweight design to facilitate handheld and SteadicamTM shooting while also covering a wide range of focal lengths.

“These two new compact lightweight cinema zoom lenses provide exceptional optical and operational performance for creative film and television professionals. The Canon Cinema EOS line of high-resolution cameras and lenses is engineered to affordably serve the highest-performance needs of the production community and enable it to truly ‘Leave No Story Untold,'” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

A leading maker of precision lenses for professional digital photography, broadcast HDTV sports and news coverage, and many other markets, Canon has leveraged its years of expertise as a world leader in optics and imaging to develop the compact and lightweight CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens. Each lens will be available in both EF- and PL-mount configurations. (The EF-mount version is designated by the letter “S” at the end of the model name; the PL-mount version by the letters “SP”.)

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Canon Announces Two New EF Cinema Prime Lenses (135mm T2.2 and 14mm T3.1)

Canon just announced two new Cinema Prime Lenses: 135mm T2.2 and 14mm T3.1)?

 

LAKE SUCCESS, N.Y., August 29, 2012 – Further contributing to the evolution of the motion picture industry, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the development of two new cinema prime lenses, the 14mm T3.1 cinema prime lens and 135mm T2.2 cinema prime lens, adding to the Cinema EOS lineup consisted of 11 EF Cinema Lenses.

Both the 14mm T3.1 and 135mm T2.2 cinema prime lenses will be engineered for exceptional optical performance for Canon's latest large-format single-sensor 4K and 2K digital cinematography cameras. As part of the Cinema EOS System, the lenses will be compatible with standard sensor sizes including Super 35mm, the standard format in the motion picture industry, as well as HD-compatible EOS Digital SLR cameras using 35mm full frame, APS-H and APS-C image sensors.

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Canon Announces Two New Cinema EOS Cameras (C500 and C100)

Canon Adds Two New Cameras To The Cinema EOS System: The EOS C500 4K Digital Cinema Camera And The EOS C100 Digital Video Camera

Two New Camera Models Fill Out a Well-Rounded Cinema EOS Line-up with High-End 4K and Entry-Level HD Camera Solutions

LAKE SUCCESS, N.Y., August 29, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, continues its commitment to the advancement of tools for visual expression and expand its contribution to cinematic culture with the introduction of the new EOS C500 4K Digital Cinema Camera* and the EOS C100 Digital Video Camera*. The C500 will take its place as the flagship camera model in Canon's Cinema EOS System while the C100 provides another option for beginning filmmakers working on a budget. The C500 is Canon's high-end professional 4K (4096 x 2160-pixel) cinema camera capable of originating uncompressed RAW output for external recording to meet the demands of premium cinematic productions and other top-quality production markets. The C100 digital video camera is a compact, affordable entry-level model delivering full 1920×1080 HD video and integrating the popular AVCHD codec for universal compatibility with laptop and desktop editing systems. The C500 will be available in both EF- and PL-mount versions; while the C100 will be offered in EF mount only and will be compatible with the more than 70 zoom and prime lenses in Canon's EF, EF-S and EF Cinema lens lineups. All products in the Canon Cinema EOS line are engineered to provide exceptional image creation capabilities for professionals in the motion picture, television, and other diverse high-resolution digital production industries.

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Lightroom 4.2 And Camera Raw 7.2 Release Candidates Available For Download

Lightroom 4.2 and Camera Raw 7.2 RCs can be downloaded at Adobe Labs. Various bug fixes and support for the following Canon cameras: Rebel T4i/650D and EOS M. Moreover, Camera Raw now has lens profiles for the following lenses with Canon mount:

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New Firmware For EOS 1D-X Released (ver. 1.06)

Yesterday Canon released a new firmware for the EOS 1D-X. See below for the delivered fixes. The firmware can be downloaded from here. Check the following shops to order the EOS 1D-X: Amazon US (click here), DigitalRev (click here), Adorama (click here) and B&H (click here). The usual list price is $6,799.

Firmware Version 1.0.6 incorporates the following fixes.

1. Fixes a phenomenon in which the AF Microadjustment cannot be correctly carried out.
2. Fixes a phenomenon such that when using the camera with combinations of certain lens *1) and extender *2) the images
captured become back-focused.
*1) EF 70-200m f/2.8L IS II USM or EF200mm f/2L IS USM
When used with
*2) Extender EF 1.4x III or Extender EF 2x III
3. Fixes a phenomenon in which, when the camera is powered on in very dark environments (including instances when the lens
cap or the body cap is attached), Error 80 appears on the camera.
4. Fixes the following phenomenon: if two CF cards are inserted into the camera and the “Standard” or “Auto switch card”
settings is selected for the recording method for [Record func+card/folder sel.], and then one of the CF cards is removed
and then reinserted into the card slot, the card selected for recording and playing back images may be switched to the other
CF Card.
5. Fixes a phenomenon in which the AF microadjustment value is not correctly displayed in the EXIF information of the images captured.
6. Displays a “O” or “X” result to indicate whether images have been successfully transferred through the FTP protocol when using the
FTP protocol when using the WFT-E6 Wireless File Transmitter.

Firmware Version 1.0.6 is for cameras with firmware up to Version 1.0.3. If the camera’s firmware is already Version 1.0.6, it is not necessary to update the firmware.
* The firmware update takes approximately seven minutes.

The new Firmware Version 1.0.6 can be downloaded by clicking here.

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Learn How To Change The Focusing Screens On An EOS 60D

You probably know that you can change the focusing screen on your Canon DSLR. The video above shows hot to do it on an EOS 60D. Btw, until September 1st the EOS 60D can be bought with a $100 rebate (click here) at B&H. The rebate applies to body only and to various kits. Adorama is also offering the rebates (also until 9/1), click here to see all bundles. They also have a refurbished 60D for $799.95 (click here).

There are three focusing screen available for the 60D (the screens cost $36 at the Canon Store and $32.95 at B&H):

  • Focusing Screen Ef-S (Canon Store and B&H). The Canon Ef-S Focusing Screen is optimized for wide-aperture lenses from f/1.8 to f/2.8. Areas that are slightly out of focus appear more out of focus, making it easier to tell when focus is right-on. Ideal for users who frequently manually-focus in dim light with fast lenses.
  • Focusing Screen Ef-D (Canon Store and B&H). The Canon Ef-D Focusing Screen is a precision matte surface with etched grid lines to assist composition. The camera’s AF points remain fully visible. Focus characteristics are suited to most lenses.
  • Focusing Screen Ef-A (Canon Store and B&H). The Canon Ef-A Focusing Screen is a standard precision matte surface. It is ideal with most lenses including zooms f/3.5 through 5.6.
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