This Photographer switched back to Canon from Sony, here is why

canon rumors

We usually see a lot of post/articles where photographers explain they switched away from Canon, usually to Sony or Fuji.

Photographer Marc Schultz leaved Canon for Sony, and now he is coming back. He lists 5 reason for his switch back to Canon.

  1. Better Autofocus for Video
  2. Canon Log
  3. Better Color Science
  4. Ease Of Use
  5. Feel In The Hand

I think the first 3 points don’t need much of a discussion, especially Canon having a much better color rendering than the competition. The last 2 points, “ease of use” and “feel in the hand” are rarely underlined when people compares Canon ergonomics to the competition’s solutions. Canon not only has a great interface and menu system, but as Marc Schultz says about holding a Canon camera in his hands:

One of the most important things, something often less emphasized by others, is how a camera feels in your hand when shooting. When I am clutching a Canon DSLR, I always feel like it is just the perfect fit and feel, which gives me a relaxed confidence when shooting. This is something that is very necessary in my opinion in order to stay focused on what you are shooting, and without being distracted by the awkward or uncomfortable shape of a camera that you don’t like.

Couldn’t agree more. These things are as much important as sensor resolution or fancy features.

[via Marc Schultz via PetaPixel]

Canon EF-M 18-55mm f/3.5-5.6 STM IS review

EF-M 18-55mm
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At a glance:

  • Standard zoom lens for Canon EOS M digital camera with image stabilization for up to four eqiuvalent stops of shake correctoin
  • Supports continuous AF during video shooting
  • Circular aperture (7 blades) for soft backgrounds
  • Maximum magnification of 0.25x at the telephoto end
  • Minimum focusing distance: 9.8 in./0.25m (full zoom range)

OpticalLimits (formerly known as Photozone.de) tested the Canon EF-M 18-55mm f/3.5-5.6 STM IS lens. The EF-M 18-55mm f/3.5-5.6 STM IS is a so-called “kit lens”, though a pretty decent one.

From the conclusion:

Optically it is decent. In terms of resolution, it doesn’t reach the full potential of the sensor but the center quality is easily very good across the relevant focal length and aperture range. The outer image region isn’t hot at 18mm at f/3.5 and 24mm at f/4 but other than that it’s pretty sharp really. The lateral CAs are moderate overall. Unlike most competing lenses (in other systems), the lens DOES NOT rely on distortion correction. There are strong barrel distortions at 18mm but in the mirrorless system scope that’s pretty much Ok actually.

Another positive aspect is the lens construction. Let’s be honest – kit lenses are usually built to the very lowest build quality standards. This is not the case here. It feels plenty sturdy and it’s quite fun to use. The AF is reasonably fast and silent. Canon’s image stabilizer is well proven and does its job nicely in this lens as well. Read the review…

Canon has a long history in making kit lenses and inexpensive lenses that perform very decently for the price asked. The EF-M 18-55mm f/3.5-5.6 STM IS sells for $299.

Canon EF-M 18-55mm f/3.5-5.6 STM IS:

[shoplist 6095]

Canon has three 85mm lenses in offer – Which one suits you best?

canon EF 85mm f/1.4L IS
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Canon has three 85mm lenses in offer. The Canon EF 85mm f/1.8 USM(canon rumors), the EF 85mm f/1.2L II USM (canon rumors), and the new EF 85mm f/1.4L IS USM (canon rumors). The lenses range from $370 to $1,900.

Which one has the best bokeh? Which one is best suited for you needs? Which one should you get? Watch Kai W‘s video below to find out.

 

Canon EF 85mm f/1.8 USM [shopcountry 133]

Canon EF 85mm f 1.2L II USM [shopcountry 135]

Canon EF 85mm f/1.4 IS USM [shopcountry 46811]

Canon TS-E 135mm f/4L MACRO review (superb creative tool, ePhotozine)

Canon TS-E 135mm f/4L MACRO
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Canon TS-E 135mm f/4L MACRO at a glance:

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to f/45
  • Two Ultra-Low Dispersion Elements
  • Subwavelength Coating
  • Maximum Tilt: +/- 10°
  • Maximum Shift: +/- 12mm
  • Minimum Focusing Distance: 1.6′
  • Maximum Magnification: 0.5x

ePhotozine reviewed the new Canon TS-E 135mm f/4L MACRO, a specialised, tilt-shift lens. This is a Canon L lens, everything is top notch. Unfortunately, the price is too, $2,199.

ePhotozine’s conclusion:

The Canon range of tilt and shift lenses is unique and impressive, and without a doubt, if there is a commercial need for what they offer then they will be purchased for that purpose and the price will be acceptable. The fact that it is a macro lens as well as a tilt and shift lens is a very powerful combination.

The Canon TS-E 135mm f/4L Macro is a beautiful lens and has the potential to produce beautiful and unique results, but for an amateur purchase, we would need deep pockets. However, for some, it might be a possibility and it would be a very desirable lens to own. Read the review…

ePhotozine gives the TS-E 135mm f/4L Macro a rating of 4.5/5 (highly recommended).

Canon TS-E 135mm f/4L MACRO [shoplist 49069]

Let’s talk video performance: Canon EOS 5D Mark IV vs Sony A7R III video-comparison

 

Sony A7R IIIvs EOS 5D Mark IV

Sony A7R III vs Canon EOS 5D Mark IV – Which one is better for video?

Photographer and reviewer Dustin Abbott posted part 4 of his Canon EOS 5D Mark IV () vs Sony A7R III () showdown. This episode examines video performance of the two cameras.

Part 3 was about high ISO performance and resolution. Part 2 was about dynamic range, Canon isn’t exactly famous for being industry leading here. Part 1 of the EOS 5D Mark IV vs Sony A7R III showdown was about color science, where Canon is the state of the art other have to reference.