Canon Recalls Some Batches Of EOS R10 Cameras And EF 50mm F1.2 Lenses

Canon Eos R10 Review

Canon Japan published a customer advice about some batches of Canon EOS R10 cameras and EF 50mm f/1.2L lenses.

Canon found the following issue with Canon EOS R10 cameras:

A small part of this product makes a loud noise […] when the built-in strobe fires.

Is your Canon EOS R10 part of this batch? Find out this way:

[EOS R10 cameras] with the serial number (on the bottom of the camera) of which the two digits from the left are “01” to “10”.

(For products sold in Japan, some products from “01” to “03” are eligible.)

See here to learn more…

CANON EF 50mm f/1.2L

Some units of the Canon EF 50mm f/1.2L lens might have this issue:

When shooting in a high temperature environment, the exposure may not be as intended, resulting in variations in the brightness of the images shot in the same scene, or an error “Err01” may occur.

How to find out if your lens is affected? Check the serial number. Canon states:

Some of the EF50mm F1.2L USM interchangeable lenses for single-lens reflex and mirrorless cameras produced in 2022.

Lenses with the 10-digit serial number printed on the lens body (see the figure on the right) whose four digits from the left are “1840”, “1940”, “2040”, “2140”, and “2240” are eligible.

See here to learn more…

[via asobinet]

Canon EOS-1DX Mark III Firmware Update (version 1.7.1)

Canon Eos-1d X Mark Iii Sensor

Canon released a firmware update for the Canon EOS-1DX Mark III, version 1.7.1. Please note: at time of writing the firmware update was available on Canon Japan, we link there.

Canon EOS-1DX Mark III firmware 1.7.1 (download):

  • [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
  • You can now trim and resize images while transferring them to the FTP server.
  • Corrected the phenomenon that some cameras that meet certain conditions may not turn on immediately after updating to firmware version 1.7.0.
  • Fixed minor bugs.

Firmware Updates For Canon EOS R3 (ver. 1.4.0) And EOS R5 (ver. 1.8.1) Released

Canon EOS R5 Review

Canon released firmware updates for the Canon EOS R3 and Canon EOS R5. Please note: at the time of writing the firmware updates were available at Canon Japan, so we link there.

Canon EOS R3 firmware 1.4.0 (download):

  • Compatible with Speedlite EL-5. *It is not compatible with the automatic dimming function of the AF auxiliary light.
  • Added [Registered people priority] to the menu. Pre-registered people can now be preferentially detected and tracked.
    • * The effect may not be obtained depending on the shooting environment and scenes where the subject is moving, such as when the face is small, when the face is slanted/side profile, when part of the face is hidden, or when the subject is moving.
  • [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
  • [Panning Assist] has been added to the menu. When panning with a compatible lens, “camera shake correction” and “subject blur correction” are performed during exposure.
  • Shortened the time it takes for the AWB results to be reflected in the viewfinder when looking through the viewfinder with the auto white balance (AWB) setting.
  • “Image protection” for FTP transfer has been added to the menu. Images transferred by FTP can now be automatically protected. This makes it possible to determine whether or not the image has been FTP-transferred.
  • Fixed minor bugs.

Canon EOS R5 firmware version 1.8.1 (download):

  • [IBIS High-Resolution Shooting] has been added to the menu. By utilizing the in-body image stabilization mechanism, it is now possible to record images with a higher sense of resolution.
  • [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
  • You can now trim and resize images while transferring them to the FTP server.
  • “Image protection” for FTP transfer has been added to the menu. Images transferred by FTP can now be automatically protected. This makes it possible to determine whether or not the image has been FTP-transferred.
  • Fixed minor bugs.

Canon EOS R6 vs EOS R6 Mark II – 10 Differences And Full Comparison

Eos R6 Vs Eos R6 Mark Ii

Want to know what differences there are between the Canon EOS R6 Mark II and the previous iteration, the EOS R6? Read on.

Canon EOS R6 at a glance:

  • 20MP Full-Frame CMOS Sensor
  • DIGIC X Image Processor
  • 4K60p and FHD 120p 10-Bit Internal Video
  • Sensor-Shift 5-Axis Image Stabilization
  • 12 fps Mech. Shutter, 20 fps E. Shutter
  • Dual Pixel CMOS AF II with 1053 Points
  • 0.5″ 3.69m-Dot OLED EVF
  • 3″ 1.62m-Dot Vari-Angle Touchscreen LCD
  • Subject Tracking with Deep Learning
  • Dual SD UHS-II Memory Card Slots

Canon EOS R6 Mark II at a glance:

  • 24.2MP Full-Frame CMOS Sensor
  • 4K60 10-Bit Internal Video, C-Log 3
  • External 6K ProRes RAW Recording
  • Dual Pixel CMOS AF II
  • 12 fps Mech. Shutter, 40 fps E. Shutter
  • Sensor-Shift 5-Axis Image Stabilization
  • 3.69m-Dot OLED EVF
  • 3″ 1.62m-Dot Vari-Angle Touchscreen LCD
  • Dual UHS-II Memory Card Slots
  • Multi-Function Shoe, Wi-Fi and Bluetooth

Our friends at Mirrorless Comparison compared the Canon EOS R6 and the Canon EOS R6 Mark II. In the conclusion they say…:

At first, the improvements brought to the R6 mark II may not seem too important, but after using the camera for nearly three weeks, I’m confident to say the new model has been refined in such a matter that it gets quite close to perfection.

There are small yet useful improvements, like having a dedicated switch for the movie mode, which allows you to use the custom modes when recording videos, and not just when taking photos. Extra features such as the HF Anti-Flicker can be a godsend in specific situations, whereas others such as Focus Stacking can become that extra tool you learn to appreciate quickly. All this to say that the R6 II is a more complete camera.

The new 24MP sensor doesn’t bring a substantial improvement when it comes to dynamic range or high ISO, but you get those 4 extra megapixels if you feel 20MP is a bit too low. The readout speed is also faster, so using the electronic shutter will result in less distortion with fast movements.

The autofocus has gained a few extra settings and is more advanced when it comes to subject tracking. The latter may not always make a difference, but I found the R6 II to be better in low light, to the point of being as reliable as it is in good light situations.

Read the full review at Mirrorless Comparison

The review is complete and comes with sample images, test charts and everything you might expect from a professional review, so I suggest you check it out at Mirrorless Comparison. You might also watch the video below to get the review.

Btw, these are the 10 differences:

  1. Sensor: it’s mainly about the (small) difference in 4MP. Dynamic Range and high ISO are similar.
  2. Body Controls: a few small changes make the R6 II even better to use, but they are identical for the most part
  3. Connectivity: faster WiFi and extra USB options for the R6 II (including webcam mode)
  4. Battery Life: a bit better on the R6 II overall, especially when recording video
  5. Continuous Shooting: the R6 goes up to 20fps, the R6 II works up to 40fps with less rolling shutter, and it has extra options like the Pre-Shooting mode, but buffer is more limited.
  6. Video: no more overheating problems with the R6 II, no more recording limitation, less rolling shutter and no sensor crop in 4K 30p and 60p
  7. Other Features: the R6 II packs extra functionalities including Breathing Compensation, Focus Stacking, High Frequency Anti-Flicker mode, and more
  8. Autofocus: the R6 II has a more advanced software, and I find the camera better in low light. My birds in flight test shows comparable performance.
  9. Stabilisation: the R6 is a bit better for stills, but both are on the same level for video
  10. Price: the R6 II is more expensive

More Canon EOS R6 Mark II review coverage is listed here.

Canon EOS R6 Mark II world wide orders:

America: B&H Photo, Adorama, Amazon USA, Amazon Canada, Canon Canada, Canon USA
Europe & UK: Amazon DE, Amazon UK, Amazon IT, Canon IT, WEX Photographic, Canon FR, Canon UK, Canon DE

Canon EOS R6 world wide orders:

America: B&H Photo, Adorama, Amazon USA, Amazon Canada, Canon Canada, Canon USA
Europe & UK: Amazon DE, Amazon UK, Amazon IT, Canon IT, WEX Photographic, Canon FR, Canon UK, Canon DE

Is Canon Testing Prototypes Of Upcoming Tilt-shift Lenses?

TS-E 17mm F/4L

It seems Canon might be set to soon announce new tilt-shift lenses for the RF mount.

Rumor has it that Canon is already testing two tilt-shift lenses in the wild. The source claims they have been “told that the new tilt-shift lenses are in the hands of a select group of photographers“. These are the two rumored tilt-shift lenses:

  • Canon TS-R 14mm f/4L
  • Canon TS-R 24mm f/3.5L

What do you think?

Source: Canon Rumors

For 20 Years In A Row, Canon Was And Is The Leader Of The Global Interchangeable-lens Market

Canon

Just to remind all who rules the lens market. It’s Canon. For 20 consecutive years, Canon has maintained the No.1 share of the global market of interchangeable lenses. Kudos.

Canon press release:

Canon celebrates 20th consecutive year of No. 1 share of global interchangeable-lens digital camera market

TOKYO, March 28, 2023—Canon Inc. announced today that the company’s interchangeable-lens digital cameras (digital SLR and mirrorless cameras) have maintained the No. 1 share of the global market for 20 consecutive years1 from 2003 to 2022.

Canon develops the key imaging system components featured in its EOS series of digital interchangeable-lens cameras—CMOS image sensors, image processors and interchangeable lenses—under the core concept of, “Speed, Comfort and High Image Quality.” Putting together a wide-ranging product lineup—from high-performance flagship models that are highly trusted by professionals to entry-level models that allow users to enjoy high-image-quality shooting with easy operation, as well as a rich selection of RF and EF series lenses that make possible a wealth of creative expression—Canon continues to support the diverse needs of customers.

During the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D in other regions) in September 2003. This groundbreaking camera, which was competitively priced and featured a compact, lightweight design, became the engine for growth in the digital SLR market, capturing the top share of the global market and heralding the age of digital SLR cameras. Since that time, Canon has continued to launch a range of groundbreaking products, including the professional-model EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. Canon’s desire to further expand the boundaries of visual expression led to its next-generation EOS R System, launched in October 2018, that includes the EOS R5—the first camera to feature 8K video recording2—released in July 2020 and the EOS R3 in November 2021, which features tracking of fast-moving subjects and continuous shooting performance. In addition, Canon launched the EOS VR System, designed to record video for virtual reality content, in December 2021.

In 2022, Canon announced the EOS R7 (released in June 2022) and EOS R10 (released in July 2022) the first APS-C size models in the EOS R Series, and the EOS R6 Mark II full-frame camera (released in December 2022) that features advanced AF functionality and superb video capabilities, alongside six new RF lenses3. While further expanding its lineup Canon managed to secure the No. 1 share of the global market for the 20th consecutive year.

Canon will continue to refine its proprietary imaging technologies while further strengthening and expanding the EOS series of cameras and RF/EF series of lenses, opening up new avenues of image capture to meet the needs of increasingly diverse users and to promote the spread of photo and video culture.