Cosina Shows New NOKTON Classic 35mm f/1.4 RF-Mount Lens

At CP+ 2026, Cosina is displaying a new NOKTON classic 35mm f/1.4 full-frame lens for Canon RF mount.

This large-aperture, compact wide-angle lens adds to Canon’s RF-mount lineup, reviving the character of classic lenses through the refinement of modern optical technology.

Unlike contemporary designs, this performance-driven lens lens intentionally retains aberrations to embody the lens’s character and the beauty of its expression — a nod to vintage glass that many photographers still covet.

First Images: New Kase 150mm f/5.6 Reflex Lens in RF and EF Mount

Here we have the first images of the new Kase 150mm f/5.6 REFLEX lens. It’s coming in two flavors:

  • EF mount — enables autofocus
  • RF mount — manual focus only, due to imposed Canon restrictions

The 150mm f/5.6 Reflex design is a telephoto prime, likely aimed at portrait or telephoto applications. Reflex (mirror) lenses offer a compact form factor but typically have slower apertures and characteristic doughnut-shaped bokeh.

Image courtesy of FukuiAsobiWeb

Canon EOS R6 Mark III Review: Mobile01 Calls It a Complete Hybrid

The EOS R6 Mark III has been out since November 2025, and the reviews are starting to roll in. Mobile01 just published their full take (via Asobinet), and it’s pretty glowing — with a couple of caveats.

The Highlights

Sensor & Speed

  • 32.5MP sensor, up from 24.2MP in the Mark II
  • 40fps electronic shutter with pre-burst
  • CFexpress Type B + SD UHS-II dual slots
  • ISO 102400 max — same ceiling despite the higher resolution
  • ISO 6400 excellent, ISO 12800 usable

Video

  • 7K Open Gate recording — shoot once, reframe in post
  • Full-size HDMI Type-A (finally)
  • USB 3.2 Gen 2 with power delivery
  • Multi-function hot shoe with digital audio support

Build & Ergonomics

  • ~670g body with improved heat dissipation
  • Deep Canon-trademark grip, magnesium alloy frame
  • Weather-sealed
  • Vari-angle touchscreen, 3-inch 1.62M dot

Autofocus

  • Subject tracking holds through partial occlusion
  • Pre-register up to 10 people for priority tracking in crowds

The Weaknesses

  • Rolling shutter on fast subjects using electronic shutter
  • Strong crop when using electronic IS in video mode
  • No IBIS performance figures quoted in the review

The Verdict

Mobile01 calls it “a highly competitive hybrid with few weaknesses” — strong in both stills and video, with real-world improvements that matter. The 7K Open Gate and full-size HDMI alone are significant wins for hybrid shooters.

Pricier than the Mark II at launch — but you’re getting a meaningfully upgraded camera.

More Canon EOS R6 Mark III coverage.

Source: Mobile01 via Asobinet

Canon Patent: 28-45mm f/1.2 and 35-70mm f/1.4 Zoom Lenses With Reflective-Transmissive Elements

Canon just dropped a new patent, and it’s making us raise an eyebrow. Published February 27, 2026 (filed August 2024), the patent describes zoom lenses with apertures ranging from f/1.2 to f/1.4 — using reflective-transmissive (mirror) elements to keep things compact.

The Patent Details

The filing (P2026033938) covers several implementations:

  • Example 2: 28-45mm f/1.2 — backfocus 0.40mm
  • Example 3: 28.5-45mm f/1.4 — backfocus 0.40mm
  • Example 5: 35-70mm f/1.4 — backfocus 0.70mm

Example 2

  • Focal length: 28.00-45.00
  • F-number: 1.20
  • Half angle of view: 37.26-25.33
  • Image height: 21.30
  • Total length: 222.37-171.73
  • Back focus: 0.40

Example 3

  • Focal length: 28.50-45.00
  • F-number: 1.40
  • Half angle of view: 35.22-25.68
  • Image height: 20.12-21.64
  • Total length: 189.76-137.77
  • Back focus: 0.40

Example 4

  • Focal length: 15.40-36.01
  • F-number: 1.42
  • Half angle of view: 36.86-20.54
  • Image height: 11.54-13.49
  • Total length: 165.18
  • Back focus: 0.40

Example 5

  • Focal length: 35.70-68.00
  • F-number: 1.40
  • Half angle of view: 28.55-17.65
  • Image height: 19.42-21.64
  • Total length: 227.59
  • Back focus: 0.70

That’s… extremely short backfocus. Like, “we’re not talking about RF mount” short.

Wait, What?

For context, RF-mount lenses need a backfocus of around 20mm+ to clear the mirror. These numbers — 0.40mm and 0.70mm — are barely enough to clear a sensor. This suggests the optical design is intended for:

  • Compact cameras — where the lens sits directly on or very close to the sensor
  • Surveillance cameras — where catching every photon matters more than shallow DoF
  • Cinema sensors — some have extremely short flange distances

Not interchangeable lenses. Canon confirmed this in the filing notes: “backfocus is extremely short so this is not intended for interchangeable lens systems.”

But Here’s The Fun Part

Canon previously filed similar patents for prime lenses using the same reflective-transmissive technology — a 24mm f/0.7 and a 12mm f/1.0. Those were weird enough. Now they’re applying the same trick to zooms, going even wider and faster. A 28-45mm f/1.2 zoom would be absolutely enormous if built with conventional optics. The mirror elements fold the light path, dramatically shrinking total length.

Our Take

Is this coming to an RF-mount lens? Almost certainly not. The backfocus is physically incompatible.

Could this be a hint at future compact camera ambitions? Maybe. The G7 X line is due for a replacement, and a 28-45mm f/1.2 equivalent in a pocketable body would be something to see.

Or maybe Canon just likes filing patents for lenses they’ll never build. We’ve seen stranger things.

Source: Asobinet

Announcement: Sigma 15mm f/1.4 DC | Contemporary for Canon RF Mount

Sigma has officially announced the Sigma 15mm f/1.4 DC | Contemporary lens for Canon RF mount, alongside Sony E-mount and Fujifilm X-mount versions.

Press Release

Sigma 15mm f/1.4 DC | Contemporary is the successor to the Sigma 16mm f/1.4 DC DN | Contemporary, further refining the acclaimed optical performance while achieving remarkable compactness and lightweight design.

Key Specifications

  • Lens construction: 11 elements in 13 groups (1 FLD, 3 SLD, 3 aspherical)
  • Angle of view: 86.9°
  • Aperture: 9-blade circular diaphragm
  • Minimum aperture: F16
  • Minimum focus distance: 17.7cm
  • Maximum magnification: 1:7.9
  • Filter size: 58mm
  • Dimensions: 64.0mm × 64.8mm
  • Weight: 220g

Price & Availability

  • Price: $579
  • Release date: March 12, 2026
  • Pre-orders begin: February 26, 2026 at 10:00 AM (Sigma Online Shop)

Source

Sigma Japan Press Release