Let’s talk color science: Canon EOS 5D Mark IV vs Sony A7R III video-comparison

Sony A7R IIIvs EOS 5D Mark IV

Sony A7R III vs Canon EOS 5D Mark IV – Which one has better colors?

 

Photographer and reviewer Dustin Abbott posted a 13 minutes video where he compares color rendering of the Canon EOS 5D Mark IV () and Sony A7R III ().

Canon’s color rendering is generally considered the most accurate in the digital photography world, especially when it comes to skin tones. Can the Sony A7R III hold up to the EOS 5D Mark IV? Dustin tests the color rendering on difficult subjects, like metal surfaces etc, and on everyday subjects. And can you get Canon colors out of a Sony, with some tweaking?  See for yourself.

[via Dustin Abbott]

Why photographer Armando Ferreira switched from Sony to Canon

Contrary to what most most Sony fan sites want you to believe, there are many photographers who switch from Sony to Canon, or who switch to Sony and deeply regret it.

Photographer Armando Ferreira explains why he made the switch from using Sony cameras like the Sony A7RII and also the Sony A7SII to the Canon 5D Mark IV.

Because Canon gear works as advised, maybe…?

Off Brand News: Sony a7R III is best performing MILC at DxOMark (scores 100)

Sony A7R III
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Sony A7R III at a glance:

  • 42MP Full-Frame Exmor R BSI CMOS Sensor
  • BIONZ X Image Processor & Front-End LSI
  • 399-Point AF System & 10 fps Shooting
  • UHD 4K30p Video with HLG & S-Log3 Gammas
  • 3.69m-Dot Tru-Finder OLED EVF
  • 3.0″ 1.44m-Dot Tilting Touchscreen LCD
  • 5-Axis SteadyShot INSIDE Stabilization
  • ISO 102400 & Pixel Shift Multi Shooting
  • Built-In Wi-Fi/Bluetooth, Dual SD Slots
  • USB 3.1 Gen 1 Type-C Port & PC Sync Port

The folks over at DxOMark put the Sony A7R III on their test bench. Well, the A7R III scores 100, same as the Nikon D850. Only the medium format Hasselblad X1D-50c and Pentax 645Z have a higher score (102 and 101, respectively).

From DxOMark’s conclusion:

It’s clear that the Sony A7R III has a high-performing sensor that’s capable of capturing images with a broad range of color and tone, while keeping noise well under control.

However, comparing the A7R III sensor to the Nikon D850’s reveals the advantage that the Nikon camera’s lower minimum sensitivity (ISO) value brings. Photographers who predominantly shoot in bright light or capture motionless subjects with the camera on a tripod will record the most information, be it color, tone, or detail with the Nikon D850 set to ISO 32. However, if they require values above that, the Sony A7R III sensor produces marginally better images.

Sony’s in-body 5-axis image stabilization system is widely respected, and if it achieves the 5.5 EV shutter speed compensation in the A7R III that the company claims, it would enable the camera to capture images at ISO 100 instead of at ISO 3200 (provided the subject is stationary). Read the review…

sony a7r iii
The Canon DSLRs with the highest DxOMark score are the Canon EOS-1D X Mark II (88) and EOS 5Ds (87). Once more, Sony is showing how well they manage to design and build image sensors.

So, Canon, have you ever heard about this company, Sony? You know, they make amazing hardware with shitty interfaces and beta software on it. But, hey!, they innovate and users love them gadgets and gear. Maybe, Canon, you should consider catching up. Maybe. Just my 2 cents.

Sony A7R III: Amazon US, Adorama, B&H Photo.

Sony announce new CFast memory cards in their Pro card line-up

Cfast
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Sony completes Pro memory card line-up with new CFast range

Ultra-fast G Series CFast memory cards with up to 510MB/s write speed for photographers and videographers

(ASIA PACIFIC, 28 November 2017) – Sony today announced the launch of a range of high performance CFast memory cards designed to meet the needs of professional photographers and videographers. The new G Series CFast responds to the ever increasing capabilities of high-end DSLR and 4K cinema-grade broadcast cameras, offering lightning-fast write speeds of up to 510MB/s and read speeds of up to 530MB/s1. Joining an established range that includes Professional internal SSDs, XQD and SxS cards, as well as the world’s fastest SD card2, the new CFast models strengthen Sony’s position as a leader in professional memory solutions.

Step up to industry-leading write speeds

Professional photographers demand faster speed for continuous burst shooting of higher resolution images like RAW. With up to 510MB/s write speed, far outperforming the capabilities of existing CFast cards, G Series supports high-speed burst shooting of high resolution RAW, maximizing the capability of high-end DSLR cameras like the Canon 1DX Mark 2.

Reliable 4K video recording with VPG130 support

As well as ultra-fast write speed, the new CFast cards support VPG1303 for reliable recording of Cinema-grade or high-bitrate 4K video. A minimum sustained write speed of 130MB/s is guaranteed, making the new media ideal for stable recording of professional grade 4K video such as Cinema RAW light mode with Canon C200 video cameras.

Super-fast read speed for ultra-effective workflow

Efficient workflow is essential for professional photographers and videographers working in challenging environments to tight deadlines. With a blazing fast read speed of 530MB/s, G Series CFast dramatically reduces the time it takes to transfer RAW files, long 4K video footage and high-resolution images to a PC.

Designed for strength and reliability

The new CFast cards have passed a variety of stringent drop, vibration, shock and rigidity tests, making them perfect for shooting in many different locations. They work reliably across a wide range of temperatures and are highly resistant to static. With a hard case and Sony File Rescue software4 included for recovering accidentally deleted photos such as RAW images and videos, professionals can shoot with confidence in the toughest conditions.

The new G Series CFast 2.0 memory cards will be available in 32GB (CAT-G32), 64GB (CAT- G64) and 128GB (CAT-G128) capacities in selected Asia Pacific countries in the 1st quarter of 2018. Please check with the authorized dealers for pricing and availability.

For more information on Sony’s CFast card, please visit www.sony-asia.com/b2b

Off Brand: Sony announces new RX10 IV with 24 fps and 24-600mm zoom lens

sony rx10 ivSony RX10 IV at a glance:

  • 20.1MP 1″ Exmor RS BSI CMOS Sensor
  • BIONZ X Image Processor & Front-End LSI
  • Zeiss Vario-Sonnar T* f/2.4-4 Zoom Lens
  • 24-600mm (35mm Equivalent)
  • 2.36m-Dot OLED Tru-Finder EVF
  • 3.0″ 1.44m-Dot Tilting Touchscreen LCD
  • UHD 4K30 Video, Full HD 1080p at 960 fps
  • Fast Hybrid AF System with 315 Points
  • ISO 12800 and 24 fps Continuous Shooting
  • Built-In Wi-Fi and Bluetooth

Pre-order: B&H Photo

Sony press release:

Sony’s New RX10 IV Combines Lightning Fast AF and 24 fps Continuous Shooting with Versatile 24-600mm F2.4-F4 Zoom Lens

  • World’s Fastest[i] AF Speed of 0.03 seconds[ii], 24 fps[iii] Continuous Shooting with full AF/AE tracking
  • 315 focal-plane phase-detection AF points covering approx. 65% of the frame
  • ZEISS® Vario-Sonnar T* 24-600mm[iv] F2.4-F4 Large Aperture, High Magnification Zoom Lens
  • 4K[v] Movie Recording with full pixel readout without pixel binning

Sony today announced the new flagship model in its acclaimed Cyber-shot® RX10 series, the RX10 IV (model DSC-RX10M4).

Featuring the world’s fastesti AF acquisition time of 0.03 secondsii and up to 24 fps continuous shootingiii with full AF/AE tracking, 315 phase-detection AF points that rivals those the fastest professional interchangeable lens cameras and an exceptionally versatile 24-600mmiv F2.4-F4 ZEISS® Vario-Sonnar T* lens, the new RX10 IV model delivers an unmatched combination of mobility and speed for imaging enthusiasts and professionals looking for the ultimate ‘all-in-one’ solution.

The impressive RX10 IV camera is equipped with a latest 1.0-type 20.1 MP[vi] Exmor RS CMOS stacked image sensor with DRAM chip along with a powerful BIONZ X™ image processor and front-end LSI. These key components all work together to maximise overall speed of operation and performance, ultimately ensuring the highest possible image and video quality throughout the entire range of the 24-600mmiv lens.

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