[Rumor] Canon EOS 6D Entry-Level Full Frame DSLR Coming This Week? (Update)

Update: I got a similar rumor: Canon should announce a “not entry-level or amateur” DSLR “with a big sensor” in the upcoming week. No mention of the name “6D” nor if it is full frame or not. We can only wait to see.

That’s what a rumour reported by CR is suggesting. The murmured specs:

  • 22mp (Same sensor as 5D2)
  • 4.5 fps
  • Touchscreen
  • Same AF system as 7D
  • Lower build quality than the 5D Mark III

I am somewhat puzzled by the “same sensor as 5D2” part. It sounds weird to me that Canon will release a new DSLR with a 3 years old sensor.

[Review] Rebel T4i/EOS 650D Is A Great Entry Level DSLR

The Phoblographer just published its review of the Rebel T4i (named EOS 650D in Europe). The review is detailed and well-reasoned, as usual. You may be surprised to learn that the Auto-Focus on the T4i/650D can easily outperform the AF of the EOS 5D Mark II (well, in certain situation):

For a wide majority of shooting situations, the Canon T4i’s phase detection focusing is extremely quick; when not in Live View Mode […] My general way of using cameras no matter what the make or model is to manually select a single focusing point when shooting. However, when the user enables all focusing points to be used, you’ll end up having little to no problem in terms of both speed and accuracy. In fact, the Canon T4i’s focusing is better than my Canon 5D Mk II’s. Now don’t take this the wrong way; they are two totally different cameras. However, it is a testament to show just how far the technology has come: an entry level Rebel can outdo a 5D Mk II in terms of focusing. That’s pretty crazy when you think about it.

Many sample images at different ISO settings are provided (btw, the T4i/650D has a rather good high ISO performance). All in all a review that’s worth to be read. From the conclusion:

The Canon T4i is a wonderful entry level camera with loads and loads of lenses available to the system. The image quality is excellent, it is easy to use, and it has a rather decent video mode. The menus can be a bit complex, but overall there really is absolutely no real problem with this camera despite what seems to be modest upgrades from its predecessor.

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[Video] Canon C300 Overview And Setup (and comparison with Blackmagic Cinema Camera)

10 minutes video from Magnanimous Media on Vimeo about Canon’s C300 (click here for price, specs and description). Jonah Rubash explores and investigates the virtues of the Canon C300 and demonstrates the basic setup. Btw, if you want to play around with the settings (or mess them up) to learn about the EOS C300 before taking the decision to buy or not, there is an app for that! Canon provided a nice menu simulator for the C300 (click here). A pretty useful tools that lets you move through the menu(s) and select the various buttons on the device.

Finally, EOSHD made a chart comparison between the C300 and the Blackmagic Cinema Camera (click here for price, specs and description). The tackled issue is how the Blackmagic’s RAW mode compares to the C300. Test charts are used for the comparison.



[shariff]

[Photokina] Zeiss Announces New Apo Sonnar T* 2/135 Lens

Photobucket Pictures, Images and Photos

More Photokina related news from Zeiss. The new Apo Sonnar T* 2/135 Lens will be presented at Photokina 2012. Available also for Canon mounts, the price will be around $2000/€1600.

Click here to see Zeiss lenses for Canon DSLRs on Amazon, and click here to see what's on offer on eBay US, and here for eBay Germany, and here for eBay UK, eBay IT, eBay Canada, eBay France

Apo Sonnar T* 2/135 technical data:

Focal length 135mm
Aperture range f/2 -22
Number of lens elements/groups 11/8
Focusing range 0.80m (2.62ft) – infinity
Angular field**
(diag./horiz./vert.)
18.7°/ 15.6°/ 10.5°
Coverage at close range** 145 x 96 mm (close-up)
Image ratio at close range 1 : 4 (close-up)
Filter thread M 77 x 0,75
Length with caps 128mm (ZF.2)
130mm (ZE)
Diameter 84mm
Weight 920g (ZF.2)
930g (ZE)

OBERKOCHEN/Germany, 07.09.2012.

Carl Zeiss is presenting the new Apo Sonnar T* 2/135 during photokina in Cologne – Carl Zeiss' longest medium telephoto lens in the range of high-quality SLR lenses. With the Apo Sonnar T* 2/135, the company is substantially extending the creative possibilities available in the medium tele range. Photographers and HD video cinemato- graphers now have a total of thirteen SLR lenses to choose, with focal lengths of 15 to 135 milli- meters. Carl Zeiss will exhibit at photokina in Cologne, the world’s leading trade fair for imaging technology, from September 18-23 at stand B011 in hall 2.1.

The Apo Sonnar T* 2/135 is the ideal lens for capturing detailed images from long distances, such as the skyline at sunset, a leopard in the zoo, or a pop star on a faraway stage. The new lens offers outstanding clarity of detail, high contrast and high resolution at any aperture. This mix of attributes makes it the perfect choice for portraits in advertising, fashion and lifestyle, as well as for landscape and reportage photography.

After putting the lens through its paces in New York, Magnum photographer Christopher Anderson was clearly impressed: “I am delighted with the performance of this new lens. It is rela- tively compact for a telephoto lens. Its image resolution and quality are outstanding, and there is a touch of magic in the way the light is refracted by the lens elements. I took some amazing photos, including some in poor light conditions.”

The Apo Sonnar T* 2/135 can capture subjects up to a scale of 1:4. It has been built based on Carl Zeiss's proven “floating elements” design. A special variable arrangement of the lens elements delivers excellent images over the entire focusing range, from 0.8 meters to infinity. The compact telephoto lens features eleven elements in eight groups. Because this lens is an apochromat, chromatic abberations (axial chromatic abbera- tions) are corrected with elements of special glass materials with anomalous partial disper- sion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image, and especially highlights, are reproduced almost completely free of color artifacts.

As with all other SLR lenses in the ZE and ZF.2 series, the Carl Zeiss T* anti-reflective coating as well as the sophisticated treatment of the ele- ments’ edges with a deep-black special lacquer make the Apo Sonnar T* 2/135 resistant to reflec- tions and stray light. Another advantage for the user is the large rotation angle of 268°, which enables ultra-precise focusing.

The Apo Sonnar T* 2/135 is equipped with an all-metal barrel, which enables long-lasting use with high-quality results. It will be available with F bayonet (ZF.2) and with EF bayonet (ZE)..

The lens will begin shipping in December 2012 at a recommended retail price of approximately €1.600 or US$2.000 (excluding VAT)*.

 

Canon EF 24-70mm f/2.8L II USM Already In Stock

DigitalRev has the new EF 24-70mm f/2.8L II USM in stock (click here). Price depending by your check-out location.

  • Large f/2.8 Aperture Through Zoom Range
  • UD Lenses Minimize Chromatic Aberrations
  • Reduced Spherical Aberrations
  • Highly Resistant to Dust and Water
  • 9-Blade Diaphragm For Beautiful Bokeh
  • Lens Coatings Minimizes Ghosting
  • Fluorine Coating Reduces Fingerprints
  • Zoom Lock Lever For Safe Transporting
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