The History of Canon’s CINE-SERVO 50-1000mm T5.0-8.9 Lens (video)

Canon CINE-SERVO 50-1000mm
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At a glance:

  • Covers up to Super 35mm Sized Sensors
  • 50 to 1000/75 to 1500mm Zoom
  • ENG-Style Zoom, Focus, Iris Servos
  • For Broadcast or Cinema Shooting Styles
  • 180° Focus Ring with Knurled Grip
  • Double Focus Markings in Feet and Meters
  • Detachable Drive Unit
  • Zoom Speed: 1.5 to 180 Seconds
  • Programmable Zoom, Focus, Iris Positions
  • 11-Blade Aperture Design

We are talking about a lens that costs $70.000, the Canon CINE-SERVO 50-1000mm T5.0-8.9 (available in EF and PL mounts).

Cinematographer/filmmaker Ivo Norenberg approached Canon in 2010 with a request for an extreme lens. He challenged Canon to produce a long zoom 4K Super 35mm lens tailored to the diverse needs of wildlife video production.

Canon Introduces New UHDgc Series of 2/3-Inch Portable Zoom Lenses for 4K UHD Broadcast Cameras

4k
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Canon press release:

Canon Introduces New UHDgc Series of 2/3-Inch Portable Zoom Lenses for 4K UHD Broadcast Cameras

Three New Lenses Deliver High Image Quality and Mobility

MELVILLE, N.Y., April 2, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of three new portable zoom 4K UHD broadcast lenses1: the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. These new additions are compatible with 4K UHD broadcast cameras that have 2/3-inch sensors. Flanking the existing UHDxs series of 4K portable broadcast lenses that deliver excellent optical performance, these three lenses usher in the newly launched UHDgc series that will broaden 4K UHD shooting options. These new lenses provide 4K UHD imaging quality at a price point that is more accessible to the majority of the broadcast market. Additionally, the new lenses provide impressive UHD optical performance while maintaining a compact and lightweight design to meet a wide range of needs for video productions that include documentaries, sports, events and news coverage.

The CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B utilize Canon’s proprietary optical design technology featuring materials such as fluorite and Ultra-low Dispersion (UD) glass to achieve high 4K UHD performance across the entire zoom range. In addition, the lenses support the wide color gamut approved by the ITU-R BT.2020 UHD broadcasting standard2. These features are essential to HDR imaging. The lens ergonomics and digital servo operational controls are similar to previously announced Canon portable zoom lenses, providing users with maximum mobility in a variety of shooting situations.

“As 4K UHD origination becomes more popular in television news, the need for affordable lenses that can deliver the necessary imaging performance has grown,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The new UHDgc series of lenses provides the optical brilliance that makes Canon a leader in broadcast lenses, while at a budgetary level that will make them attainable to a large swath of the industry.”

Availability

The Canon CJ24ex7.5B and CJ14ex4.3B 4K Portable Zoom Lenses are scheduled to be available in summer 2018, while the CJ18ex7.6B lens is scheduled to be available in fall 2018*. In addition, the lenses are being shown publicly for the first time at the Canon booth (C4325) at the NAB Show 2018 in Las Vegas from April 9-12.

For more information please visit, usa.canon.com/provideo.

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Canon announce a new 20mm prime lens for 4K cameras (CN-E20mm T1.5 L F)

CN-E20mm T1.5
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CN-E20mm T1.5 L F at a glance:

  • Covers Full Frame & Super 35 Sensors
  • T1.5 Maximum Aperture
  • 11-Blade Iris
  • Breathing Minimized Virtually to Zero
  • Dual Focus Markings
  • Stepless 300° Focus Rotation
  • Standard Cine Gears
  • Same Gear Positions as Other CN-E Models
  • Dust- and Water-Resistant Housing

The CN-E20mm T1.5 L F lens can be pre-ordered at B&H Photo.

Canon press release:

Canon U.S.A. Expands EF Cinema Lens Lineup With New 20MM Prime Lens for 4K Cameras

MELVILLE, N.Y., March 28, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of a new addition to the Cinema EOS System: the CN-E20mm T1.5 L F lens – a full-manual 20mm Cinema Prime Lens for EF Mount cameras. A popular focal length, the 20mm lens delivers exceptional optical performance in a compact form factor. With the introduction of this new lens, Canon further enhances its EF Cinema Lens family to meet a diverse range of cinematic and video-production needs, further contributing to the world of cinematography.

“As Canon continues to expand its reach in the cinema space, we are thrilled to introduce the CN-E20mm T1.5 L F lens, further expanding a robust line up of Cinema Prime lenses,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “This new lens will provide users with an option in-between our 14mm and 24mm lenses, giving greater flexibility for their scene framing. Canon is excited to see the projects our users create with this lens and Canon Cinema cameras.”

The new CN-E20mm T1.5 L F lens can provide 4K resolution from the center of the images to the periphery, providing high image quality for Canon cameras that feature full-frame sensors such as the new EOS C700 FF digital cinema camera. In addition, the 11-blade aperture diaphragm alongside a T number1 of 1.5 allows the lens to provide beautifully soft bokeh. Like all Canon Cinema Prime lenses, the CN-E20mm T1.5 L F lens features warm, natural-looking tones, 300 degrees of focus ring rotation, and minimized focus breathing.

Since the launch of the Cinema EOS System and EF Cinema Lenses in November 2011, Canon has greatly expanded the EF Cinema Lens offerings. The lineup—which includes the Prime, Zoom, Compact Zoom, CINE-SERVO and COMPACT-SERVO series of lenses—has become very popular for a wide range of users. With the introduction of the CN-E20mm T1.5 L F lens, the lineup now boasts a total of 21 lens models. This expansive line of lenses provides cinematographers with even more options to choose from, which can support enhanced content creation for a variety of uses and shooting scenarios.

The CN-E20mm T1.5 L F lens is scheduled to begin shipping in fall 2018. For more information please visit usa.canon.com/provideo.

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Canon set to announce a new Cine camera for NAB 2018?

Canon Cinema EOS C300 Mark III
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Ahead of NAB 2018 the rumors mill has new bits.

As CR reports:

We’ve confirmed that at least one Cinema EOS camera will be announced ahead of NAB 2018 in April in Las Vegas […]

We can confirm that it will not be called the C900 and will be an update to a current camera. If we had to guess, we’re probably going to finally see the Cinema EOS C500 Mark II. We can’t imagine the C700 getting a new version this soon after launch, and we know that the C300 Mark II will remain current through 2018.

A new Canon Cine camera is rumored since a while. This rumor has a good chance to become real.

Stay tuned.

Canon EOS C200 leaks ahead of announcement, can be pre-ordered in UK (has 4K and DPAF), hands-on video


Canon EOS C200 at a glance:

  • Internal 4K recording with Cinema RAW Light and MP4 format
  • Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
  • Up to 15-stops dynamic range (Cinema RAW Light)
  • Professional High Quality image and audio
  • Dual Pixel CMOS AF with touch control and extensive shooting functions
  • Easy operation and flexible configuration

An online retailer in UK (CVP) has the not yet announced Canon EOS C200 on display and available for pre-order (€7,361.03/£6,416.66).

Canon EOS C200 product description:

Offering exceptional creativity and flexibility, the new 4K compact digital cinema camera is perfect for a broad range of imaging professionals.

As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0™ card.
Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.

Capability drives creativity

The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it candeliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0™ card. It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.

Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.
The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.

An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.

Advanced operability and ergonomic design

Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.