The Canon 35MMFHDXS CMOS sensor is a high sensitivity and low-noise champion

Canon 35MMFHDXS
View Post

Here is another sensor prototype from Canon. The Canon 35MMFHDXS CMOS sensor was recently presented along with other prototypes The sensors are a 120 Megapixel CMOS Sensor, a 5 Megapixel Global Shutter CMOS, and the 35MMFHDXS, 19μm Full HD CMOS Sensor. If you’re curious to learn more click here.

The 35MMFHDXS CMOS sensor delivers high-sensitivity, low-noise imaging performance, enabling the capture of Full HD video even in exceptionally low-light environments. The sensor’s pixels and readout circuitry employ new technologies that reduce noise, which tends to increase as pixel size increases. High sensitivity and increased well depth have been achieved through a larger pixel size of 19μm x 19μm (square) with proprietary device design technologies. The 35MMFHDXS CMOS sensor is available in RGB, RGB+IR or Monochrome.

Canon 35MMFHDXS

The 35MMFHDXS CMOS sensor is featured on the Canon ME20F-SH, a specialised, multipurpose camera system. If you are technically inclined you may want to have a look at this Canon White Paper, talking about the 35MMFHDXS CMOS sensor.

The sensor specifications:

  • Sensor size: 35mm film size (36.48mm x 20.52mm)
  • Number of effective pixels: 2000h x 1128v, Approx. 2.2MP
  • Filter types:
    • 35MMFHDXSC: RGB
    • 35MMFHDXSM: Monochrome
  • Pixel size: 19μm x 19μm
  • Progressive scan
  • Rolling shutter
  • Serial communication
  • 180pin ceramic PGA
  • Sensitivity:
    • 35MMFHDXSC (Green): 1,100,000e/lx/sec @gain x1
    • 35MMFHDXSM: 2,100,000e/lx/sec @gain x1
  • Saturation: 61,000e @gain x1
  • Dark RN: 2.2e rms @gain x16, around 35 °C
  • Dark Current: 250e/sec @gain x16, 60°C
  • Simultaneous reading of vertical 4 lines
  • Drive frequency: 16ch x 18MHz (Recommended)
  • Output format: Source follower output (Analog)
  • Built in column amplifiers: (Basic pre-amplifier gain: x1, x4, x16)
  • Power consumption: 2.2W (At 60 fps under recommended operating conditions)
  • Power supply voltage: 5V, 3.3V, others
  • Package size: 60.9mm x 44.6mm x 3.57mm

Canon 35MMFHDXS

Canon has No. 1 share of global interchangeable-lens digital cameras, for the 15th consecutive year

canon rumors

The giant is alive and kicking. Press release:

Canon celebrates 15th consecutive year of No. 1 share of global interchangeable-lens digital camera market

TOKYO, March 28, 2018—Canon Inc. has announced today that the Company’s interchangeable-lens digital cameras (digital SLR and compact-system cameras) have maintained the No. 1 share of the global market for 15 consecutive years1 from 2003 to 2017.

Canon develops the key components featured in its interchangeable-lens cameras—CMOS image sensors, image processors and interchangeable lenses—in the pursuit of “Speed, Comfort and High Image Quality, the core concept of the EOS series.” The Company effectively responds to the needs of a wide range of users through its extensive lineup of cameras catering to all levels of photography from beginner to professional and a total2 of 93 EF series interchangeable lenses.

In 2003, the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D Digital in other regions). This groundbreaking camera, which was competitively priced and featured a compact, lightweight design, captured the top share of the global market and set the stage for growth in the digital SLR market. Since that time, Canon has continued to launch a range of groundbreaking products, including the professional-model EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. The Company has further bolstered the EOS lineup by continuing to introduce new products including accessories, interchangeable lenses and the EOS M series of compact-system cameras. During 2017, Canon introduced the EOS 6D Mark II as part of an impressive lineup of interchangeable-lens camera products3 that supported the Company’s achievement of a 15th consecutive year at the top of the global market.

Click here to open the rest of the article

The Canon 120MXS 120MP CMOS Sensor delivers spectacular performance

Canon 120MXS
Canon 120MXS 120MP CMOS Sensor

Back in January, at CES 2018, Canon gave some insights in their R&D labs. Three sensors were presented.

The sensors are a 120 Megapixel CMOS Sensor, a 5 Megapixel Global Shutter CMOS, and a 19μm Full HD CMOS Sensor. If you’re curious to learn more click here.

The Canon 120MXS sensor, with a 120MP resolution shows what Canon is capable of. This kind of sensor can be used for many applications, surveillance, scientific experiments, medical etc. For a mirrorless camera too, I guess. It’s APS-H format.

The 120MXS is an ultra-high resolution CMOS sensor with 13280 x 9184 effective pixels(approx. 60x the resolution of Full HD). It has a size equivalent to APS-H (29.22mm x 20.20mm), and a square pixel arrangement of 2.2µm x 2.2µm with 122 million effective pixels. Ultra-high-resolution is made possible by parallel signal processing, which reads signals at high speed from multiple pixels. All pixel progressive reading of 9.4fps is made possible by 28 digital signal output channels. It is available in RGB or with twice the sensitivity, in monochrome.

The video below gives you a good idea what you can do with this sensor.

Canon announce a new 20mm prime lens for 4K cameras (CN-E20mm T1.5 L F)

CN-E20mm T1.5
View Post

CN-E20mm T1.5 L F at a glance:

  • Covers Full Frame & Super 35 Sensors
  • T1.5 Maximum Aperture
  • 11-Blade Iris
  • Breathing Minimized Virtually to Zero
  • Dual Focus Markings
  • Stepless 300° Focus Rotation
  • Standard Cine Gears
  • Same Gear Positions as Other CN-E Models
  • Dust- and Water-Resistant Housing

The CN-E20mm T1.5 L F lens can be pre-ordered at B&H Photo.

Canon press release:

Canon U.S.A. Expands EF Cinema Lens Lineup With New 20MM Prime Lens for 4K Cameras

MELVILLE, N.Y., March 28, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of a new addition to the Cinema EOS System: the CN-E20mm T1.5 L F lens – a full-manual 20mm Cinema Prime Lens for EF Mount cameras. A popular focal length, the 20mm lens delivers exceptional optical performance in a compact form factor. With the introduction of this new lens, Canon further enhances its EF Cinema Lens family to meet a diverse range of cinematic and video-production needs, further contributing to the world of cinematography.

“As Canon continues to expand its reach in the cinema space, we are thrilled to introduce the CN-E20mm T1.5 L F lens, further expanding a robust line up of Cinema Prime lenses,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “This new lens will provide users with an option in-between our 14mm and 24mm lenses, giving greater flexibility for their scene framing. Canon is excited to see the projects our users create with this lens and Canon Cinema cameras.”

The new CN-E20mm T1.5 L F lens can provide 4K resolution from the center of the images to the periphery, providing high image quality for Canon cameras that feature full-frame sensors such as the new EOS C700 FF digital cinema camera. In addition, the 11-blade aperture diaphragm alongside a T number1 of 1.5 allows the lens to provide beautifully soft bokeh. Like all Canon Cinema Prime lenses, the CN-E20mm T1.5 L F lens features warm, natural-looking tones, 300 degrees of focus ring rotation, and minimized focus breathing.

Since the launch of the Cinema EOS System and EF Cinema Lenses in November 2011, Canon has greatly expanded the EF Cinema Lens offerings. The lineup—which includes the Prime, Zoom, Compact Zoom, CINE-SERVO and COMPACT-SERVO series of lenses—has become very popular for a wide range of users. With the introduction of the CN-E20mm T1.5 L F lens, the lineup now boasts a total of 21 lens models. This expansive line of lenses provides cinematographers with even more options to choose from, which can support enhanced content creation for a variety of uses and shooting scenarios.

The CN-E20mm T1.5 L F lens is scheduled to begin shipping in fall 2018. For more information please visit usa.canon.com/provideo.

Click here to open the rest of the article

Canon announces the EOS C700 FF, the company’s first full frame Cinema camera

canon eos c700 ff
View Post

Canon EOS C700 FF at a glance:

  • 5.9K Full Frame CMOS Sensor with DAF
  • EF-Cinema Lock Type Mount
  • Dual Pixel AF, Triple DIGIC DV 5
  • XF-AVC and ProRes Recording to CFast 2.0
  • Internal Full-Frame up to 60FPS
  • Internal 4K/Super35 Crop up to 72FPS
  • Internal 2K/Super16 Crop up to 168FPS
  • Selectable Gamma and Log Curves
  • ACES Support
  • External Raw Recording Option

More information about the EOS C700 FF can be found here. If you have 33 grands to spend you can pre-order the EOS C700 FF at B&H Photo.

Canon press release:

Introducing Canon’s First Full-Frame Cinema Camera, The EOS C700 FF

MELVILLE, N.Y., March 28, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the EOS C700 FF, the Company’s first full-frame cinema camera. The beauty and majesty of full-frame digital cinema is now becoming a new creative reality. Since the introduction of the EOS 5D Mark II DSLR camera in 2008, Canon has been a part of the full-frame video movement, and the introduction of the C700 FF has reinforced Canon’s commitment to this market. At the heart of the camera is a novel Canon-developed CMOS image sensor having a total of 5952 (H) x 3140 (V) photosites with a digital cinema 17:9 aspect ratio, which gives it the same image circle size as the full frame EOS 5D camera series. This supports a wide range of shooting options.

Available in both PL and EF Mount, the EOS C700 FF provides users with the same outstanding performance, operation and modular design as the EOS C700 (released in December 2016). The camera is being shown publicly for the first time at the Canon booth (C4325) at the NAB Show 2018 in Las Vegas from April 9-12.

“Since the launch of Canon’s Cinema EOS line of products in November 2011, the goal was to one day develop a cinema camera worthy of being the ‘A’ camera on major Hollywood productions, and Canon met that goal with the introduction of the EOS C700,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “After listening to our customers and closely monitoring market trends, Canon set forth a new goal: to launch a full-frame cinema camera. With this introduction, we are very excited to see the C700 FF in the hands of industry professionals as they shoot their latest projects.”

Existing owners of Canon’s original EOS C700 cinema camera will be pleased to know they can have their Super 35mm sensor upgraded to the new Full-Frame sensor for a fee*. Authorized Canon facilities such as Canon Burbank are ready to process C700 upgrades as well as lens mount swaps, and offer equipment drop off, on-site repairs and upgrades, as well as equipment testing and demonstration.

The Sensor

The newly developed sensor featured in the EOS C700 FF has an active image area of 38.1 x 20.1mm and supports readout at full size, as well as Super 35mm, Super 16mm and anamorphic modes. In addition to full-frame lenses, it can be used with conventional Super 35mm lenses to originate 4K / UHD standardized production formats and Super 16mm lenses (with an adapter) to originate 2K / HD production formats in crop modes. The sensor captures wide tonality exceeding 15 stops of dynamic range and a wide color gamut meeting ITU-R BT.2020 standards. This offers broad latitude when grading, providing outstanding effectiveness in HDR video production.

Click here to open the rest of the article

“Everest” is a beautiful time lapse tribute to the Himalayas highest mountain

everest
View Post

Everest is a mesmerizing time lapse film shot at night by Elia Saikal. You don’t see such time lapse clips very often.

Elia says:

These time lapse Images were captured as high as 6200m (camp 2) above sea level on Mt. Everest. We slept at 6000m for three consecutive nights on the summit of Mt. Lobuche East waiting for a glimpse of Everest from that vantage point. Around 11pm on the 2nd night, the skies opened up and the top of the world revealed herself in all of her glory.

No where else on the planet have I ever seen the Milky Way so clear, so vivid and so very much alive. It takes a great deal of discipline to stay up all night capturing the magic for the world to experience. Cameras freeze.Shutters freeze. Batteries freeze. Humans freeze. The high altitude environment is debilitating at best. Your body is taking a constant beating by the low levels of oxygen in the atmosphere. The higher you climb of course, the worse this becomes.

Elia used a Canon EOS 1D C (canon rumors), two EOS 5D Mark III (canon rumors), an EOS 5Ds R (canon rumors), and various lenses (24mm, 16mm, 11-24mm) to shot the clip.

You can follow Elia Saikal on Intagram, Facebook, or on his site.