Deal: Canon EOS R – $1530 (reg. $2199, import model)

canon eos r with aps-c
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Canon EOS R at a glance:

Seller RedTagCamera on eBay (100% positive ratings) has the Canon EOS R on sale at $1,529.99. Compare at $2,199. Please note: this is an import model, 1 year US seller warranty applies. Import models are legally imported from another country through channels other than the maker’s official distribution system. Limited time offer.

Noteworthy KickStarter projects:

  1. SliderMini portable camera slider
  2. Universal camera strap with lifetime warranty
  3. DUO Daypack, quick access camera bag with lifetime warranty
  4. Kamlan 50mm f/1.1 lens for $199
  5. Peak Design super light travel tripod

Selected and today only deals:

More hand-picked deals are listed here.

Authorised Canon retailer B&H Photo has discounted EOS 5D Mark IV and EOS 6D Mark II bundles on offer for the holidays.

We offer 10% discount to subscriptions to Pixpa all-in-one platform for photographers.

Today’s Gold Box and one day only deals at Amazon US, Amazon DE, Amazon UK, B&H Photo, eBay, Adorama.

Canon Europe stores have a cash back promotions going on:

Refurbished lenses and DSLRs at Canon Store (best deals to be found here)

Save $10 on Luminar 4 and/or Aurora HDR 2019 using our code “WATCH” at checkout.

Irix Cine 11mm T4.3 Lens For Canon EF (and others) Announced

irix Cine 11mm
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Irix announced the Irix Cine 11mm T4.3 lens.

The new Irix Cine 11mm T4.3 will be offered in following lens mounts: Canon EF, Sony E, MFT and Arri PL. Price will be announced soon.

  • irix Cine 11mm
  • irix Cine 11mm
  • irix Cine 11mm

Press release:

Irix Cine 11mm T4.3
into the art of cinematography

IRIX, known for high mechanical and optical quality, pleasantly presents the 11mm T4.3 – the second full frame lens from it’s new cinematography line. Enjoy the new perspective of super panoramic film shots made with Irix Cine lens!

Irix 11mm T4.3 is the second unique lens from the new Cine line. Its extremely short focal length, rectilinear image projection and the large image circle of 43.3mm (covering the full frame format) make it one of the most outstanding cine lenses on the market. Depending on the diagonal of the sensor, the lens can provide a moderate wide angle of view for classic wide-angle shots or super-panoramic 123 degree viewing angle in a 2.39:1 widescreen format. Irix 11mm T4.3 thanks to its unique parameters, provides perspective not available in film optics, thus releasing creativity in creating dynamic shots.SAR

The same, but different optics
The lens optical system is based on the new optical formula, developed especially for cinematic purpose. It consists of 16 optical elements, which four are made with high refractive index (HR) glass, three other have aspherical surfaces and last two are made with low-dispersion glass (ED). The use of large front lens and other special glass elements provides crisp cinematic shots in a resolution up to 8K while keeping the focus “breathing” effect at the lowest level. The lens offers large maximum T number of 4.3 which can be reduced to T22, thanks to rounded shape of iris blades.

Functional and highly innovative
When designing the lens mechanical system of 11mm T4.3, we used newly developed technical solutions that have been successfully implemented in the Irix Cine 150mm T3.0 lens. The new Multi Start Thread focusing mechanism allows quiet and precise focusing even under adverse weather conditions such as rain, humidity or extreme temperatures. The focusing geared ring rotates 180 degrees and depending on the lens version, has focusing scale with metric or imperial units.

Thanks to the another innovative solution like adaptive ring, the Irix Cine 11mm T4.3 ensures great ergonomics of operation both by hand and with follow focus mechanism. Moreover, despite of the very short optical system layout, geared rings of focus and aperture were placed at the same height as in other Irix Cine lenses – all for better ergonomics and more intuitive use.

The exceptional functionality are a distinctive feature of all Irix products. The same applies to the Irix Cine 11mm T4.3, whose extremely compact design (weights 1,1 kg) has been also equipped with an innovative Magnetic Mount System for accessories. The MMS system allows quick and easy attachment of variety dedicated accessories. The lens hood included in the kit with the lens is the first element of the MMS system. The system will be expanded with further accessories in the future.

Prepared for all weather conditions
The ultra wide field of view of the Irix 11mm T4.3 means that its natural work environment is outdoor. It’s durable magnesium housing and numerous rubber seals guarantee the safety of both the optical system and the camera sensor in an every weather conditions.

Designed to work in accordance with film industry standards
The 11mm T4.3 is another lens of the Irix Cine line that proves that newest technical solutions can perfectly harmonize with well-established film industry standards. The lens has a front flange with a diameter of 95mm and geared rings in the Mod 0.8 standard, which ensures its compatibility with most cine gear accessories. Attention to maintaining the standard also applies to the family of Irix cine lenses whose geared rings are in the same position and have unified rotation angle.

Irix Cinematic
The new line of Irix Cine Lenses is created in close cooperation with professional filmmakers; their ideas and suggestions were an important factor in the design process. The designers earlier experience in the field of photography led us to create new and better solutions for the Irix Cine products.

Available camera mounts
The new Irix Cine 11mm T4.3 will be offered in following lens mounts: Canon EF, Sony E, MFT and Arri PL.

Price and availability
The price and availability of the Irix Cine 11mm T4.3 lens will be announced shortly.

[via 4/3 Rumors]

Canon Patent Application Seems To Confirm Our Rumor About High Resolution EOS R Model

canon patent application
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Back in August we were tipped about what might be the sensor resolution of the upcoming high resolution Canon EOS R body.

Now a Canon patent application (2019-149607, Japan) surfaced. The patent application discusses an image sensor having a resolution of 83MP. To be more precise, the Canon patent discusses how you can improve focus accuracy based upon different subject colors. Two sensors ate discussed, one having a resolution of 20.75MP, the other of 83.06MP.

We think this Canon patent application could refer to the sensor of the yet not announced high resolution EOS R model (all rumors).

There is another aspect that captured our attention. The other discussed resolution, 20.75MP, is almost exactly 1/4 of 83.06. So is this patent application referring to the same technology, i.e. Quad Pixel AF, as this previously spotted patent application? We do not think, however, that Canon’s high resolution EOS R will have Quad Pixel AF.

An 83MP resolution is also what you get in a full frame sensor if you upscale the 32.5MP of the new APS-C sensor featured on the brand new Canon EOS 90D and EOS M6 Mark II. So, a full frame sensor with 83MP, as we leaked, is definitely a possibility. Add to this that the upcoming high resolution EOS R camera will also (most likely) replace the Canon EOS 5Ds/5Ds R and it appears even more likely.

Might this patent refer to the sensor in Canon’s upcoming high resolution EOS R camera?

Sigma 500mm F/4 OS Sport Review (a unique lens, D. Abbott)

Sigma 500mm
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Sigma 500mm F/4 OS Sport at a glance:

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to 32
  • One SLD and Two FLD Elements
  • Super Multi-Layer Coating
  • Hyper Sonic AF Motor, Manual Override
  • Optical Stabilizer; Drop-In Filter Slot
  • Magensium-Alloy Barrel & Brass Mount
  • Dust- and Splash-Proof Construction
  • Rotatable Tripod Collar with Click Stops
  • Compatible with Sigma Teleconverters

Dustin Abbott completed his exhaustive review of the Sigma 500mm F/4 OS Sport lens.

From his conclusion:

The Sigma 500mm F/4 OS HSM Sport is a unique lens.  It’s a third party option competing in a space dominated by first party lenses.  It’s an expensive lens that doubles as a relative value. 

[…]

The size, weight, and expense of a lens like the 500S makes it clear that it isn’t for everyone.  Lenses like this take a lot of skill to use well (and strength, too, if you try to handhold it).  A lens like the Sigma 60-600mm OS Sport is going to be more affordable and versatile, and, if you have a tight budget, a lens like the Sigma 150-600mm OS C can give you some incredible images for under a thousand bucks.  But there’s no question that the 500S gives you a different kind of versatility.  The ability to shoot in more lighting situations with both better autofocus performance and image quality.  The ability to get incredible subject isolation.  And, when adding teleconverters to the mix, an incredible amount of reach while retaining autofocus ability. 

The whole review is available as video review.

D. Abbott’s review comes with a rich set of test shots and discusses every aspect of the Sigma 500mm F/4 OS Sport lens. If you’re looking for this lens we recommend you have a look at Dustin Abbott’s review.

Sigma 500mm F/4 OS Sport: [shoplist 58402]

Canon PowerShot G5 X Mark II vs PowerShot G7 X Mark III Side-By-Side Comparison

canon powershot g5 x mark ii
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DPReview TV compares the new Canon PowerShot G5 X Mark II with the Canon PowerShot G7 X Mark III.

Canon’s newest compact cameras, the G5 X II and G7 X III, have a lot in common, but with some very important differences. [DPReview TV’s] Chris and Jordan do a side-by-side comparison to help you choose the one that’s right for you.

DPReview put sample pictures galleries for both cameras online:

Both cameras are shipping.

Canon PowerShot G5 X Mark II: [shoplist 57922]

Canon PowerShot G7 X Mark III: [shoplist 57126]