Canon News Round-up (EOS C300 MKII, 7D MkII, Sigma 24-35mm, G3 X, …)

Sigma 24-35mm F/2

The remains of the week….

An In-Depth Look at the Canon C300 Mark II, Plus Brand New Footage – No Film School

Ongoing Canon C300 Mark II review part II: Ergonomics and hardware – News Shooter

Review of the Sigma 24-35mm f/2 Art Series – LensRentals

The Sigma 24-35mm f/2 Art Series is an incredible lens, with incredible sharpness and the fastest f-stop available in a full frame zoom lens. That said, I was left still scratching my head as to why. To my knowledge, I don’t see a purpose for owning both a 24mm and 35mm, so this lens fixes a problem that many people don’t have. While the functionality of the lens is great, I can’t imagine people who already own a 35mm or 24mm interested in what this lens has to offer. But if you’re looking for a discounted price yet capable wide angle lens, and versatility beyond a 24mm or 35mm, the Sigma 24-35mm might be the lens for you

Best lenses for the Canon EOS 7D Mark II: Part 2 – Prime Lenses – DxOMark

Canon: DIY Photo Jewelry – CanonUSA

Review: Tamron 15-30mm f2.8 Di VC USD (Canon EF) – The Phoblographer

Canon Powershot G3 X Review – ephotozine

The camera body has good handling with a good size rubber hand grip, and along with weather sealing, the camera will be well suited to shooting in a variety of conditions where you wouldn’t normally want to be shooting.

Canon 50mm f/1.8 STM Lens Review: 25 years later, the ‘nifty fifty’ receives much-needed updates – Imaging Resource

Canon EOS M3 sensor review: Attractive option for existing Canon users? – DxOMark

Postcards (Canon EOS 5D Mark II and Mark III) – Fotostacja

Sigma 24-35mm f/2.0 DG HSM ART lens hands-on by LensRentals

Sigma 24-35mm F/2

Sigma 24-35mm f/2 DG HSM ART pre-order: Adorama and B&H Photo.

Roger Cicala of LensRentals did a quick test of the Sigma 24-35mm f/2 DG HSM ART lens for full-frame DSLRs. From the conclusion:

[…] the glass here is definitely way more than half full. We have, for the first time, a modern zoom lens that reaches f/2.0 aperture and is wickedly sharp. That’s an amazing thing all by itself and this is a unique optic. What is really amazing to me is that it sells for $1,000. That’s way less than either of the f/1.4 primes we tested against it, less than two of the f/2.8 primes, and less than an f/2.8 24-70mm zoom (granted that zoom does go all the way out to 70mm).

He also points out that the Sigma won’t probably be everyone’s lens. It’s not fast enough for those shooting with a prime lens (they’ll always choose f/1.4 lenses) nor does it have enough zoom range to get interesting as such. It’s another masterpiece by Sigma, that’s sure, and it comes at the usual exciting price tag below $1,000. Read the article at LensRentals.

Sigma 24-35mm f/2 DG HSM ART specifications:

  • EF Mount Lens/Full Frame Format
  • Aperture Range: f/2 to 16
  • FLD & Special Low Dispersion Elements
  • Two Aspherical Elements
  • Super Multi-Layer Coating
  • Hyper Sonic AF Motor
  • Internal Focus; Manual Focus Override
  • Rounded 9-Blade Diaphragm
  • Thermally Stable Composite Material
  • Compatible with Sigma USB Dock

Sigma 24-35mm f/2

Sigma 24-35mm f/2 DG HSM price announced, available for pre-order ($999, coming late July)

Sigma 24-35mm f/2

  • EF Mount Lens/Full Frame Format
  • Aperture Range: f/2 to 16
  • FLD & Special Low Dispersion Elements
  • Two Aspherical Elements
  • Super Multi-Layer Coating
  • Hyper Sonic AF Motor
  • Internal Focus; Manual Focus Override
  • Rounded 9-Blade Diaphragm
  • Thermally Stable Composite Material
  • Compatible with Sigma USB Dock

Sigma announced price and availability of the Sigma 24-35mm f/2 DG HSM lens, the world’s fastest full-frame zoom lens, and the first with constant f/2. The price is $999, availability expected for late July.

You can already pre-order the Sigma 24-35mm f/2: Adorama and B&H Photo.

RONKONKOMA, N.Y. Sigma Corporation of America, a leading DSLR lens and camera manufacturer, today announced that the new Sigma 24-35mm F2 DG HSM Art lens will become available in late July for the street price of $999.

The 24-35mm F2 DG HSM Art lens is the market’s first full-frame zoom that allows photographers to carry one fast aperture lens that can do the work of three popular fixed focal length lenses – the 24mm, 28mm and 35mm. It includes an optimized autofocus (AF) algorithm for smooth, fast, and accurate focusing, a manual focus (MF) override functionality, and is made of Thermally Stable Composite (TSC) reducing its size and weight.

Built upon the impressive versatility offered by Sigma’s 18-35mm F1.8 DC HSM Art lens, the new 24-35mm continues the Art line tradition of top optical performance that’s comparable to Sigma’s 24mm F1.4 DG HSM Art and 35mm F1.4 DG HSM Art. It offers optimized lens power distribution, and minimizes spherical aberration, axial chromatic aberration and field curvature. The Sigma 24-35mm F2 DG HSM Art lens also features a video-friendly, inner focusing system that eliminates front-lens rotation, enhancing the lens’ stability as well as a Hyper Sonic Motor (HSM) that ensures a silent, high-speed AF function.

“The combination of fast, constant aperture and zoom versatility will make this lens exceptionally popular for photographers who crave the convenience of wide angle zooms, paired with the performance of fast, wide primes,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “The Art lenses have raised the bar for total imaging performance, and this lens is going to make a lot of photographers very happy.”

As with all new lenses under the Global Vision categories, every 24-35mm will be tested using Sigma’s own modulation transfer function (MTF) measuring system, “A1,” in the company’s factory in Japan. It is compatible with Sigma’s USB DOCK, which allows photographers to update the lens’ firmware, adjust focus points and customize full-time MF function settings by using Sigma’s Optimization Pro software. Sigma’s exclusive Mount Conversion Service, which enables users to easily convert the lens’ camera mount between supported versions, is also available for a fee. The lens will be available in Sigma, Canon and Nikon mounts.

The Sigma 24-35mm F2 DG HSM Art lens will also feature:

  • Large-diameter, aspherical lens elements, which require advanced technologies to produce, one “F” Low Dispersion (FLD) glass, and seven Special Low Dispersion (SLD) glass elements with two aspherical lenses. The advanced optics and optimized lens power distribution minimizes spherical aberration, axial chromatic aberration and field curvature, resulting in outstanding optical performance
  • A video-friendly, inner focusing system that eliminates front-lens rotation, enhancing the lens’ stability and allowing use of circular polarizing filters
  • A Hyper Sonic Motor (HSM) that ensures a silent, high-speed AF function. Smoother AF is achieved when the this AF algorithm is optimized
  • Full-time MF by rotating the focus ring of the lens while auto focusing
  • A nine-blade, rounded diaphragm creates an attractive blur to the out-of-focus areas of the image
  • Specifications: Lens construction containing 18 elements in 13 groups; a weight of 33.2 ounces; a diameter and length of 3.4 inches by 4.8 inches, respectively; a minimum aperture of F16; and angle of view (35mm) of 84.1° to 63.4°; minimum focusing distance of 11 inches; and a maximum magnification ratio of 1:4.4

For information about Sigma, go to www.sigmaphoto.com or follow the company on Twitter, Instagram and Facebook.

Pre-order the Sigma 24-35mm f/2: Adorama and B&H Photo.

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Sigma 24-35mm f/2 DG HSM “Art” lens announced, world’s fastest full-frame zoom lens

2435

The Sigma 24-35mm f/2 DG HSM Art lens has been announced. This is another game-changer kindly delivered by Sigma. It’s the world’s first full-frame zoom with constant f/2. Don’t approach it as a zoom, see it as a bag of primes. Pre-orders are not yet open, but you cab get notified when they are: B&H Photo

  • EF Mount Lens/Full Frame Format
  • Aperture Range: f/2 to 16
  • FLD & Special Low Dispersion Elements
  • Two Aspherical Elements
  • Super Multi-Layer Coating
  • Hyper Sonic AF Motor
  • Internal Focus; Manual Focus Override
  • Rounded 9-Blade Diaphragm
  • Thermally Stable Composite Material
  • Compatible with Sigma USB Dock
Sigma has expanded their ever growing Global Vision line with the world’s first constant f/2 aperture on a full-frame zoom lens, the 24-35mm f/2 DG HSM Art Lens, available here with the Canon EF lens mount. The groundbreaking aperture combined with the versatile wide-angle 24-35mm focal length allows photographers to easily replace three common lenses, the 24mm, 28mm, and 35mm, with one piece of gear. The lens also offers exceptional control over depth-of-field with an aperture range from f/2 to 16, and when used on APS-C camera bodies it has an equivalent focal length of 38.4-56.

Along with the rest of the Art series, the 24-35mm offers high quality optics with the use of one “F” Low Dispersion and seven Special Low Dispersion glass elements in addition to two aspherical lenses. This system minimizes the appearance of spherical aberration, axial chromatic aberration and field curvature. A Super Multi-Layer Coating is present to reduce flare and ghosting for sharp, high-contrast images and it can focus as close as 11″.

In terms of speed, this lens is equipped with a Hyper Sonic AF Motor which is nearly silent and has an optimized autofocus algorithm for fast, accurate tracking. The body of the 24-35mm is constructed of a Thermally Stable Composite material which performs well in all conditions. The barrel also has a focus ring with grants full-time manual override and the system is designed for completely internal focusing. Further ensuring optimal performance is compatibility with Sigma’s USB Dock for firmware updates and AF microadjustment.

As part of the Art line within Sigma’s Global Vision series, this lens’ is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
The wide-angle 24-35mm focal length effectively covers three common lenses: the 24mm, 28mm, and 35mm. This allows users to shoot with just one lens and not worry about carrying additional equipment or swapping out optics in less-than-ideal weather conditions. When used with an APS-C-format sensor, the lens offers a 38.4-56mm equivalent focal length.
Fast f/2 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques.
This lens has been designed using an advanced optical structure to achieve both high resolution and sharpness, along with consistent edge-to-edge illumination. A pair of aspherical elements correct for sagittal coma flare, distortion, and axial chromatic aberration, while also enabling full use of the fast f/2 maximum aperture with maintained peripheral brightness and sharpness.
One FLD and seven SLD glass elements have been incorporated within the lens design to correct for chromatic aberrations throughout the entire focusing range and help to ensure high image sharpness, clarity, and contrast regardless of focus point or aperture setting.
A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
The integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.
A rounded nine-blade diaphragm helps to produce an attractive out-of-focus quality.
The lens is constructed using a Thermally Stable Composite (TSC) material along with traditional metals for greater precision and use in wide temperature variations. The outside of the lens barrel is also engraved with the year of production.
The included lens hood is fitted with a rubber connection for a secure fit.
This lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.