Metabone Does The Optical Voodoo (want faster and wider lenses?)

This is the perfect Monday morning news. Want to use the awesome Canon lens collection on your MFT gear? And maybe you want your EF lenses to get faster and wider? Sounds impossible, or sounds like magic? Well, it is possible, at least it appears to be.

Metabones just announced the new “Speed Booster” Adapter that makes any Canon full-frame (i.e. EF and not EF-S) lens faster and wider (some say also sharper)! Philip Bloom posted this for first, and he explains how it works:

The Metabones ‘Speed Booster’ is a 0.71 x focal reducer, that will effectively turn your full frame 50mm f/1.8 lens into a 35mm f/1.2 lens. Note, doing so (as a guide) will increase the aperture of that lens by one stop. It will be available in January 2013 from Metabones’ web site http://www.metabones.com and its worldwide dealer network for US$599 / £372 plus shipping and applicable taxes and duties

Let me sum it up:

  1. The adapter reduces the image circle of full-frame lenses in order to cover the MFT sensor area
  2. You can use only full-frame lenses (Canon EF lenses)
  3. While the adapter supports automatic aperture and image stabilization it doens’t support AF control

Here is an image that shows you how it works:

The image circle gets reduced and this actually doesn’t decrease the image quality!

Below is a video sample shot by Philip Bloom using an Canon EF 17-40 f/4L lens shot at 24mm and a Sony FS100 camcorder

Take some time to read Philip Bloom post (there are more videos, lots of information, excerpts from the adapter’s white paper) and let me know what you think about all this optical voodoo. This is what Philip Bloom thinks:

Does it work? Well yes. After what has been some very speedy non scientific tests, I am very happy with the images produced so far. From what I have seen, will I be ordering one on release? Again yes, yes I will. The adapter I’ve tested is a prototype, so final judgment should be reserved until a production version is used and tested. I love that I can have a real 50mm on the FS100.

[via 43rumors]

 

More On The Canon Experience Stores (To Start on 01/15)

More tidbits about Canon's “Experience Stores”, expected to be announced tomorrow.

In Asia they should be called “Canon Imaging Square”. That's sounds ok for me: “Square” is pretty commonly used in Asia for shopping malls that promise an “experience”. Then there should be a store Calgary Canada, one in Sao Paulo in Brazil, and one in Sidney,Australia. Stores in the Europe and the US are not rumored so far.

The stores should be announced tomorrow, along with the Canon EOS 70D. Let's see what is going to happen.

[via Canon Rumors]

 

A Little Bit Of Everything

 

Zeiss 135mm f/2.0 Apo-Sonnar ZE (Canon) Available For Pre-Order

 

Both B&H And Adorama have the Zeiss 135mm f/2.0 Apo-Sonnar ZE for Canon mount available for pre-order, price is $2,122 (click on shop name): B&H | Adorama.

Expected to ship February 2013. From Adorama’s product description:

  • Because this lens is an apochromat, chromatic aberrations (axial chromatic aberrations) are corrected with elements of special glass with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits
  • Great low-light shots start with a great lens for your DSLR camera. A high-speed lens captures as much light as possible. A lens with a wide maximum aperture offers the best results in difficult lighting conditions
  • The lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere’s more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens
  • Rich, vibrant colors are vital to creating a lasting impression. Stray light in the lens, however, would lead to a brightening of the image, which is particularly visible in shadow areas. Image contrast is lowered; the image appears dull and bleached
  • Photographers want to guide the observer through the image. Minimal depth of focus is often used as a design element. This keeps the background intentionally blurred to keep the attention of the observer on the main subject
  • The nine diaphragm blades and the resulting, virtually circular aperture on Carl Zeiss SLR lenses are crucial to favorable rendition of highlights in the fore and background

[via The Digital Picture]