No 4K Crop On Future Canon APS-C DSLRs (Canon EOS 90D)?

EOS 80d Canon Eos 90d

Back in February we reported that Canon might replace the EOS 80D and the EOS 7D Mark II with one new camera for both lineups. The camera would be the Canon EOS 90D.

Rumors following suggested that the EOS 7D lineup is set to be abandoned by Canon and that instead we might see a mirrorless offering.

Latest rumors address one of the strongest criticism to Canon’s implementation of 4K video on APS-C cameras, i.e. the evil crop factor, stirring heated discussions on the web. It seems the next Canon APS-C DSLR, which most likely will be the EOS 90D, will record 4K video at 32MP and with no significant crop applied.

We expect Canon to announce the EOS 90D in August or September 2019. The rumored EOS 90D specifications are listed here. All EOS 90D rumors are listed here. All Canon rumors are listed here.

Source: Canon Rumors

Canon Introduces Two New UHDgc 2/3-Inch Portable Zoom Lenses For 4K UHD Broadcast

Portable Zoom Lenses

Press release:

Canon Introduces Two New UHDgc 2/3-Inch Portable Zoom Lenses Designed For 4K UHD Broadcast Cameras

Two New Lenses Deliver Key Features for the Broadcast Industry: High Image Quality and Mobility 

MELVILLE, NY, April 2, 2019 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of two new additions to its UHDgc series of portable-zoom 4K UHD broadcast lenses: the CJ18ex28B and CJ15ex8.5B. These new lenses are compatible with 4K UHD broadcast cameras that have 2/3-inch sensors. Both lenses provide 4K UHD imaging quality at a price point that is affordable to the majority of the broadcast market. Additionally, the new lenses provide impressive UHD optical performance, while maintaining a compact and lightweight design to meet versatile and ever-changing needs of a broad range of video productions including documentaries, sports, events and news coverage.

The new Canon CJ18ex28B and CJ15ex8.5B portable zoom lenses utilize Canon’s proprietary optical design technology featuring materials such as fluorite and Ultra-Low Dispersion (UD) glass to achieve high 4K UHD performance across the entire zoom range. In addition, these lenses support the wide color gamut approved by the ITU-R BT.2020 UHD broadcasting standard. These features are essential to HDR imaging. The ergonomics and digital servo operational controls of the lenses are similar to Canon’s current lineup of portable zoom lenses, providing users with maximum mobility in a variety of shooting situations. 

The CJ18ex28B lens features a zoom range of 28-500mm (56-1000mm with built-in 2X extender), making it ideal for capturing crisp shots at long distances, while remaining compact enough to be operated in a shoulder-mounted configuration. The CJ15ex8.5B features Canon’s exclusive Vari-Angle Prism (VAP) Image Stabilization technology to help minimize vibrations on both the horizontal and vertical axes during mobile shooting, such as during sporting events. Both of these lenses fill a unique need for specialized shooting environments in the broadcast market. 

“The demand for affordable, high-quality 4K UHD lenses for television news has continued to grow year over year, and as the needs of our customers mature, Canon continues to evolve to meet the needs of end-users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “These new UHDgc lenses provide the optical brilliance that makes Canon a leader in broadcast lenses, while maintaining a price point that fits the budgetary needs of a large segment of the industry.”

The Canon CJ18ex28B and CJ15ex8.5B 4K Portable Zoom Lenses will make their public debut at the NAB Show 2019 in Las Vegas from April 8th-11th in the Canon booth (C4425). 

Availability

The Canon CJ18ex28B and CJ15ex8.5B 4K Portable Zoom Lenses are scheduled to be available in the beginning of Summer 2019*. For more information, please visit, usa.canon.com/broadcast.

Canon Selected To Outfit Largest Esports Stadium In USA

Canon

Canon U.S.A. Selected By City Of Arlington To Outfit Largest Esports Stadium In United States

Go Canon, you guys rock! Press release:

MELVILLE, NY, January 23, 2019 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that its state-of-the-art broadcast lenses will be capturing the action at Esports Stadium Arlington in Arlington, Texas—the country’s largest esports stadium. To outfit the stadium’s 4K UHD broadcast cameras, the City of Arlington purchased three Canon UHD-DIGISUPER 66 4K UHD field box lenses, four CJ24ex7.5B 4K UHD telephoto zoom lenses and one CJ14ex4.3B 4K UHD wide angle zoom lens. 

Located in the heart of Arlington’s Entertainment District, Esports Stadium Arlington is a $10 million, 100,000 square-foot facility built to serve the unique and technologically advanced demands of the esports industry. Designed by award-winning architectural firm Populous and brought to life with build partner Shawmut Design and Construction, the stadium features a competition space with a built-in 85 foot-long, LED wall accompanied by an immersive sound and theatrical lighting system.

Providing 4K optical performance for cameras that feature 2/3-inch sensors, the UHD-DIGISUPER 66 mid-range telephoto zoom lens features a 66x zoom ratio, making it ideal for sports and live-event productions. Leveraging Canon’s Optical Shift Image Stabilizer (Shift-IS), this lens provides both handling and operational controls similar to existing field-zoom lenses for HDTV broadcast cameras, offering stable imaging and comfortable maneuverability during indoor and outdoor sports broadcasting.

“Canon’s ability to supply lenses that met our 4K visual needs, budget constraints, support and time requirements helped us succeed in building this industry-changing facility,” says Corey Dunn, Executive Producer with NGAGE Esports, who oversaw all operations and production for Esports Stadium Arlington. “Working with Canon has been great and has afforded us the maximum flexibility for a facility of this size.”

The City of Arlington also purchased four CJ24ex7.5B 4K UHD telephoto zoom lenses and one CJ14ex4.3B 4K UHD wide angle zoom lens, notable for their compact size and low weight, supporting high-mobility shooting often involved in sports-entertainment production. All the lenses, which are being paired with Grass Valley cameras, will enhance current HDTV optical-imaging performance, while solidifying a place for the shift to 4K production.

“We chose Canon’s broadcast lenses not only for their superb 4K optical quality, but for the Company’s leading service and support offerings,” said Marc Scarpa, founder and executive producer of Simplynew, the systems integrator for the stadium. “This is more than an one-time equipment purchase—it’s the start of a new relationship with Canon as we look to shape the future of esports.”

For more information on Canon’s broadcast solutions, visit www.usa.canon.com/broadcast. For more information about Esports Stadium Arlington, visit http://www.arlington-tx.gov/esports.

Canon Announce World’s Smallest And Lightest 4K Laser Projectors In Their Class

4K Laser Projectors

The Canon 4K6020Z, 4K5020Z Native 4K Laser projectors and RL-SL07RST Standard Zoom Lens are all scheduled to be available in late November 2018 for a suggested retail price of $45,799, $43,499 and $8,000 respectively. For more information, please visit usa.canon.com/projectors.

Introducing The World’s Smallest And Lightest Native 4K Laser LCOS Projectors In Their Class, The Canon REALiS 4K6020Z And 4K5020Z

Additionally, Canon Introduces a New High-End 4K Zoom Lens, the RS-SL07RST

MELVILLE, N.Y., November 13, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced two new Canon Native 4K Laser LCOS Projectors – the REALiS 4K6020Z and 4K5020Z.  Compact and lightweight, both new projectors measure 18.8in (W) x 7.1in (H) x 21.4in (D) and weigh a mere 41.8 pounds, making both units the world’s smallest and lightest projectors in their class at less than half the weight of competing Native 4K laser projectors.[i]  In addition, both projectors offer peace of mind with an impressive Five-Year (or 12,000 Hours) Laser Limited Warranty[ii]. Canon is also adding to the company’s lineup of RS projector lenses with the introduction of the RS-SL07RST 4K Standard Zoom Lens. The RS-SL07RST projector lens is the seventh in the lineup and features Canon’s trademark red line around the barrel of the lens, signifying the highest level of Canon optical engineering and quality. All seven RS projector lenses are compatible with the two new projectors.

“As the demand for 4K projection continues to grow, Canon understands that we need to offer customers a variety of options that best suit each individual installation,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Not all 4K is created equal, which is why Canon is so excited that both new models feature true Native 4K resolution producing outstanding image quality with robust colors and high contrast.”

Canon REALiS 4K6020Z and 4K5020Z Native 4K Laser LCOS Projectors
The new 4K6020Z and 4K5020Z Native 4K Laser LCOS Projectors are ideal for a variety of applications, including art galleries, museums, schools and medical institutions. They are also suitable for product design and simulation use where both high-quality imaging and accurate color reproduction are a must. Both projectors feature LCOS panels and Canon’s proprietary AISYS optical system that helps to deliver 6000 and 5000 lumens respectively. This technology, when combined with true Native 4K (4096×2160) resolution, helps both projectors to produce a cleaner and more robust image with virtually no grid lines.

The laser-light source for both projectors can achieve up to 20,000 hours of operation in typical use or up to 40,000 hours when in Long Duration Mode 2[iii]. The laser-light source allows the projectors to start up in as little as two seconds while in Fast Boot mode[iv], as compared to conventional lamp projectors that may require additional time to light up and stabilize brightness. In addition, users are able to create presets to be set-up to their specific preferences and needs.

The HDR technology of both projectors increases the dynamic range ability, expanding not only the color-gamut range but also the overall brightness, resulting in a more realistic and lifelike image. Additionally, the projectors support HDR10 and Hybrid Log-Gamma (HLG), which produce broadcast-quality HDR images. HLG is becoming widely popular in broadcast industry use.

Additional Features of the 4K6020Z and 4K5020Z Projectors Include:

  • Compatible with seven optional genuine Canon interchangeable lenses for a wide variety of applications
  • High dynamic contrast of up to 22,000:1 in the 4K6020Z and 20,000:1 in the 4K5020Z is achieved by the combination of a powerful image engine that analyzes the contrast of each frame and a double-door type shutter system which allows the iris to operate fast — tracking scenes instantly and reducing light leaks.
  • Covers 99.9 percent of the sRGB color space
  • Supports HDMI, HDBaseT, Wi-Fi® technology and other various interfaces
  • Compatible with Canon Service Tool for PJ App
  • Six preset Image modes provide different variations of color reproduction characteristic suitable for the type and projection environment, includes DICOM[v] Simulation mode and additional five customizable modes that can be stored
  • Canon RS-SL07RST 4K Projector Lens
  • The new RS-SL07RST 4K Standard Zoom Lens features the distinguished red line around the barrel, indicating the highest level of Canon design and superb image quality. The lens can project images up to 600 inches and can even project onto curved surfaces; maintaining focus in the center of the image when peripheral focus has been adjusted.

Additional Features of the RS-SL07RST Projector Lens Include:

  • Unique Marginal Focus feature which allows incremental focus adjustment on peripheral areas of image, designed for concave and convex surfaces
  • Substantial lens shift of vertical ±73 percent and horizontal ±11 percent
  • Powered lens shift, zoom and focus
  • Equipped with a UD lens to help reduce color shift and bleeding
  • Minimal luminance difference from wide to tele position as F value exhibits minor change from 2.1 to 2.4
  • Deep focal length of 22.67mm up to 37.79mm
  • Large zoom ratio of 1.76x
  • Weighing in at 4.1 pounds, the easy-to-install lens can be conveniently secured in place or quickly taken out to be replaced with only one touch, using the spigot-type lever

Pricing and Availability

The Canon 4K6020Z, 4K5020Z Native 4K Laser projectors and RL-SL07RST Standard Zoom Lens are all scheduled to be available in late November 2018 for a suggested retail price of $45,799.00, $43,499.00 and $8,000.00 respectively*. For more information, please visit usa.canon.com/projectors.

Is 4K Video On The Canon EOS R Just Upscaled From 2K?

Eos R

This is what the folks at Camera Conspiracies claim, and they posted a video about it.

Canon faced a lot of criticism for how they implemented 4K video on the Canon EOS R. But this claim is new, and so far the first we’ve seen it.

What do you think, is this true, is the EOS R’s 4K video nothing more than upscaled 2K?