Are These The Specifications For The Upcoming Canon Cine Camera With RF Mount?

eos c100 cinema camera RF mount
View Post

An RF mount Canon Cinema camera is rumored since a few months. Here are the alleged specifications.

Canon is rumored to announce a Cinema camera with RF mount in August 2020. These are the rumored specifications:

  • Same Super35 sensor as the Canon Cinema EOS C200
  • Internal ND filters (mechanical) up to 6 stops
  • 2x Mini XLR inputs
  • Full-size HDMI
  • 4K 4:2:2 10bit in ALL-I and IPB up to 120p
  • 1x CFexpress Type B Slot
  • 2x SD UHS-II slots
  • External RAW recording options up to 4K 120P
  • 2x LP-E6NH batteries
  • Camera size smaller than the EOS-1D X Mark III
  • Price: $4499 USD

Along with this RF mount Cinema camera, Canon might also release these adapters:

  • PL to RF with Cooke/i
  • EF to RF focal length reducer (speed booster)
  • EF cinema lock to RF

All Canon rumors are listed here. Stay tuned.

Source: Canon Rumors

Tokina 25-75mm T2.9 Lens Announced (Canon EF and other mounts)

Tokina 25-75mm T2.9
View Post

Tokina announced a new cine lens, the Tokina 25-75mm T2.9. Available for Canon EF and other mount types.

Tokina 25-75mm T2.9 press release:

Tokina Cinema introduces the 25-75mm T2.9 cinema lens. The new lens is a small size ground-up true cinema design featuring a compact 174mm overall length, industry standard 0.8 MOD cinema gears, T2.9 iris, 86mm filter thread, and 95mm front diameter for common cinema accessories.

The new 25-75mm T2.9 is designed to cover super35+ type sensors up to 36mm image circle size. The larger 36mm image circle enables native coverage of RED Helium 8K, RED Dragon 6K, RED Monstro 6K, Alexa LF in 4K UHD, as well as popular cinema and mirrorless cameras from Canon, Blackmagic Design, and Panasonic in 4K DCI or 4K UHD.

When paired with the Tokina Cinema 1.6x Expander for PL or EF mount versions, the lens becomes a compact size 40-120mm T4.2 that covers Full Frame and Vista Vision 6K and 8K size sensors.

The 25-75mm is designed to match the mechanical and optical properties of the popular Tokina Cinema 50-135mm T2.9 MKII and 11- 20mm T2.9 zoom lenses. The 25-75mm retains optical design features similar to the 11-20mm T2.9 and 50-135mm T2.9 MKII including parfocal design to retain focus while zooming, limited focus breathing, and low distortion. The addition of the 25-75mm completes a 3-lens set of cinema zooms covering 11mm super wide angle to 135mm telephoto at a price of less than $12,000 USD for all three lenses. Suggested retail price for the 25-75mm T2.9 is $5799 USD and will ship in Spring 2021. All lenses in the series feature an interchangeable mount between PL, EF, Sony E, MFT, and Nikon F mounts.

Canon Announced A New Cinema Lens, The Cine-Servo 25-250mm T2.95-3.95

Cine-Servo 25-250mm
View Post

Beside the Canon EOS C300 Mark III and a new set of EOS R5 specifications, Canon yesterday also announced a new Cinema lens, the Canon Cine-Servo 25-250mm T2.95-3.95.

Canon press release:

Canon U.S.A. Introduces New Cine-Servo 25-250mm T2.95-3.95 Cinema Lens Available in Both EF and PL Mount

Superb Combination of Focal Range, Compact Size and Light Weight Makes it Ideal for a Range of Broadcast and Cinema Productions

MELVILLE, NY, April 20, 2020 – Canon U.S.A. Inc., a leader in digital imaging solutionstoday announced the CINE-SERVO 25-250mm T2.95-3.95 (CN10x25 IAS S), a new CINE-SERVO cinema lens designed for use with 4K cameras. The new lens, which is available in both EF and PL mount, features 10x optical zoom, a built-in 1.5x extender and a powerful and removable servo motor drive unit, providing broadcast-friendly shoulder operation for ENG/EFP and documentary style shooters. The lightweight design of the lens (6.7 lbs.) is remarkable given the zoom range and feature set, especially when compared with other lenses of similar focal lengths. This outstanding model, as well as the Sumire Prime Lenses announced in 2019, have further strengthened Canon’s robust lineup of Cinema Lenses.

“As the lines between broadcast, cinematic and commercial productions continue to blur, it becomes more important to have a seamless product line that can provide solutions across a broad scope of applications,” said Tatsuro “Tony” Kano, executive vice president of the Canon U.S.A., Inc. Imaging Technologies and Communications Group. “The CINE-SERVO lens family combines outstanding performance and an unmatched focal range from 17mm up to 1500mm in the three-lens family. The new CINE-SERVO 25-250mm lens adds a great deal of versatility to the lineup, and will soon be a favorite of productions large and small.”

Click here to open the rest of the article

Canon Firmware Updates For Many Camcorders And Cinema Cameras Announced

c300 mark iii canon firmware updates 8k cameras
View Post

A bunch of Canon firmware updates for various camcorders and Cinema cameras have been announced.

Canon press release:

Canon U.S.A. Announces a Host of Firmware Updates for Professional Imaging Products

New Updates Include XF-AVC 4K 30p Recording on XF705 Professional Camcorder, as well as Improved Full-screen Black Level to .001 Nits on Select 4K Reference Displays

MELVILLE, NY, April 20, 2020 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced upcoming firmware updates for several professional imaging products, such as XF-AVC 4K 30p recording on the popular XF705 Professional Camcorder. These firmware updates provide improved workflow, ease-of-use, file editing compatibility with popular NLE systems, and creative flexibility for products in the Cinema EOS, Professional Camcorder, and 4K Reference Display lines.

Firmware updates for the EOS C300 Mark III, EOS C500 Mark II, EOS C700, EOS C700 FF, EOS C700 GS, EOS C200, and EOS C200B Cinema Cameras will allow for support of the new CINE-SERVO 25-250mm T2.95-3.95 (CN10x25 IAS S) Cinema Lens. Additional free firmware updates are as follows:

  • The XF705 Professional Camcorder update will include the addition of several recording formats, such as XF-AVC 8-bit 4:2:0 up to 4K 30p and MP4 8-bit 4:2:0 up to FHD 60p. Other updates include pull-down 60p signal to 24p/30p recording, browser remote use for both Wi-Fi® and Ethernet connections, and HDR high-frame shooting support.
  • The EOS C300 Mark III Digital Cinema Camera update will now show the chosen resolution and color sampling settings on the onscreen display by default.
  • The EOS C500 Mark II Digital Cinema Camera update will allow for support of XF-AVC Long GOP and XF-AVC Proxy format, 3 or 5 seconds pre-recording ability, pull-down 60p signal to 24p/30p recording, “magnify” assignable button change, and user ability to give two files an identical name when recording from both card slots.
  • The EOS C700, C700 FF, and C700 GS Digital Cinema Cameras will update the Slow & Fast Motion display, including changing “REC” and “STBY” notification colors from white to red and green respectively.
  • The EOS C200 and C200B update will allow for support of pull-down 60p signal to 24p/30p recording and the simultaneous use of both HDMI and SDI ports.
  • The DP-V1710, DP-V1711, DP-V2410, DP-V2411, DP-V2420, DP-V2421, and DP-V3120 4K Reference Display updates include support for the reading of 3D-LUT/1D- LUT files in .cube LUT file format and tracking of errors to USB memory. Other updated support includes HDR monitoring assist functions such as the ability to check XY chromaticity value of pixels, area markers will be simultaneously displayed in two locations, expansion of the safety zone/grid markers, and the ability to highlight the areas above the desired luminance range. Also, the update will support enhanced ease-of-use and workflow with third party cameras.
  • The DP-V2411, DP-V1711 and DPV-1710 4K Reference Displays update will improve full-screen black level all the way down to .001 nits. This is a major upgrade over the previous specification of .005 nits.

Paid Firmware Updates Details Are as Follows:

  • The DP-V1711 and DP-V1710 4K Reference Displays paid firmware updates will offer an upgrade license and will raise full-screen peak luminance from 600 to 1000 nits. Also, full-screen peak luminance is now supported by a local dimming algorithm from 300 to 600 nits. The combined updates/upgrades listed here (both paid and free) for these reference displays would completely overhaul the image quality, which would be an impressive 1,000,000:1 full-screen contrast ratio.

To learn more about the firmware updates and their availability, please visit, www.usa.canon.com/support

Canon Announces The Canon Cinema EOS C300 Mark III (the modular workhorse)

c300 mark iii canon firmware updates 8k cameras
View Post

The Canon EOS C300 Mark III Cinema Camera is scheduled to be available later in 2020 for an estimated retail price of $10,999. You can preorder the C300 II at B&H Photo and Adorama.

At a glance:

  • Super 35mm Dual Gain Output (DGO) Sensor
  • 4K 120p, 2K Crop 180p HDR
  • Cinema RAW Light and XF-AVC H.264 Codec
  • EF Lens Mount, DIG!C DV7 Image Processor

Canon press release:

Family Tradition: The New EOS C300 Mark III Cinema Camera Is A Super 35mm Modular Workhorse

Equipped With a Newly-Designed 4K Dual Gain Output (DGO) Sensor and DIGIC DV 7 Image Processor, the Camera Also Features Internal Cinema RAW Light Recording

MELVILLE, NY, April 20, 2020 – Adding to its robust and expansive line up of Cinema EOS digital cinema cameras, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the EOS C300 Mark III. The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500 Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project, making it an ideal tool for a wide range of video content production. The introduction of C300 Mark III, alongside the already announced C500 Mark II, signal Canon’s equal and high attention to the two important constituencies of Super 35mm and full-frame content creation.

“Creativity should never be hampered by a lack of choice. Canon understands that, which is why we continue to expand and build upon our award-winning lineup of Cinema EOS cameras,” said Tatsuro “Tony” Kano, executive vice president of the Canon U.S.A., Inc. Imaging Technologies and Communications Group. “The EOS C300 Mark III is the latest finely engineered cinema camera from Canon that will seamlessly integrate into a creator’s toolbox, providing users with an imaging solution that delivers a myriad of possibilities and potential. We look forward to seeing the visionary content created with the EOS C300 Mark III camera.”

Click here to open the rest of the article