Viltrox Set To Announce Three Lenses For Canon EOS M (and Fuji X & Sony E)

Viltrox

Viltron will soon announce three new lenses for APS-C mirrorless systems.

The new Viltron lenses will be available for the Canon EOS M, Fuji X and Sony E systems. The lenses have autofocus, and are 23mm f/1.4, 33mm f/1.4 and 56mm f/1.4.

Viltrox 56mm f/1.4

viltrox
  • Aperture range: 1.4 – 16
  • 9 aperture blades
  • 9 groups, 10 glasses
  • Filter size: 52
  • Weight 290g

Viltrox 33mm f/1.4

  • Aperture range: 1.4 – 16
  • 9 aperture blades
  • 9 groups, 10 glasses
  • Filter size: 52
  • Weight 270g

Viltrox 23mm f/1.4

  • Aperture range: 1.4 – 16
  • 9 aperture blades
  • 9 groups, 10 glasses
  • Filter size: 52w
  • Weight 290g
[via Weibo Sino]

Last 12 Month’s Japanese Camera Market: Canon Top Dog But It’s Fuji Who Wins

BCNRetail posted the Japanese camera market shares from April 2018 to March 2019.

  • Canon did hold 37.3% of the overall camera market shares (fixed lens plus system cameras)
  • Nikon did hold 26,7% of the overall camera market shares
  • Sony did hold 13,1% of the overall camera market shares
  • Olympus did hold 6% of the overall camera market shares
  • Fuji did hold 5.8% of the overall camera market shares

Canon is still the top dog in the bunch. But things look differently when compared to the previous year:

  • Canon sold -1,3% cameras (units of sales)
  • Nikon sold -15% cameras
  • Sony sold -6,6% cameras
  • Olympus sold -13,8% cameras
  • Fuji sold +19,4% cameras

And an even more different picture is given by the overall value of camera sales:

  • Canon camera sales value dropped -11,4% 
  • Nikon camera sales value dropped -28,5% 
  • Sony camera sales value increased +14,5% 
  • Olympus camera sales value dropped -21,3% 
  • Fuji camera sales value increased +0,6%

Canon, Nikon and Olympus saw a huge drop in overall value of the sales. Fuji on the other hand is doing pretty good, having been able to sell 19.4% more cameras than the previous year.

[via Digicameinfo via Mirrorless Rumors]

Meet The InstantKon RF70, a Foldable Rangefinder Instant Camera Using Fujifilm Instax Wide film

InstantKon RF70

MiNT Camera announced the InstantKon RF70. The InstantKon RF70 is a new rangefinder, full control instant camera, using Fujifilm Instax Wide film

The InstantKon RF70_auto sells at $779, the InstantKon RF70 at $899. Both are available at MiNT.

Specification:

  • Apertures: f/5.6, f/6.7, f/8, f/11, f/16, f/22
  • Lens: 3-element lens with glass, aspherical lenses, f=93mm
  • Coating: Multi-layer coated
  • Focusing distance: 0.75m (29.5 inches) – ∞ (manual focus)
  • Depth-of-field (@ 0.75m and f/5.6): 4.9cm
  • Largest aperture (35mm equivalent): f/2.4
  • Shutter speed: 1/500 – 1sec (A mode), B mode – maximum 10mins
  • Viewfinder: Real image viewfinder, 0.44x
  • Exposure control:
  • RF70: AUTO, A+1, A-1, 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, 1/4, 1/2, 1, B, R
  • RF70_auto: AUTO, A+1, A-1, B
  • Flash: Built-in electronic flash with auto-brightness balance
  • Multiple exposures: Yes, unlimited times
  • Battery: 2 AA Alkaline batteries (included)
  • Film: W108mm x H85mm (Image: W99mm x H62mm), ISO800
  • Adapters: Cable release socket, tripod mount socket, neck strap eyelets and 2.5mm audio jack
  • Dimensions: 182 x 122 x 64mm (7.16 x 4.8 x 2.51 inches)
  • Weight: 806 grams (28.4oz) (camera only)
  • Warranty: 5 years

Press release:

The New Generation of MiNT Camera You Can Control

The Motivation

  • Instant cameras don’t have to be toys.
  • Polaroid Corporation, under the leadership of Dr Edwin Land, demonstrated it in the 1970s with high-end instant cameras.
  • High-end instant cameras became a lasting success and gained a cult following even until this day.
  • It became the cornerstone of The Impossible Project, the company that saved Polaroid. Without these high-end instant cameras, we wouldn’t have The Impossible Project, and we wouldn’t have instant film to shoot.
  • 10 years of camera-making experience behind us, MiNT can design a groundbreaking product just like the early vintage polaroids, but more affordable and accessible.
  • We want to challenge the basic assumptions of toy instant cameras. We want to break the limitations of ordinary cameras.
  • Perfect combination of modern tech and timeless design.
  • So that you can push the boundaries of instant photography beyond parties, gifts, and souvenirs.

Introducing InstantKon RF70

Full control in an instant camera

  • InstantKon RF70 is designed to let the photographer take control. With ordinary instant cameras, the camera controls you. With MiNT cameras, you control the camera. RF70 is the only WIDE format camera that offers full manual control – shutter speed, aperture, and focus.
  • With full controls and an enormous film format (Instax WIDE film size: W99mm x H62mm), it doesn’t take a pro to capture the most stunning moments.

Why is full control important?

  • Full control is very important in an instant camera. If you can control it, you will know how the picture turns out before it develops.
  • The ability to preview an instant picture saves you time and a lot of film.
  • Full control is also very important because it lets you get the picture you want, instead of just guessing.
  • The wide variety of aperture and shutter speed setting means you can shoot under a lot of different light conditions, no matter which way the sun is shining.

Control the depth of field

  • Six aperture selections
  • The largest aperture f/5.6 is equivalent to f/2.4 on 35mm, together with the enormous film size, gives you incredible depth-of-field.
  • RF70 gives you the shallowest depth of field in any instant camera (except special mods). Phenomenal bokeh: Only 4.9cm at f/5.6 and 75cm.
  • Real mechanical rangefinder, bright and easy to use.

Control the exact amount of light you need

  • 14 shutter speeds, including manual speeds and long exposures
  • Wide range of shutter speeds, combined with aperture control and built-in flash, you will be able to push the boundaries of instant photography beyond parties, gifts, and souvenirs.
  • Auto or manual are both present in the camera. It’s up to you to choose.

All you need in one foldable body

  • Built-in flash for nighttime or fill flash
  • 2.5mm audio jack for triggering external studio flash
  • A film eject lever lets you do unlimited multiple exposures
  • Light meter for detecting ambient light
  • LCD display for ND recommendations
  • B mode for up to 10 minutes ultra long exposure
  • Double-click the shutter button for T mode
  • Compatible with standard cable releases
  • Tripod socket for standard tripods
  • Multi-layer coated lenses
  • Incredible 5-year warranty
  • Unlimited Free Films program on Instagram

InstantKon RF70_auto

  • RF70_auto is the simple version of RF70.
  • It has all the advantages of RF70, just one less degree of freedom. You can still control aperture and focus.
  • Same lens.
  • It’s got all the basic controls you need to capture stunning moments.

Extras

  • Lens Set – Neutral Density Filter (ND2, ND4, ND8). It can reduce extra light entering the camera to avoid over-exposure in bright sunlight conditions. The camera has an indicator telling you which ND filter to use.
  • Lens Hood – To reduce unwanted glare.

World Press Photo 2019 Winners Used Canon and Nikon, A Few Fuji, Sony and Leica Insignificant

World Press Photo

World Press Photo is likely the most prestigious photojournalism contest. This year’s winner have been announced (nr. 1 is Crying Girl at the Border), and along with them information about the gear they used.

Spanish site Photolari collected all metadata and published some interesting statistics about the photographic gear used at World Press Photo 2019. These statistics show a few interesting things. Let’s first see the ranking:

World Press Photo 2019 brands:

  1. Canon 46.4%
  2. Nikon 36.6%
  3. Fujifilm 10.5%
  4. Sony 2.6%
  5. Leica 2.6%

No surprise Canon and Nikon rank first (last year Nikon was 1st and Canon 2nd). The ranking shows that Sony still has a hard time with professional photographers, being used by a meagre 2.6%. Even Fujifilm does better with a respectable 10.5%. No surprise either that almost no one uses Leica.

Mirrorless is taking over, isn’t it? Let’s see the camera system ranking:

  1. DSLR 71.1%
  2. Compact cameras 8.9%
  3. Mirrorless 4.4%
  4. Unknown system 15.5%

As expected, full frame system dominate with 73.3%, followed by APS-C with 11.1% (does this figure contain the 10.5% Fuji cams?) , 15.5% are unknown sensor size.

Among the most used cameras we find the usual suspects (in this order): Canon EOS 5D Mark IV and Mark III, Nikon D5, Canon EOS-1D X Mark II, Nikon D850, Canon EOS 6D, and then more Canon’s and Nikon’s and some Fuji’s. Only one persone used a Sony a7R II and another one a Leica Q.

Is there something to add?

[via Photolari]