While we are waiting for the official announcement of the EOS M, Canon’s mirrorless camera, there is already a first hands-on video that showed up on youtube (thanks to reader Mitch!). The video is in Italian (I speak it). Surprise surprise: the camera comes in different colors. The Canon guy says that «a lot of prototypes have been tried out in Canon – we think we achieved a good product with the EOS M». When asked about a model with viewfinder, he basically is saying that «a viewfinder is something that only DSLR shooter would miss», and: «Maybe there will be a camera with viewfinder in the future». Still no information about the price. Basically, the specs I posted yesterday are confirmed. Moreover…:
Manual controls (exposure and aperture) are available through the touchscreen
Shutter can be released through the touchscreen, after focus has been locked (2:28″ on the video)
14 bit RAW header
Phase and contrast detection AF
Different colors available
The touch-screen seems to be very functional, clean and easy to use. The EOS adapter is huge, but, i guess, that’s the price for being able to use EOS lenses line-up.
Canon’s new, cute EF 40mm f/2.8 STM ($199, click here) is getting lots of reviews, and most of them are more than just positive. The review I cover today comes from fstoppers, and it is the most critic review I saw so far (although it is outlining the strengths of the lens). Sample pics shot with an EOS 7D, a Rebel T4i/650D and a EOS 5D are available for download (scroll down to the end of the post).
While still being on backorder everywhere, Canon’s new flagship, the full frameEOS-1D X ($6,799), is already getting enthusiastic reviews. Scott Bourne raves about this camera (emphasis mine):
This is without a doubt the most impressive camera I’ve seen since I went digital. There: You have the executive summary. The Canon 1D X is a certified monster of a camera. It’s the biggest, the fastest, and if you’ll permit me to create a word that is illegal in Scrabble, the bestest 35mm DSLR I’ve ever seen or used.
The EOS 1D-X features the same AF system as the EOS 5D Mark III, with just ome difference: the 1D-X has a dedicated CPU for this task. On the EOS 1D-X…
The autofocus is the best you can buy in this format. I’ve tested and used the 5D Mark III, so I was already familiar with Canon’s excellent new 61-point autofocus system. But on the Canon 1DX the autofocus gets a boost with its own dedicated DIGIC processor. This makes the AF even faster and more accurate than the 5D Mark III’s AF — and that is no small accomplishment.
Newly designed 18.1 Megapixel full-frame CMOS sensor, 14-bit A/D conversion, wide range ISO setting 100-51,200 (L:50, H1: 102400, H2: 204800) for shooting from bright to dim light and next generation Dual DIGIC 5+ Image Processors for enhanced noise reduction and blazing processing speed
New 61-Point High Density Reticular AF including 41 cross-type AF points with f/4.0 lens support including 5 dual diagonal AF points (sensitive to f/2.8), plus EOS iTR (Intelligent Tracking and Recognition) AF for accurate subject tracking
EOS iSA (Intelligent Subject Analysis) powered by Canon’s DIGIC 4 Image Processor, featuring a 100,000-pixel RGB Metering Sensor with subject and color recognition for reliable AE
EOS HD Video with manual exposure control and multiple frame rates (1080: 30p (29.97) /24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 60p (59.94) / 50p) with 4GB automatic file partitioning (continuous recording time 29 minutes 59 seconds) with selectable “All i-frame” or IPB compression
Outstanding shooting performance: up to 12.0 fps continuous shooting (14.0 fps in Super High Speed Mode) using a UDMA CF card
Magnesium alloy body with shutter durability tested up to 400,000 cycles, exclusive dust-and-weather resistance and new Ultrasonic Wave Motion Cleaning (UWMC) for improved vibration-based dust removal
Intelligent Viewfinder with superimposed LCD display, approximately 100% field of view, wide viewing angle of 35 degrees and 0.76x magnification
3.2-inch Clear View II LCD monitor, 170 degree viewing angle, 1,040,000-dot VGA, reflection resistance with multi coating and high-transparency materials for bright and clear viewing
Improved handling with the addition of new customizable controls and enhanced recording options with Dual Card Slots, Gigabit-Ethernet terminal and compatibility with optional Canon Wireless File Transmitter and GPS Receiver
I have to say that I feel I am neglecting the Rebel T4i (EOS 650D in EU, Kiss X6i in JP). I am not part of the “just another Rebel” party, nor do I have an elitist approach to photographic gear. Nevertheless, I didn’t dedicate too much time to the latest Rebel (so far). That’s a shame, because Canon’s last iteration of the Rebel series (the xxxD series in EU) has a lot of advanced and cue-giving tech inside. So much that it should make us curios what it is about. I reported time ago that Canon may sandboxing and testing the technology (i.e. the touchscreen) that could possibly be used for its upcoming mirrorless system camera (expected for July 23). Now, there are more hints that the Rebel T4i/650D sports features and functionalities that would be more than just useful on a mirrorless camera.
Le me start saying that the T4i/650D is Canon’s first DSLR having full-time auto-focus in video mode. To accomplish this, you can use different focusing approaches, such as the contrast-detect method (used in previous Canon DSLR, slow and imprecise) or phase detection sensors in the camera (causes a blackout during live view, when the mirror flips down). But there is a third way to get auto-focus through phase detection: mixing phase detection sensors with pixels on the sensor itself. That’s what the folks at chipworks discovered when they tore down a T4i/650D. The cool thing is that such a technical solution would make up for a fast and reliable AF on a mirrorless camera. The technology is not new and was seen on Nikon’s Aptina sensor sported on the V1 and on the Fuji F300EXR. Differently from Nikon, which uses regular lines to implement the phase detection sensors, Canon uses an irregular pixel pattern. This is not totally new, as Canon two years ago published a patent for such a technology.
Comparing the 50D to today’s DSLR’s on specifications and you might find it has a lot more in common with them than you think a DSLR announced in August of 2008 should. This is one loaded DSLR with lots of resolution and features that, on paper at least, stands up quite well with today’s newest DSLRS on the market- even against Canon’s own EOS 7D […].
Agree. You should also know that the 50D was the last true iteration of the x0D series. The next model, the EOS 60D, didn’t really push the line-up forwards: Canon decided to split the x0D series, crippling down the 60D and introducing the EOS 7D (btw, the 7D is still on sale on B&H – click here). This was a little bit disappointing for some people (myself included). The 60D didn’t get a magnesium alloy, nor does it have some of the “semi-pro” features of the 50D (and 40D). Carl summarizes very well what it is about with the 50D:
A quick rundown of the Canon 50D for those who have never read about it before: This is a semi professional DSLR with a 15.1mp APS-C sensor that includes weather sealing, live view w/two kinds of autofocus, a very robust magnesium outer frame and internal stainless steel chassis, an ISO range of 100-12,800, a 920K anti-reflective LCD screen w/top plate LCD screen as well, auto focus fine tuning for up to 20 lenses, a custom control menu system, 9 point high speed AF system w/all 9 points double cross f/5.6 high sensitivity except the center which is double cross and sensitive to f/2.8, high frequency dust reduction system, a large pentaprism viewfinder with .95X magnification and 96% accuracy, and a lens vignetting correction option available in the menu.
The review is detailed and comprehensive, I really suggest you have a look. Let me cite from the conclusion (which has much more to say than I am quoting here):
Speaking plainly I just enjoy using the 50D on a daily basis for a wide variety of subjects in many different conditions. It’s a camera that doesn’t really have any real weaknesses in any particular category and is just a fun camera to shoot with and rely on. At the end of the day, isn’t that what we want from a DSLR?
The Canon 50D is one such steal on the market right now that sacrifices very little of newer modern features found in DSLRS, but at almost 1/3rd the cost used than a similar camera would cost you new. Therefore the Canon EOS 50D is indeed one of the best bang for the buck deals you can get on a DSLR (as of today’s date) and I highly recommend it to any shooter, especially those who are on a tighter budget as long as you don’t need video. And I assume that if you are reading a Canon 50D review, you probably aren’t in that camp anyways.
The clear winner for me is the Canon 5D mark III. Despite the overall softness right out of the camera (fixable in post to a certain degree), there are no aliasing and moire problems, records at a very descent variable bit-rate of 91megabits/sec in All-I mode and if that’s not enough, the 5D3 is also king after dark.
Let me also quote something concerning the D800:
When shooting stills, moiré and anti aliasing concerns across discussion forums are overblown topics. Of course it can occur and could be problematic. Especially when shooting fabrics, roof tiles, metal grids […]
Nevertheless, EOS 5D Mark III is champion, next is the D800, and then comes the Nex-7. But: we are talking about moiré artefacts here, only about that. :-)