Oh look, another day, another RF mount rumor from the buzzing beehive of inbox chaos. This time, it’s about the Canon EOS R7 Mark II. Or maybe the R7 V, or the R7 X Pro Ultra Deluxe. Who knows? The names keep changing, much like the specs, and our collective sanity.

Info from a “Retailer”

A couple of days ago, someone got a “tip” from a retailer he sort of trusts, although their track record includes a few overly enthusiastic employees who once tried to convince us the R5 shot 12K RAW. From a potato.

So naturally, we’re listening very closely.

Mechanical Shutter? Never Heard of it.

Here’s the big bombshell: the R7 Mark II might ditch the mechanical shutter entirely. Yes, the ancient relic could finally be heading for the RF Museum of Obsolete Camera Parts. Pour one out for the satisfying clack that once made photographers feel something.

To be fair, Nikon has already banished the mechanical shutter to the shadow realm with the Z8 and Z9. Canon, ever the gentleman, kept it alive in the EOS R5 Mark II and EOS R1, probably out of nostalgia or a misplaced sense of decorum. But let’s be real: the clock is ticking.

Enter: 40fps of Electronic Glory

Apparently, the R7 Mark II’s sensor will have readout speeds that let it rip 40fps using the electronic shutter. Which sounds impressive, until you remember you’ll need a superhuman thumb to scroll through all those shots.

But hey, at least it won’t break like mechanical shutters do when you have the audacity to use them. Moving parts? So last century.

Fake Shutter Sounds Incoming? Please No.

Some people gets emotional reminiscing about the thwack of a real shutter, back when you could identify cameras by ear, like some kind of hipster echolocator. Let’s hopes Canon doesn’t try to “simulate” the sound electronically.

Because that’s what we need: a fake noise to accompany our fake leather grips and fake pentaprisms. Just ask car companies how well that’s going.

Rumored Specs™

• 32.2MP APS-C Sensor (because 32.1 was clearly not enough)
• Zero mechanical shutter (bye, drama queen)
• 40fps electronic burst (for when you need 92 photos of a squirrel blinking)
• 6K RAW Video (because editing 300GB files is character-building)
• Active cooling (your SD cards may still catch fire, though)
• R5 Mark II body size/layout (aka The Same, But Slightly Taller)

Conclusion? Vibes.

We have no clue if this is real, but it seems it wasn’t sent anonymously, which in rumorland is basically a notarized affidavit. No established leaker names were dropped, but hey, it’s 2025. Truth is optional.

We’ll keep you updated as the whispers turn into louder whispers, then eventually into specs that change the night before launch. There is a commitment to keep us all confused.

Stay hopeful. Or skeptical. Or just shoot film. Or just shoot.

[via CR]

New Canon rumor from the interweb of eager rumor mills. The Canon EOS R6 Mark III, the mythical beast we’ve all heard whispers about for what feels like an eternity. According to a recent conversation at Canon HQ (yes, in-person! how retro), it seems the project has experienced a few “minor” delays. Shocking, right?

All-New Sensor (Allegedly)

Rumors suggest it’ll have a 24MP sensor. Some say it’s borrowed from the EOS R3, others swear it’s “all-new.” Canon apparently called it “all-new,” which clears up absolutely nothing. But sure, 24MP. Unless, of course, it magically turns into something else later. You know how facts work in camera rumorland.

Resolution Boost? Maybe?

There’s a whisper of 30–32MP, potentially putting it somewhere between the EOS R1 and R5 Mark II in readout speed. Which sounds fast enough for a CMOS sensor, assuming we still care about that sort of thing.

Naturally, Canon is testing multiple sensors, because why settle on something early when you can keep us guessing for sport?

New Viewfinder, New Flippy Thing

A kind soul at Canon mentioned a “new type of EVF” and a fresh take on the LCD flippy mechanism. Groundbreaking stuff, surely. As for what “new type of EVF” means? Your guess is as good as ours. Maybe it reads your mind. Maybe it’s just slightly less terrible in bright sunlight.

Will It Cost More? Of Course It Will.

Expect it to be more expensive than the $2,499 launch price of the R6 Mark II. But not too much more, the rumor claims it’ll be “under $3000,” which is very reassuring in 2025, when that buys you approximately one banana and a coffee.

In Conclusion (Sort Of)

The Canon EOS R6 Mark III is definitely heating up, in the sense that people online are confidently repeating each other’s vague speculation. We’re sure we’re probably on the right track, but don’t hold your breath for an actual release date. Canon says it’s coming “in 2025.” Precise.

Will it make our wishlist? Nah. But a resolution bump might help it trend, and isn’t that what really matters?

Stay tuned. Or don’t. We’ll have more whispers from the void before the week is out. In the meantime, do not forget: the best camera is the one you have with you.

[via CR]

Here is a new Canon rumor, it’s about the EOS R7 Mark II, and I recommend you take it with a healthy dose of doubt.

The Canon EOS R7 Mark II is rumored to make its debut in the second half of 2025, likely in Q3 or Q4. As with all early leaks, exact release dates are hard to pin down, but it is said that multiple sources suggest the announcement is already in Canon’s pipeline. The upcoming model appears to be a significant step up from the original EOS R7, with rumors pointing to a more premium direction.

According to the mentioned sources, the EOS R7 Mark II will feature a higher-resolution APS-C sensor, reportedly around 40 megapixels, and will offer 8K video recording. That’s a hefty resolution bump and positions the camera to compete directly with Fujifilm’s high-res APS-C models. Despite the larger sensor output, the body is expected to stay lightweight, though slightly bigger in size, with ergonomics more akin to the EOS R5 Mark II. This change would be a welcome improvement for users who found the original R7’s layout less than ideal.

Another notable rumor is the possibility of the camera relying entirely on an electronic shutter, eliminating the mechanical shutter altogether. This could improve durability and reduce manufacturing costs, but it would demand extremely fast sensor readout speeds – something that hasn’t been confirmed. Some speculate this shutterless approach may instead be reserved for a different model, possibly the rumored EOS R7 V.

In terms of compatibility, current accessories designed for the EOS R5 Mark II – such as the cooling grip – are expected to work with the R7 Mark II. The camera will likely include a CFexpress Type B card slot alongside a UHS-II SD slot, consistent with Canon’s recent design choices. Dual CFexpress slots seem unlikely at this tier.

Interestingly, while there have been ongoing rumors about Canon developing a global shutter APS-C body, none of the sources mentioned that feature in connection with the R7 Mark II. It’s possible this technology is being reserved for a future release.

As always, take these leaks with a BIG grain of salt – specs often shift or get misattributed, or are simply wrong or fabricated, especially with multiple similar models in development. Still, if these details hold true, the Canon EOS R7 Mark II could be one of the most exciting APS-C cameras of 2025.

[via CR]

News from a Canon rumors mill about new cameras, the EOS R50 V, EOS RV, and PowerShot V1.

Canon is set to make a big splash later this month with a global announcement featuring three new cameras and a new lens. The lineup includes two new “V” series EOS R APS-C cameras and the revamped PowerShot V1. The PowerShot V1’s release was delayed—likely to debut at CP+ and to fit within the new “V” series concept—and is expected to launch at about $899 USD.

The three-camera announcement, slated for around March 26, 2025 will showcase:

• Canon PowerShot V1: A reimagined entry in the PowerShot lineup and the first of two new V series models.
• Canon EOS R50 V: An entry-level APS-C mirrorless camera that probably uses the same 24.2-megapixel sensor found in the current EOS R50 and EOS R10. It’s expected to be compact – comparable in size to the EOS M6 Mark II – and may come in around $650 USD.
• Canon EOS RV: Positioned as the most advanced of the trio, this model is likely to feature an upgraded sensor and active cooling, with an anticipated price of about $1000 USD.

In addition to the cameras, Canon is likely to announce at least one new RF-S wide-angle power zoom lens—possibly as part of a trio—to round out a complete system.

This new lineup is Canon’s strategic push to capture the interest of younger photographers and videographers, blending their storied brand strength with fresh, innovative products. More detailed information is expected as the announcement day draws nearer.

[via CR]

What does people with too much money and who is into photography love most? Right, an overpriced retro camera that looks like camera looked 50 years ago.

An article posted by French site Phototrend appears to reenforce the possibility of such a Canon camera. During the CP+ 2025 event, Phototrend conducted an interview with Canon’s executive team, including Go Tokura, Manabu Kato, Yasuhiko Shiomi, and Tetsushi Hibi. A significant topic discussed was the potential development of mirrorless cameras with a vintage aesthetic, especially with the upcoming 50th anniversary of the Canon AE-1 in 2026.

High Demand for Vintage-Looking Cameras

Manabu Kato acknowledged the considerable demand for vintage-looking cameras but emphasized that creating such a design isn’t straightforward. He highlighted the importance of considering the overall system, including lenses and accessories, to ensure cohesive design and functionality. Kato also mentioned that while Canon values ergonomics and operability – such as grip comfort and button placement – achieving this in a vintage design presents challenges. However, he assured that Canon is attentive to market desires and is exploring possibilities, balancing technological feasibility with business viability.

Balancing Retro Design with Modern Functionality

The discussion highlighted the complexities of integrating retro design elements into modern cameras. While a vintage appearance appeals to many users, ensuring that such designs meet contemporary ergonomic standards and functionality is challenging. Canon’s commitment to user-friendly designs means that any potential vintage-style camera would need to harmonize classic aesthetics with modern usability.

Canon’s Considerations for Future Developments

Canon’s leadership emphasized their awareness of the growing interest in retro-style cameras. They are actively considering how to incorporate these design elements into future products without compromising on the performance and ergonomics that users expect. This approach ensures that any new developments align with both market trends and Canon’s standards of excellence.

In summary, while Canon recognizes the high demand for vintage-looking cameras, they are carefully evaluating how to integrate such designs into their lineup. The goal is to blend classic aesthetics with modern functionality, ensuring that any new products meet both the nostalgic desires of users and the practical requirements of contemporary photography.

Are you into retro-looking digital cameras?