How About A 25mm f/2 Lens That Sells For $55? (TTArtisan RF APS-C 25mm f/2)

ttartisan

TTArtisan launched a new inexpensive lens, the APS-C 25mm f/2, for RF and EF-M mounts.

At a glance:

  • Focal length: 25mm
  • Maximum aperture: f/2
  • Minimum aperture: f/16
  • Blades: 7
  • Optical design: 7 elements, 5 groups
  • Closest focusing distance: 0.25m
  • Manual focus
  • Imaging sensor: APS-C
  • Filter size: 43mm
  • Angle of view: 61 degree
  • Weight: 166-189g
  • For mirrorless cameras

Redefine “budget lens”. The TTArtisan APS-C 25mm f/2 sells at $55. More TTArtisan lenses are available at B&H Photo.

Free to carry, multi subject gear

The equivalence of a full frame is about 37.5mm, which is close to the natural field of human eyesight, and meets the shooting needs of various subjects from daily photography to visual art creation. The compact design improves portability, making it convenient for photographers to take it with them from time to time.

Large aperture increase creative fun

The maximum aperture can reach F2, which greatly enhances the degree of creative freedom – whether it is shooting in low-light environments or pursuing beautiful bokeh, the large aperture of F2 can meet your creative needs.

Excellent close-up function

The closest focusing distance is only 0.25 meters. Shooting scenes such as food, flowers, and small objects can show the details and beauty of these objects at a closer distance.

Today Only: Sirui 75mm f/1.8 1.33x Anamorphic Lens (Canon EF-M) – $499 (reg. $899)

Sirui 75mm f/1.8

Only for today (9/12/2022) B&H Photo has a 55% discount on the Sirui 75mm f/1.8 1.33x Anamorphic Lens for Canon EF-M mount.

At a glance:

  • 75mm Anamorphic Canon EF-M Mount Lens
  • f/1.8 Maximum Aperture, 13-Blade Iris
  • Robust Aluminum Lens for APS-C Cameras
  • 2.4:1 Aspect Ratio; 13-Blade Iris
  • 1.33x Cinematic Anamorphic Squeeze
  • Schott Glass with Nano Coatings
  • Distance Markings in Feet and Meters
  • Horizontal Blue Streaks, Oval Bokeh
  • Manual Focus, M67 Filter Size

Get the Sirui 75mm f/1.8 1.33x Anamorphic Lens for Canon EF-M mount on sale at $499. Compare at $899.

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Meyer Optik Görlitz Announced Biotar 58 f1.5 II Lens (RF mount, and others)

Biotar 58

Meyer Optik Görlitz announced a new lens, the Biotar 58 f1.5 II.

At a glance:

  • RF-Mount Lens/Full-Frame Format
  • Aperture Range: f/1.5 to f/16
  • Manual Focus Design
  • 14-Blade Diaphragm
  • Filter Thread: 52mm

The Biotar 58 f1.5 II for RF mount can be preordered at B&H photo for $999.

Press release:

Meyer Optik Görlitz – Biotar 58 f1.5 II available!

Press release

Bad Kreuznach, Germany – September 07th, 2022 – Meyer Optik Görlitz releases the Biotar 58 f1.5 II, the long-awaited new edition of the world famous lens and adds another unique imaging style to its existing portfolio, of high quality character lenses. The Biotar 58 II is available now and can be purchased directly from the manufacturer & from well-stocked photo retailers.

“After several delays simply due to the current unforeseeable circumstances, we are extremely pleased to welcome this very exciting lens to our family and introduce it to the public,” says Timo Heinze, Managing Director Meyer Optik / OPC Optics. “Even though the Biotar is not a classic Meyer lens, it fits perfectly into our portfolio of creative tools, with unique characteristics. Nevertheless, to honor its foreign origin, we decided to manufacture it with a Biotar-exclusive coloring.”

About Biotar 58
Originally, the Biotar 58, among other focal lengths and versions, was designed by the ingenious optical designer Willi Merté. After its launch in the mid-1930s, it was offered for about 25 years, making it the longest and best-selling Biotar in that series to date. The new version of that extremely popular, highly versatile lens also delivers its incomparable charm and comes up with excellent imaging characteristics as the Biotar 58 f1.5 II. With the help of the Görlitz-based designer, Dr.-Ing. Wolf-Dieter Prenzel, the new edition of the Biotar 58 has been significantly improved in terms of light intensity, image sharpness and contrast behavior, and the wonderful characteristics of the original Biotar 58 have been transferred to the new version of this classic lens.

What makes the Biotar 58 f1.5 II stand out?
Biotars have always been appreciated for their wonderful bokeh options, a creamy image look, particularly harmonious focus gradients and good sharpness performance. In the out-of-focus area, with the right setting, a swirl of light circles can be created (also called ‘Swirly-Bokeh’), which particularly emphasizes the focused main subject. The captured light points near the center of the image appear circular and take on a more elliptical shape toward the edge of the image (also called ‘cat eyes’). The Biotar 58 f1.5 II is already characterized by high image sharpness at open aperture and at the same time delivers the beautiful effects in the out-of-focus area of the image. It also impresses in difficult lighting situations – the Biotar 58 II produces little to no color fringing even in strong backlighting and with an open aperture, and still achieves excellent results even in low light situations thanks to its speed. The targeted use of the effects, the many design options and the high sharpness make the Biotar 58 II the perfect choice for many different genres of photography and videography.

The fastest and sharpest Biotar 58 ever
In the course of redesigning the Biotar 58 and optimizing its optical system, the initial aperture of the lens has been increased from the original f2 to f1.5. There has never been a faster Biotar 58 and at the same time the Biotar 58 f1.5 II now represents the ‘fastest’ lens in Meyer Optik Görlitz’s portfolio. In addition to the higher speed, the Biotar 58 II, through various optimizations of the optical system, achieves a sharpness that its predecessors could not reach. This high sharpness or extreme resolution is a particularly noteworthy advantage for close-up and portrait photography.

Well-proven mechanical design and optimized aperture
For the Biotar 58 f1.5 II, the proven mechanics of the previous new editions were used and the individual optical elements were thus combined in a well-proven, highly precise and durable mechanical system. Compared to the original Biotar 58 lenses, 14 steel blades now form the stepless & silently adjustable aperture of the new edition. The circular aperture is particularly noticeable in the bokeh of the image and draws more harmonious points of light than its historical predecessors. All mechanics were, as with all Meyer Optik Görlitz lenses, sourced from renowned German precision mechanics manufacturers and were produced to the highest quality. The aluminum- / natural-colored anodizing used for the Biotars is intended to represent a connection to the historical origin and offers an excellent feel as well as a precious appearance at the same time.

The Biotar 58 f1.5 II, as well as all other Meyer lenses released to date, can be purchased at www.meyer-optik-goerlitz.com.

What follows?
Series production of the Biotar 75 f1.5 II has also begun and is expected to take until the end of the year. In addition, new lenses are in planning / development and will be released in the foreseeable future.

Canon Announced New Broadcasting And Filmmaking Gear

broadcasting

Canon released new gear for filmmakers and for broadcasting. All new gear is available for preorder.

Canon press release:

Canon Expands Product Line-Up for Broadcast and Filmmaking 

Canon’s New Tools Give Broadcasters and Filmmakers Enhanced Camera Functionality and the Flexibility to Create High-Quality 4K Content, Within Multiple Streamlined Workflows

MELVILLE, NY, September 7, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, today strengthened its cinema and broadcast offering, in line with user needs, with a suite of products. This includes the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S), Canon’s latest 8K CINE-SERVO lens for a broad range of productions; the EU-V3, a modular expansion unit for the EOS C500 Mark II and EOS C300 Mark III cameras; a Cinema EOS firmware update; and the DP-V2730i, a 27-inch 4K professional reference display that may seamlessly fit into workflows of broadcasters and filmmakers.

Capture the World Cinematically: CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S)

With a superb combination of focal range, compact size, and lightweight, the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) supports Super 35mm and Full-Frameii sensor cameras, making it ideal for a range of cinema and broadcast productions. With its versatile focal range from a wide 15mm, up to an impressive telephoto range of 120mm, the lens can further extend up to 180mm via the built-in 1.5x extender. To support future productions, 8K optical performance can be maintained across the full focal length, providing consistently high image quality across the entire frame.

The CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) features Canon’s renowned warm color science, matching the existing range of Canon’s cinema lenses – and an 11-blade aperture, producing a beautiful, round bokeh. Offering outstanding optical performance – and breathtaking image quality for HDR, 4K, and 8K productions – the lens supports EF mount communication and advanced metadata capture with support for Cooke /i Technology™. The PL mount version of the lens is also the first Canon CINE-SERVO lens to enable both ZEISS eXtended Data™ (XD) communication and Cooke /i Technology™. Featuring the same 16-bit encoder found in Canon’s broadcast and existing CINE-SERVO lenses, which provides accurate lens position, zoom, focus, and iris metadata, the information and communication functions between the lens and camera are paramount for VFX, virtual, and cinema productions.

The high-end CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) is available in both EF and PL mount, featuring a powerful and detachable servo motor drive unit. This adds to the versatility of the lens as it allows for live production and documentary-friendly Studio and Field- operation. The drive unit’s ergonomic hand grip and zoom rocker make on-the-go, shoulder/ENG-style shooting easy. With the drive unit’s two 20-pin ports for attaching zoom and focus controls and a third 20-pin that provides 16-bit encoded metadata for virtual systems, the lens also fits nicely into a tripod-mounted studio-style configuration.

EU-V3: Modular Expansion Unit for Live Production, Compatible with The EOS C500 Mark II and EOS C300 Mark III Cameras

With the increased move towards large format sensor cameras for broadcast, events, and live sports production – providing viewers with a unique perspective when watching their favorite teams play – Canon has listened to user requirements with the EU-V3 expansion module for both the EOS C500 Mark II and EOS C300 Mark III. Building on both cameras’ modular design, it expands and supports specific functionality for multi-camera and live productions.

For studio and live production use, the EU-V3 has a 4-pin XLR DC power input for constant power to both the expansion module and the camera body – no need for external batteries to power the devices.

The EU-V3 also offers an SDI return video feature, allowing real-time monitoring of a live broadcast feed from a production switcher. The return output destination can be selected from the VIDEO, EVF-V50, MON/HDMI, and SDI-OUT terminals. The EU-V3 also enables Tally support to alert the camera operator and the subject being captured. Both SDI Return video and Tally functions are essential for informing camera operators and their subjects of when their camera feed is live and the current status of the production.

The lens focus position can also be displayed on-screen when using the EU-V3 – with compatible broadcast and CINE-SERVO lenses via 12-pin serial communication. The Focus Position Meter, which users can choose to display along the top or right side of the screen, allows users to register multiple focus positions on a distance scale and highlights when the focus is achieved during manual operation – such as when selecting the finish line for a race.

The EU-V3 can be combined with the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) lens on the EOS C500 Mark II and EOS C300 Mark III cameras.

Cinema EOS Firmware: Expanding Horizons

A new Cinema EOS Firmware update is being introduced to strengthen the capabilities for the live production market for both the EOS C500 Mark II and EOS C300 Mark III cameras – enabling both cameras to be used within live environments and multiple workflows. Key updates include:

  • Implementing XC protocol: integration into multi-camera solutions, supporting direct control via RC-IP100 remote camera controller (sold separately) and ethernet connections.
  • Strengthening of AF features: 120p / 100p AF support, alongside face detection during Slow and Fast Shooting Mode.
  • Audio 4ch display: the audio level display will show all four audio channels when this mode is selected.
  • New accessory and lens support: allowing the EOS C500 Mark II and EOS C300 Mark III camera to work perfectly with both the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) lens and EU-V3, as well as support for the Flex Zoom series of lenses.

DP-V2730: 4K HDR Display For The New Generation

An advanced professional 4K HDR monitor, the DP-V2730, has a 4K UHD display engine and 1,000 cd/m² full-screen peak brightness, with Canon’s local dimming technology giving an ultra-low black level of 0.001 cd/m². A great option for both filmmakers and broadcasters, the DP-V2730 has a 27-inch screen that achieves high brightness with minimal noise, which is ideal for both on-set and post-production environments, and meets Dolby Vision certification standards and EBU TECH3320 user requirementsiii. The DP-V2730 features a suite of award-winning monitoring tools such as a waveform monitor, histogram, frame luminance monitor, RGB parade, and much more – all driven by Canon’s latest processing platform. The display is a great companion for broadcast and filmmaking, delivering high-end 4K HDR performance for on-set video villages, on-location production facilities, and is ideal for virtual post-production editing, VFX, and color grading.

The DP-V2730 has an HDMI input and 12G-SDI terminals (4x Inputs and 5x Outputs) capable of delivering 4K60P 4:2:2 10-bit or 4K30P 4:4:4 12-bit signals, ideal for seamless integration into multiple workflows. The DP-V2730 can also easily be linked to a compatible computer, tablet, or smartphone plus multiple Canon Displays (via a LAN connection) with the Remote Control Web UI. This touch-optimized interface provides live image viewing, detailed signal information and direct control over inputs, monitoring tools, and settings. A paid license is required to activate this feature. Users can also access 4-way SDI input switching via a paid upgrade that supports various workflows, such as sending an output feed to a director’s monitor, external recorder, or live streaming solution.

Canon CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) Key Features:

  • Wide angle 15-120mm, with 8x magnification
  • High-quality optics for HDR, 8K and 4K capture
  • Built-in 1.5x extender – providing reach up to 180mm
  • Full frame sensor coverage (with 1.5x extender engaged)
  • Modular design with a removable drive unit
  • Interchangeable lens mount from EF to PF
  • First CINE-SERVO lens to support ZEISS extended Data (XD)

Canon EU-V3 Key Features:

  • Constant DC IN power – no need for external batteries
  • Return SDI Signal Input
  • Remote B (RS-422)
  • Ethernet
  • Tally Signal Support (XC Protocol)
  • V-mount battery plate (with D-TAP)
  • 12-pin Lens Terminal
  • DC OUT 12V-2A

Canon Cinema EOS Firmware Update:

  • XC protocol support
  • 120p / 100p AF support
  • Face detection during Slow and Fast Mode Shooting
  • Audio 4ch display
  • Flex Zoom Series and CN8x15 IAS-S E1/P1 lens support

Canon DP-V2730 Key Features:

  • 27” 4K UHD HDR Display
  • 1000 cd/m2 brightness and 0.001 cd/m2 black levels
  • Award-winning monitoring tools
  • Achieves Dolby Vision certification standards and EBU TECH3220 user requirements.
  • 12G-SDI and HDMI connectivity

Pricing and Availability

The CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) cinema lens and EU-V3 accessory are scheduled to be available in November and December 2022 for an estimated retail price of $30,999.00 and $2,999.00 respectively.

The Canon Cinema EOS Firmware Update is scheduled to be available in October 2022 free of charge.

The Canon DP-V2730 reference display is scheduled to be available in March 2023 for an estimated retail price of $18,999.00.iv

For more information, please visit usa.canon.com.

Canon Targets High-End Broadcasters With New PTZ Camera

ptz camera

The new gear is available for preorder.

Canon press release:

Canon Targets High-End Broadcasters With New PTZ Camera

Broadcast Quality Video Capture and Advanced Connectivity Options Help Enable Broadcasters to Achieve Efficient Production

MELVILLE, NY, September 7, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the CR-N700i – a 4K 60P 4:2:2 10-bit PTZ camera with a 1.0-inch Type CMOS Sensor and 12G-SDI connectivity, designed for professional broadcast, studios, and live event productions. Building on Canon’s broadcast heritage, the CR-N700 incorporates the intelligent AF from Canon’s popular professional video cameras, such as the EOS C70 and XF605, for precision focus across the entire pan, tilt and zoom range. With a host of powerful features, this launch expands Canon’s PTZ line-up, offering a PTZ camera for various types of productions and technical requirements. Additionally, Canon is announcing the availability of a firmware update for the Canon CR-N500 and CR-N300 PTZ cameras.

Achieve Broadcast Quality, Easily

To meet the current demands of broadcasters, the CR-N700 features a 1.0-inch Type CMOS sensor and DIGIC DV7 processor to deliver superb 4K UHD 60P 4:2:2 10-bit imagery for truly immersive content. Capable of high-quality transmission, Canon’s newest PTZ camera allows content creators to stream 4K 60P over IP with PoE++ support that allows for power, streaming, and camera control over a single cable – perfect for remote and live broadcast productions. The impeccable image quality is also the result of the high-performance lens, which has a 15x optical zoom and a 30x advanced zoom when shooting in Full HD. When coupled with Canon’s renowned Image Stabilizer, broadcasters can capture smooth, steady footage even from a distance. This can be ideal for shooting reality TV shows or even sports when camera operators want to discreetly zoom in on the action. The CR-N700 also features a Night Mode, allowing operators to capture footage in near darkness thanks to a removable built-in IR cut filter. Along with the HDR formats in PQ or HLG, broadcasters can capture virtually uncompromised footage in various lighting environments.

Breaking new ground for Canon’s line-up of PTZ cameras, the CR-N700 is equipped with fast, intelligent and extremely accurate focusing thanks to Canon’s proprietary Dual Pixel CMOS AF technology with advanced EOS iTR AF X. This deep learning autofocus locks onto a subject’s head, to track them as they move and even when they turn their face away. Eye Detection AF locks onto the subject’s pupil for even greater precision, while the Face Priority AF allows operators to prioritize a specific individual. This can be ideal for scenarios where it is imperative to stay locked onto the anchor throughout.

Superb Connectivity, Simple Workflows

As with Canon’s entire range of PTZ cameras, the CR-N700 supports multiple protocols to integrate with existing workflows seamlessly. Designed to fit into the diverse production ecosystems of broadcasters, the CR-N700 features SRT and NDI|HXii protocols for high-quality 4K video streams, while FreeD enables integration with virtual productions. Broadcasters can easily create multi-camera setups that meet their needs with these protocols, and with Canon’s XC protocol, it is possible to integrate the CR-N700 alongside other Canon Cinema EOS cameras such as the EOS C500 Mark II, EOS C300 Mark III, or professional camcorders including the XF605iii for a truly versatile setup. It’s even possible to match other Canon cameras’ look with Canon Log 3 and Wide Dynamic Range picture settings.

The flexible connectivity options include 12G-SDI and 3G-SDI, HDMI or IP, which allow the seamless transmission of 4K60P, for high-quality, consistent broadcasts. The CR-N700 also includes professional dual XLR audio inputs, Time code, and GEN-LOCK, for different production needs.

Enhanced control

Canon’s latest PTZ camera offers the same intuitive control as other models in the line. The advanced drive mechanism enables movements as slow and precise as 0.1° per second, meaning operators can capture cinematic shots. Compatible with both Canon’s RC-IP100 controller and Remote Camera Control Application, as well as selected third-party controllers, this further simplifies integration with existing production setups. With the CR-N700’s crop function, broadcasters can take two separate feeds from a single PTZ camera. They can select up to two regions of interest within the 4K frame and output them as a separate feeds in HD resolutions. This feature is perfect for productions with limited PTZ cameras on site.

Canon CR-N700 Key Features:

  • 1.0-inch Type CMOS sensor with DIGIC DV7 Processor achieves 4K60P 4:2:2 10-bit
  • 15x Optical Zoom (30x Advanced Zoom)
  • Dual Pixel AF with iTR AF X
  • Multiple protocols including NDI|HX, SRT, FreeD, RTMP(S), RTP, RTSP, Standard communication protocol & Canon XC Protocol
  • Enhanced connectivity with 12G-SDI, 3G-SDI, and HDMI output

Canon CR-N500 and CR-N300 PTZ Camera Firmware Update

The new firmware update for the Canon CR-N500 and CR-N300 PTZ cameras adds SRT and FreeD protocols. SRT protocol is a widely used video transmission protocol for live broadcasts that provides both low latency and error correction for smooth video over public internet connections. FreeD protocol is also a widely used protocol for transmitting camera positioning information, allowing the camera to be used in virtual applications such as virtual studio systems. Both protocols are supported by the CR-N700, and are now available on the CR-N300 and CR-N500 with firmware version 1.2.0 that is currently available for download.

Pricing and Availability

The Canon CR-N700 PTZ is scheduled to be available in December 2022 for an estimated retail price of $9,699.00.iv

For more information, please visit usa.canon.com.

Canon To Announce 4 Wide-angle L-grade Primes For The RF Mount Within Next 12 Months?

canon rumors canon news eos r7 mark ii canon eos rv

A new Canon rumor surfaced. Canon might be set to announced four L-grade prime lenses for the RF mount within the next 12 months.

These are the rumored lenses:

  • Canon RF 12mm f/1.8L USM
  • Canon RF 24mm f/1.4L USM
  • Canon RF 28mm f/1.4L USM
  • Canon RF 35mm f/1.2L USM

Moreover, the Canon RF 135mm f/1.8L USM might also get announced soon, maybe it is the first one to get announced.

Stay tuned.

Source: Canon Rumors