[Photokina] Zeiss Announces New Apo Sonnar T* 2/135 Lens

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More Photokina related news from Zeiss. The new Apo Sonnar T* 2/135 Lens will be presented at Photokina 2012. Available also for Canon mounts, the price will be around $2000/€1600.

Click here to see Zeiss lenses for Canon DSLRs on Amazon, and click here to see what's on offer on eBay US, and here for eBay Germany, and here for eBay UK, eBay IT, eBay Canada, eBay France

Apo Sonnar T* 2/135 technical data:

Focal length 135mm
Aperture range f/2 -22
Number of lens elements/groups 11/8
Focusing range 0.80m (2.62ft) – infinity
Angular field**
(diag./horiz./vert.)
18.7°/ 15.6°/ 10.5°
Coverage at close range** 145 x 96 mm (close-up)
Image ratio at close range 1 : 4 (close-up)
Filter thread M 77 x 0,75
Length with caps 128mm (ZF.2)
130mm (ZE)
Diameter 84mm
Weight 920g (ZF.2)
930g (ZE)

OBERKOCHEN/Germany, 07.09.2012.

Carl Zeiss is presenting the new Apo Sonnar T* 2/135 during photokina in Cologne – Carl Zeiss' longest medium telephoto lens in the range of high-quality SLR lenses. With the Apo Sonnar T* 2/135, the company is substantially extending the creative possibilities available in the medium tele range. Photographers and HD video cinemato- graphers now have a total of thirteen SLR lenses to choose, with focal lengths of 15 to 135 milli- meters. Carl Zeiss will exhibit at photokina in Cologne, the world’s leading trade fair for imaging technology, from September 18-23 at stand B011 in hall 2.1.

The Apo Sonnar T* 2/135 is the ideal lens for capturing detailed images from long distances, such as the skyline at sunset, a leopard in the zoo, or a pop star on a faraway stage. The new lens offers outstanding clarity of detail, high contrast and high resolution at any aperture. This mix of attributes makes it the perfect choice for portraits in advertising, fashion and lifestyle, as well as for landscape and reportage photography.

After putting the lens through its paces in New York, Magnum photographer Christopher Anderson was clearly impressed: “I am delighted with the performance of this new lens. It is rela- tively compact for a telephoto lens. Its image resolution and quality are outstanding, and there is a touch of magic in the way the light is refracted by the lens elements. I took some amazing photos, including some in poor light conditions.”

The Apo Sonnar T* 2/135 can capture subjects up to a scale of 1:4. It has been built based on Carl Zeiss's proven “floating elements” design. A special variable arrangement of the lens elements delivers excellent images over the entire focusing range, from 0.8 meters to infinity. The compact telephoto lens features eleven elements in eight groups. Because this lens is an apochromat, chromatic abberations (axial chromatic abbera- tions) are corrected with elements of special glass materials with anomalous partial disper- sion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image, and especially highlights, are reproduced almost completely free of color artifacts.

As with all other SLR lenses in the ZE and ZF.2 series, the Carl Zeiss T* anti-reflective coating as well as the sophisticated treatment of the ele- ments’ edges with a deep-black special lacquer make the Apo Sonnar T* 2/135 resistant to reflec- tions and stray light. Another advantage for the user is the large rotation angle of 268°, which enables ultra-precise focusing.

The Apo Sonnar T* 2/135 is equipped with an all-metal barrel, which enables long-lasting use with high-quality results. It will be available with F bayonet (ZF.2) and with EF bayonet (ZE)..

The lens will begin shipping in December 2012 at a recommended retail price of approximately €1.600 or US$2.000 (excluding VAT)*.

 

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DigitalRev has the new EF 24-70mm f/2.8L II USM in stock (click here). Price depending by your check-out location.

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[Photokina] Zeiss Announced New Distagon 55mm f/1.4 Lens, And Will Make Lenses For Mirrorless Systems

First Photokina news rolling in. Zeiss (Click here) announced a new Distagon 55mm f/1.4 lens for full-frame cameras.

[…] a high-performance, full-format SLR camera lens with manual focus. With a focal length of 55 mm and aperture of f/1.4, this lens is the first model of a new product family designed for demanding users. Thanks to a newly developed optical design, this lens is superior to conventional full-frame lenses, and it achieves with powerful full-frame, full-format cameras an image performance that until now has only been seen with medium-format systems. The first prototype of this new range will celebrate its world debut at photokina. The family of lenses is expected to be on the market in the second half of 2013 for EF bayonet (ZE) […]

But the hot news is another. Zeiss announced its plans for the production of auto-focus lenses for mirrorless systems. And that is great!

Another highlight will be the presentation of a design study, with which Carl Zeiss will offer a sneak preview of a new family of autofocus lenses for mirrorless system cameras (CSC) that will most likely be available in mid-2013. Due to their performance and high speed, these new lenses will be ideal for deliberate photo composition, making them perfect for more sophisticated photographers as well. Carl Zeiss plans to initially offer fixed focal lengths in the wide angle and standard range as well as a macro.

There is no info about which systems will be supported. So let your speculations go wild. It would be great if Zeiss would make lenses for Canon’s EOS M system. Moreover, more high quality Zeiss lenses for Canon mounts are totally welcome. Click here to see Zeiss lenses for Canon on Amazon, and click here to see what’s on offer on eBay US, and here for eBay Germany, and here for eBay UK, eBay IT, eBay Canada, eBay France.

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Shooting events can be very hard and in this lesson I will share some insights that will make it a bit easer. I learn every time I shoot and this was no exception. One clarification I want to make about camera settings that was not as clear as I would have liked it in the video. I shoot in aperture priority when I shoot stills and in shutter priority when I shoot video. When shooting video in shutter priority I set the shutter at 1/50th of a second and allow the aperture to fluctuate.

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