Canon PowerShot S110 Review (best bet for enthusiast photographers)

Canon PowerShot S110 core specs:

  • 12.1MP Resolution 1/1.7″ CMOS Sensor
  • 24-120mm UA Lens (35mm Equivalent)
  • 5x Optical Zoom, f/2.0-5.9 Aperture
  • 3.0″ PureColor Touch Screen LCD Display
  • HS SYSTEM Technology, High Speed AF
  • DIGIC 5 Image Processor, Intelligent IS
  • Full HD 1080p Video with Stereo Sound
  • High-Speed Burst HQ, Manual Control Ring
  • ISO 12800, Multi-Aspect Ratio RAW
  • Smart AUTO, Movie Digest & Wi-Fi

Cameralab’s review of the [shoplink 8374]PowerShot S110 (price & specs)[/shoplink], successor of the highly popular [shoplink 10301]PowerShot S100 (price & specs)[/shoplink]. Foremost: while the S100 had built-in GPS, the S110 comes with built-in WiFi connectivity, and no more GPS. I can’t say if Canon did this for commercial reasons or because of engineering issues. It is not a big issue since you can always geo-tag your pics by connecting to your smart-phone. The other big difference to its successor is the introduction of a touch-screen 3″ display, a welcome addition for all those who are used to smart-phones and similar devices. If the touch interface is as smart and well workingas on the [shoplink 6091]Canon EOS M (price & specs)[/shoplink] then Canon did it right. In the same way as on the EOS M, the touch-screen can be used for focusing and subsequent shutter release.

In the conclusion they write:

[…] the PowerShot S110 remains the smallest camera with advanced features like a bright lens, RAW files and manual controls, and the only one with a built-in motorised lens cap. The competition from Panasonic and Olympus meanwhile continues to travel in a different direction, offering brighter lenses, hotshoes and accessory ports, but in a less compact form factor with lens caps. Sony’s RX100 comes closest physically and packs in a bigger sensor too, but again lacks the motorised lens cover and some of the S110’s other features. While you may think having a manual lens cap isn’t a big deal, it does make a camera larger and delays the time to first shot; certanly when shooting with the S110 alongside any of the aforementioned rivals, it’s been noticeably quicker to action and that can mean the difference between capturing or missing a brief opportunity, and that’s worth taking into consideration.

[…] the PowerShot S110 remains the best bet for enthusiast photographers seeking the rare combination of advanced control in a truly compact connected camera. Had Canon made a better job of the connectivity features it would have been Highly Recommended, as it is the PowerShot S110 comes Recommended; if you value genuine take-anywhere portability over the bright lens, hot shoe and accessory optons of larger models it’s hard to beat.

Comprehensive review with sample pictures, noise comparison, and image quality tests.

Canon PowerShot S110 price check: [shopcountry 8374] Canon PowerShot S100 price check: [shopcountry 10301] [via cameralabs] [shoplink 8374]Canon PowerShot S110 Review[/shoplink] [shoplink 8374]Canon PowerShot S110 Review[/shoplink]

Ibelux Announces 40mm f/0.85 Lens For EOS-M System

40mm f/0.85 Lens For EOS-M System

This new and fast Ibelux 40mm f/0.85 lens was displayed at the CP+ exhibition in Japan. It's made by Kipon and the German company IBE. Among other mount types it will be released for the [shoplink 6091]Canon EOS M (price & specs)[/shoplink] around July 2013 (other mounts: E, MFT, M, and X). Price hasn't been announced yet but it is expected to be between 950 and 1200 Euro. For the time being this is the fastest lens ever released for a modern digital mirrorless system. German company IBE (click here) has a long history of high quality video lenses, so there shouldn't be surprises with the optical quality of this lens.

You can save this search on Slidoo to get notified when it will be available on eBay.

[via mirrorlessrumors]

 

Canon Young Photographer Of The Year, Awarded By The Times

Canon Young Photographer Of The Year
Image credit: Rob Stothard

Rob Stothard, 27 years young and from Leeds, has been named the tenth Times/Canon Young Photographer of the Year. He got a six-month contract with The Times, and will be trained and learn about photojournalism. And he will receive all the state-of-the-art Canon gear he needs along with a year’s membership to the British Press Photographer’s Association. As reported on the London College of Communication’s blog:

Rob studied mathematics at the University of Leeds and had been working in the city when he turned his attention to photography, applying for LCC’s MA Photojournalism and Documentary Photography course. Then in a desire to better his photography skills he threw himself head-first into a big international story by making the brave decision of going to Egypt to cover last year’s elections.

Rob explains “I had been interested in and travelled in the Middle East for some time and felt going to Egypt and setting myself up to cover the elections would be perfect. So I changed to the online mode of the course hoping it would give me the structure and mentorship I feel is difficult to gain as a freelancer fresh into the industry.”

“Aside from the help from course director Paul Lowe, the other staff and my fellow students, being part of a society of journalists based in Cairo has been an invaluable experience. Whilst my technical skills as a photographer have improved I feel the most valuable part of my time in Cairo has been learning from more experienced journalists how to accurately and honestly depict a complex political scene.”

Check out some of his pictures at the London College of Communication’s blog. Congrats Rob!

 

Canon EF 24-70mm f/4L IS USM Review (slrgear)

[shoplink 8251]EF 24-70mm f/4L IS USM Review[/shoplink]

The [shoplink 8251]Canon EF 24-70mm f/4L IS USM (price & specs)[/shoplink] is about to become a highly popular lens, at least this is the impression if you look at the many EF 24-70mm f/4L IS USM reviews that are published. The latest comes from slrgear. Some excerpts from their review:

  • The 24-70mm […] offers sharp results, but is also the subject of some controversy for its performance at 50mm. We tested three copies of this lens; the first and second had poor performance at the 50mm setting.
  • Stopping down the lens does improve its sharpness: corner softness is never completely removed to provide tack-sharp results from corner to corner on full-frame, but it is dramatically reduced. Peak performance is shown at ƒ/8 across all focal lengths
  • Results for chromatic aberration with the 24-70mm ƒ/4L were good: overall, CA is kept under control through the majority of the frame
  • On APS-C sensors corner shading is not an issue, but on full-frame: the lens creates images with corners that are significantly darker than the center. In the worst case, 24mm at ƒ/4, the extreme corners are a full stop darker than the center
  • […] testing for distortion shows a complicated pattern with a point of near-zero distortion.
  • Going from infinity to close-focus takes well less than one second, and point-to-point focusing is lightning quick
  • the lens offers an impressive 0.7x magnification [for macro]. There is also some slight fine-tuning adjustment available for zoom and focus in the macro setting

As you have seen, they are nor very satisfied with the performance at 50mm (sharpness-wise). Moreover, they found inconsistencies among copies of the lens (not good Canon!). It is hence wise to test the lens at 50mm before buying it. The issues at 50mm reflect also in the conclusion:

Canon made a smart decision to offer a lower-priced alternative to its 24-70mm ƒ/2.8, in order to give Canon shooters of the more casual or economical nature a way to stay true to the brand name. Unfortunately the lens’ performance at 50mm stands out as unacceptable, especially when you consider [it] still costs $1,500. […] So what is a Canon shooter to do? If you’re happy with the performance you see from our sample pictures, and you need or want the image stabilization and macro capabilities of the 24-70mm ƒ/4, then you should be happy with your purchase – assuming you get as good a copy as we did […]

There is always the alternative to go for the good old [shoplink 230]Canon EF 24-105mm f/4L IS USM (price & specs)[/shoplink], which offers a wider range and the same specs as the 24-70mm. And the 24-105mm is known not only to be a lens of proven quality, but also to have consistent optical performance.

Canon EF 24-70mm f/4L IS USM price check: [shopcountry 8251] Canon EF 24-105mm f/4L IS USM price check: [shopcountry 230]

[via slrgear]

[shoplink 230]EF 24-70mm f/4L IS USM Review[/shoplink]

Visit To Canon’s Oita Factory (home of all EOS DSLRs and EF lenses)

Visit To Canon's Oita Factory
Mr. Ritsuo Mashiko – Image courtesy: Exposure Magazine

That’s the same factory where the Canon EOS 6D is made, the factory is located in Oita Prefecture, Kyushu, Japan. Exposure Magazine was invited to visit the factory. They were welcome by Mr. Ritsuo Mashiko, head of the Canon factory in Oita. All started in 1982, with a first factory built in in Aki, near the Oita airport. In 2005 the new factory began to work.

This is the factory where the [shoplink 7139]Canon EOS 6D (price & specs)[/shoplink], [shoplink 2431]Canon EOS 5D Mark III (price & specs)[/shoplink], [shoplink 337]EOS 7D (price & specs)[/shoplink], [shoplink 6091]Canon EOS M (price & specs)[/shoplink], and all the other digital EOS DSLRs are manufactured, where the Cinema EOS camera line-up is produced, all Legria and XF series camcorders are made, and all EF lenses too. But there is more: The Oita factory is also the place where Canon builds and tries out prototypes and deploys technological pilot projects. Moreover, advanced automation techniques are applied in the production chain. The know-how developed in automation goes so far that visitors are not allowed to take pictures:

“All automation came from ourselves and we did it ourselves,” said Mashiko. It is acceptable that to keep the secrecy, visitors are not allowed to take pictures in the factory, except in the area of guest reception and cafeteria.

The design of the automation process is based on a cell based production (i.e. the assembly stages are grouped together according to the similarity of parts of the parts that get assembled, or the tasks that are performed; each cell is an autonomous steps that lead to the finished product) and involves men and machines. Unmanned vehicles go from one assembling area to the next. Clearly, being this a factory where highly sensitive opto-electronic equipment is manufactured, everything has to be clean and dust free.

One interesting thing in Canon Oita factory is that it is clean, no dust at all. It could be cleaner than hospital. Workers wear special white shoes in the factory, and visitors are asked to wrap their shoes with plastics provided by the factory.

This is the same factory I reported about a few days ago, the factory where the Canon EOS 6D is assembled and packaged in 40 minutes.

[via Exposure Magazine]

Visit To Canon's Oita Factory
Entrance to the Oita factory – Image courtesy: Exposure Magazine

First Preview Of The Upcoming Canon 200-400mm f/4 IS 1.4x

It has yet to be announced, we are waiting for it since long, but photographer Joshua Holko had the exclusive chance to preview the Canon 200-400mm f/4 IS with built-in 1.4x teleconverter. The video has been published at Luminous Landscape:

Recently, Australian photographer Joshua Holko had an opportunity to work with a pre-production sample of the exciting new Canon 200-400mm lens. In the video review below Joshua offers us an exclusive look at this lens in action and he discusses his opinion of early sample images.

Cool! Really hope that means the lens will soon be released.