Are These The Canon EOS C500 Mark II Specifications?

EOS C500

A new rumor about the upcoming Canon EOS C500 Mark II Cinema camera claims to list its specifications.

It seems 8K video will not be on board:

  • Full-frame sensor
  • RAW internal recording (both 4K and 2K). 4K is up to 60p, 2K up to 120p.
  • Optional XF-AVC recording in 4:2:2 10 bit (4K up to 60p, 2k up to 120p)
  • User interchangeable lens mount
  • Optional modules with EVF, genlock, timecode, 12G-SDI, etc
  • EF and PL mount available at launch
  • Power supply with BP-A series batteries, an optional module for V-Mount batteries
  • Optional module for 4x XLR inputs
  • Backwards compatibility with EVF-V70, LV-M1 and some other peripherals from previous Cinema EOS cameras
  • New media usage: CFExpress cards for faster readings and writing speed
  • WiFi and IP Streaming capabilities

So, which 8K camera has been used at the Apple event earlier this year? Not the EOS C500 Mark II, since it seems there is no 8K on board.

Source: Canon Rumors

Irix Announces First Cinema Lens, The Cine 150mm T3.0 Macro 1:1

Cine 150mm

Irix announced the company’s first Cinema lens, the Cine 150mm T3.0 Macro 1:1 (Canon EF, Sony E, MFT, PL mounts).

Irix Cine 150mm T3.0 Macro 1:1 at a glance:

  • 11 rounded aperture blades
  • 12 optical elements in 9 groups (4 HR and 3 ED lenses)
  • Internal Focusing -MST focusing mechanism -Sealed in 5 crucial points
  • Rear element in a fixed position (anti-dust protection)
  • Detachable and reversible lens hood
  • Lens hood with magnetic lock
  • MMS – magnetic mount system (patent pending)
  • Standardized 0.8 pitch mod cine gears
  • 86mm front filter thread -95MM standardized front diameter for cine accessories
  • Precise laser engraved markings filled with UV reactive paint
  • Lens support with 1/4″ thread
  • Two-position detachable lens support
  • adaptive ring for follow focus system (patent pending)
  • Focus ring with 270° focus throw available with metric or imperial units
  • Aperture ring rotation 75°

Apple Used An Unreleased Canon 8K Cinema Camera During WWDC 2019

Canon 8k Cinema Camera

Something Canon related happened yesterday at Apple’s World Wide Developers Conference (WWDC) 2019, and it appears to be a Canon 8K Cinema camera.

YouTuber Jonathan Morrison live streamed from WWDC 2019 and at a certain point (around min 10:55 in the video below) he talks to an Apple rep who says “there is an unreleased 8K Canon camera over there”.

The unreleased 8K Canon camera was used to capture 8K resolution footage to showcase the performance of the new Pro Display XDR. In the video you can see the Canon 8K mounted on a robotic arm while sending 4:4:4 ProRes 8K raw video via an Atoms Shogun to the Apple display.

The Canon 8K camera in the video is most likely the upcoming Canon EOS C300 Mark III, expected to be announced in 2019.

Latest Canon Broadcast And Cinema Gear Debut At The 2019 NAB Show

Top 10 Cameras Canon Rumors Full Frame Mirrorless Camera Canon Eos R Pro Eos R Canon Lens Explorers Of Light

Press release:

Latest Canon Broadcast And Cinema Solutions Make Their Debut At The 2019 NAB Show

Company will Showcase New 4K Broadcast Lenses, Professional Camcorders and Sumire Prime Lenses as well as Professional Service and Support

PRINT

MELVILLE, NY, April 5, 2019 – At the 2019 National Association of Broadcasters (NAB) Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase two new 4K UHD portable-zoom broadcast lenses, four new XA 4K UHD Camcorders as well as seven Sumire Prime Lenses, the company’s first PL-mount cinema prime lenses designed to cover today’s leading full-frame cinema cameras. The newest broadcast and cinema products featured in the Canon booth (#C4425) this year not only align with the current needs of their respective industries such as HDR, but also the production needs that the industry will soon consider as standard, especially 4K UHD.

In addition to the recently announced products, the Canon booth will feature a wide range of imaging solutions for a variety of live-production and filmmaking environments, such as stadiums and studios, houses of worship, and on-location breaking news. Visitors to the Canon booth will have hands-on opportunities to experience the full range of Canon’s strong portfolio of broadcast and cinema camera and lens solutions, 4K reference displays, 4K UHD camcorders, DSLR and Full-Frame mirrorless cameras and lenses as well as projectors. 

“There has never been a better time for storytellers to bring their visions to life through TV and cinema productions. Each NAB show presents Canon with the opportunity to showcase how our products help to support these productions,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “At NAB 2019, visitors to the Canon booth will see that we are a major resource and on the pulse of the latest trends for production professionals and content creators looking for the latest products and technologies now and in the future.” 

Throughout the booth, Canon will feature products that were used to shoot all five of the Academy Award® Best Documentary Feature nominees – RBGHale County This Morning This EveningOf Fathers and SonsMinding the Gap, and Academy Award® winner for Best Documentary Feature: Free Solo that used the CINE-SERVO 50-1000mm lens to shoot pivotal scenes.

An in-booth service and support consultation area will be available for show attendees to discuss Canon’s offerings for client services and programs, including Enterprise CPS and CarePAK PRO. Visitors to the booth can also learn about Canon’s upcoming display color-calibration service that is launching later this year. Speak with certified professionals to find out how this new service can support your business.

Follow Canon throughout the show on Twitter at @CanonUSAprovideo.

Cinematic Imaging Reimagined: Introducing Sumire Prime Lenses From Canon

Sumire

B&H Photo accepts pre-orders.

Press release:

Cinematic Imaging Reimagined: Introducing Sumire Prime Lenses From Canon

The Company’s First Set of PL-Mount Cinema Prime Lenses Merge the Art and Science of Cinematography

MELVILLE, NY, April 3, 2019 – Covering the core range of focal lengths that cinema professionals desire, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the company’s first set of seven cinema prime PL-Mount lenses, aptly named Sumire Prime. Pronounced “Soo-mee-ray,” the word is of Japanese origin and is associated with a floral gentleness and beauty. Sumire Prime Lenses offer a unique artistically pleasing look with gentle and beautiful skin tones and smooth bokeh, designed for use with large-sensor cinema cameras, including 35mm full-frame cameras such as the EOS C700FF Cinema Camera. 

In addition to bright T-stops and Canon’s renowned warm-color imagery, a unique optical design introduces a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human face closeup. It also smooths the transition to the fall-off portions of the scene resulting in a pleasing bokeh. This combination adds emotional expressiveness and provides creative flexibility to create a memorable scene.

“Sumire in Japan is the name of a flower, and like the petals of a flower, our lenses are most beautiful when fully opened. This is the inspiration behind the Sumire look,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “The feedback from cinematographers is crucial and their voices have been heard loud and clear – they asked Canon to introduce a set of PL-mount cinema prime lenses. We went a step further and our new Sumire Prime Lenses produce the beautifully cinematic and unique images professionals desire. We can’t wait to see how the lenses will contribute to the art of filmmaking.”

The new set of seven Canon Sumire Prime Cinema Lenses include the following:

  • CN-E14mm T3.1 FP X
  • CN-E20mm T1.5 FP X
  • CN-E24mm T1.5 FP X
  • CN-E35mm T1.5 FP X
  • CN-E50mm T1.3 FP X
  • CN-E85mm T1.3 FP X
  • CN-E135mm T2.2 FP X

All Sumire Prime lenses feature an 11-bladed iris and bright T-stops that allow users to capture images that feature a more natural circular-like bokeh from both maximum to minimum aperture. The use of an odd number of iris blades also helps to diffuse light rays and produce what is generally considered a more sought after, artistically pleasing and cinematic look with warmer colors. The lenses also achieve uniform color balance throughout the lineup, helping to reduce the need for post grading, even when a production is frequently changing lenses.

The highly durable Sumire Prime lenses feature the same outstanding operability and reduced focus breathing as Canon’s well-established EF-Mount Cinema Prime Lenses. Manual operation provides users with the resistance they desire to make precise changes in focus. A 300-degree focus rotation angle and gear position is consistent across the entire Sumire Prime series of lenses – eliminating the need to adjust gear positions when changing lenses.

“The new Sumire Prime lenses are the perfect blend of science and art,” says cinematographer Matt Porwoll, who shot the first U.S. footage with the lenses. “The bokeh comes alive in ways that weren’t occurring with other lenses I’ve used. Lens flares have a dynamic feel to them, rather than behaving in a formulaic manner. I wish I had these on my last project!” 

The Sumire Prime Lenses are compatible with the complete lineup of Canon Cinema EOS full-frame and Super 35mm 4K cameras, including the EOS C700 FF, EOS C300 Mark II and EOS C200. In addition to Canon cameras, the new lenses are also compatible with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers. Additionally, the mount on the Sumire Prime Lenses is interchangeable and can be converted from PL-Mount to EF-Mount at a Canon Factory Service & Repair center. A Canon representative will be able to perform the service or even revert back to original PL-mount upon request at an additional cost*.

Availability*

The Canon CN-E24mm T1.5 FP X, CN-E35mm T1.5 FP X, CN-E50mm T1.3 FP X and CN-E85mm T1.3 FP X lenses are scheduled to be available in Summer 2019. The Canon CN-E14mm T3.1 FP X lens is scheduled to be available in Fall 2019. The Canon CN-E20mm T1.5 FP X and CN-E135mm T2.2 FP X lenses are scheduled to be available in Winter 2019/Spring 2020. 

For more information, please visit: usa.canon.com/cinemalenses.

Canon Might Release A Cinema Camera With RF Mount, In The Distant Future [CW1]

Eos C100 Cinema Camera RF Mount

Rumor has it that Canon may have a Cinema camera with RF mount in the works.

However, such a camera isn’t to be expected before 2021, or even later. I have no idea if the RF mount is anything that would make something special out of Canon’s Cinema cameras.

Honestly, I don’t think we will see such a camera anytime soon, if ever.

Source: Canon Rumors