Canon Selected To Outfit Largest Esports Stadium In USA

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Canon U.S.A. Selected By City Of Arlington To Outfit Largest Esports Stadium In United States

Go Canon, you guys rock! Press release:

MELVILLE, NY, January 23, 2019 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that its state-of-the-art broadcast lenses will be capturing the action at Esports Stadium Arlington in Arlington, Texas—the country’s largest esports stadium. To outfit the stadium’s 4K UHD broadcast cameras, the City of Arlington purchased three Canon UHD-DIGISUPER 66 4K UHD field box lenses, four CJ24ex7.5B 4K UHD telephoto zoom lenses and one CJ14ex4.3B 4K UHD wide angle zoom lens. 

Located in the heart of Arlington’s Entertainment District, Esports Stadium Arlington is a $10 million, 100,000 square-foot facility built to serve the unique and technologically advanced demands of the esports industry. Designed by award-winning architectural firm Populous and brought to life with build partner Shawmut Design and Construction, the stadium features a competition space with a built-in 85 foot-long, LED wall accompanied by an immersive sound and theatrical lighting system.

Providing 4K optical performance for cameras that feature 2/3-inch sensors, the UHD-DIGISUPER 66 mid-range telephoto zoom lens features a 66x zoom ratio, making it ideal for sports and live-event productions. Leveraging Canon’s Optical Shift Image Stabilizer (Shift-IS), this lens provides both handling and operational controls similar to existing field-zoom lenses for HDTV broadcast cameras, offering stable imaging and comfortable maneuverability during indoor and outdoor sports broadcasting.

“Canon’s ability to supply lenses that met our 4K visual needs, budget constraints, support and time requirements helped us succeed in building this industry-changing facility,” says Corey Dunn, Executive Producer with NGAGE Esports, who oversaw all operations and production for Esports Stadium Arlington. “Working with Canon has been great and has afforded us the maximum flexibility for a facility of this size.”

The City of Arlington also purchased four CJ24ex7.5B 4K UHD telephoto zoom lenses and one CJ14ex4.3B 4K UHD wide angle zoom lens, notable for their compact size and low weight, supporting high-mobility shooting often involved in sports-entertainment production. All the lenses, which are being paired with Grass Valley cameras, will enhance current HDTV optical-imaging performance, while solidifying a place for the shift to 4K production.

“We chose Canon’s broadcast lenses not only for their superb 4K optical quality, but for the Company’s leading service and support offerings,” said Marc Scarpa, founder and executive producer of Simplynew, the systems integrator for the stadium. “This is more than an one-time equipment purchase—it’s the start of a new relationship with Canon as we look to shape the future of esports.”

For more information on Canon’s broadcast solutions, visit www.usa.canon.com/broadcast. For more information about Esports Stadium Arlington, visit http://www.arlington-tx.gov/esports.

Commlite EF to Canon EOS R (RF) Adapter Quick Review

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Commlite EF to Canon EOS R at a glance:

  • EXIF Parameter Transmitting; 
  • Support  AF
  • Support Aperture Control 
  • Support VR Stabilizer Function;    
  • Made of Aluminum Alloy, powerful and stable
  • Standard 1/4 tripod baseplate at the bottom;

The Commlite EF/EF-S to Canon EOS R appears to be the first third party adapter with electronics for the Canon EOS R. According to Mattias Burling it performs just as well as the original, while being cheaper, and it has a tripod foot. It lacks weather sealing, though. In the video Mattias tests the AF performance for both stills an video.

More information about the Commlite EF/EF-S to Canon EOS R is here.

Amazon US lists Commlite adapters.

Canon RF 35mm f/1.8 STM Macro Review (IS better than Sony’s IBIS)

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Alik Griffin reviewed the Canon RF 35mm f/1.8 IS STM Macro lens for the EOS R system.

The Canon RF 35mm f/1.8 IS STM Macro is (so far) the less expensive lens for the EOS R, it’s not “L” grade and it doesn’t sport all of Canon’s optical magic. Never the less it’s an interesting lens, especially at $500.

One interesting point of Alik’s review is the comparison with Sony’s IBIS. Alik did some extensive testing and comparison, and he found that…

[…] small shakes, from shaky hands or large vibrations are noticeably better with the IS lens compared to the Sony IBIS. Also, if you’re shooting video, IS + Digital IS is noticeably better than IBIS and the digital IS does correct the tilt take.

There are so many mostly wishful rumors about Canon delivering IBIS in a future EOS R models and Alik’s findings confirm that Canon is right when stating that their in lens image stabilisation is better than other’s IBIS. That’s not to say Canon will never sport IBIS on a camera, but for the time being it’s just a clickbait thing.

From his conclusion:

The Canon RF 35mm f1.8 is all around solid lens in terms of build and performance. There are a few flaws that are easy to work around like the vignetting at f1.8 and f2 and some noticeable barrel distortion. You can correct for all of this in-camera if you’re shooting video or JPG, but RAW shooters will have to use post corrections.
I like to shoot a lot at f2.8, which gives me great looking bokeh without the vignetting and astigmatism. I stop down to f5.6 and f8 when I want the most sharpness, and I shoot f1.8, when I need a fast shutter speed in low light or when I want very shallow depth.
Performance at f2.8 is just incredible. You don’t see any geometry yet in the bokeh at f2.8 and it cleans up all the issues in the corners and edges.

Alik tested anything you may want to measure on a lens, distortion, vignetting, flare, chromatic aberrations, you name it. A refreshing and independent review with test charts, sample images and all sort of insights.

You can follow Alik on Twitter, Facebook, Instagram, and on his site.

Canon RF 35mm f/1.8 IS STM Macro: [shoplist 53576]

Will Canon Ever Regain Their Dignity, And Become King Again? (Humor)

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The folks at Canon Conspiracies ask the fundamental question: Can Canon become king again?

Canon cripples their cameras, and they’re going to have to stop doing that if they want to compete in 2019. The competition is rising, Olympus EM1X is a beast, Sony coming with the a7siii and a7000, Fuji with their XT3 and XH2. Canon can’t play around, their next RF system camera needs to compete.

This Miniature Model Of The Canon EOS M50 Has Interchangeable Lenses, Blinks And Beeps

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If you are looking for a miniature model of the Canon EOS M50 (Kiss M in Japan) we got you covered.

The “Canon EOS Kiss M Flash & Sound Mini Collection” is a 1:2.5 scaled model of Canon’s best selling mirrorless camera, the EOS M50. The model is made by Takara Tomy Arts and according to DC Watch it was made under the strict supervision of Canon.

You can even change lenses on the miniature model. It’s not taking pictures, obviously, but there is a led under the flash shoe that blinks, and the model does a shutter sound when activated. For whatever reason you can also fix it on the flash shoe of your real Canon camera.

Rakuten has this little toy on sale.

[via DC Watch]