Deal: Sigma 18-35mm f/1.8 DC HSM Art Lens – $549 (reg. $799, today only)

Sigma 18-35mm F/1.8 Deal Art DC ART

Sigma 18-35mm f/1.8 DC HSM Art Lens at a glance:

  • Canon EF-Mount Lens/APS-C Format
  • 28.8-56mm (35mm Equivalent)
  • Aperture Range: f/1.8 to f/16
  • Four Aspherical, Five SLD Glass Elements
  • Super Multi-Layer Coating
  • Hyper Sonic AF Motor
  • Internal Focusing and Zoom Design
  • Compatible with Sigma USB Dock

Only for today (12/4/18) B&H Photo has the Sigma 18-35mm f/1.8 DC HSM Art lens on sale at $549. Compare at $799. Free shipping. I own the Sigma 18-35mm and can recommend it.

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Photokina 2019 Has Been Cancelled, Comes Back in 2020

Photokina

Well, this comes as a surprise.

Photokina 2019 has been cancelled. The next Photokina will happen in May 2020. Is this a sign of the crisis the photo industry is experiencing?

Photokina press release:

The next photokina will take place in May 2020

Imaging industry and Koelnmesse decide on new starting point for the new annual cycle

Following a successful photokina 2018, the German Photo Industry Association (PIV), as conceptual sponsor of the trade fair, and the event’s organiser Koelnmesse have agreed not to organise the next leading global trade fair in May 2019, as initially planned, but in May 2020. From Wednesday 27 May 2020 to Saturday 30 May 2020, all the market leaders in the imaging industry are expected once again in Cologne. The decision to postpone the start of the announced annual cycle by one year is intended to give all participants the opportunity to further develop the new concept for photokina and to tap into new target groups among exhibitors and visitors in order to heighten the status of the trade fair as a global platform for the photography and imaging industry.

“photokina 2018 clearly exceeded our already optimistic expectations with groundbreaking innovations and 180,000 visitors from 127 countries,” explained PIV’s CEO Rainer Führes. “As a result, we set the bar very high for the next event. It is therefore unlikely that, in May 2019 after just over seven months, we will once again be able to create the same enthusiastic atmosphere that characterised photokina 2018. This is why we have decided to start the planned annual cycle in 2020. The Photoindustrie-Verband would like to thank Koelnmesse for its willingness to quickly comply with this request. This shows once again the great professionalism and excellent customer orientation that has characterised our trusting partnership for decades now.”

“We understand that even the most powerful technology companies cannot ensure that they will once again be able to bring such innovative strength to the exhibition halls as we experienced at photokina 2018 within an extremely short lead time of just seven months,” added Koelnmesse’s CEO Gerald Böse. “It is precisely these innovations, however, that shape the character of photokina as the world’s leading trade fair – as does the presence of all the leading suppliers in the industry as well as important users, retailers and service providers worldwide. In order to make sure we can continue to fulfil this requirement in the future and meet the expectations of exhibitors and visitors with every event, we have responded flexibly to PIV’s wishes. This will ensure the continued unique impact and public appeal of one of our flagship trade fairs in the future.”

This year, photokina had successfully presented itself with a new concept, which included the increased involvement of new exhibitors from innovative areas such as mobile, imaging analytics, digital workflow and moving images, as well as a stronger focus on experience for visitors. This combination of experience and product presentation, which was very well received by younger target groups in particular, ensured full halls, overcrowded workshops and spectacular presentations on the event areas, in front of which large crowds of people repeatedly formed, despite the trade fair being shortened by two days. As a result, the trade fair was mentioned not only in conventional media but also in digital and social channels such as Instagram, YouTube, Facebook and Twitter to a greater extent than in previous years. The newly created Imaging Lab, in which start-ups, investors and scientists presented and discussed new imaging applications, also proved to be an important impetus for the entire industry. Together with numerous groundbreaking innovations from established imaging companies, this resulted in a showcase of the great dynamism with which the imaging industry is positioning itself for the digital future and which will also shape photokina 2020.

Hot Deal: Canon Rebel T6 With EF-S 18-55 And EF 75-300mm f/4-5.6 III Lenses – $279.99 refurbished)

Rebel T6

Canon Rebel T6 bundle highlights:

  • 18MP APS-C CMOS Sensor
  • DIGIC 4+ Image Processor
  • 3.0″ 920k-Dot LCD Monitor
  • Full HD 1080p Video Recording at 30 fps
  • 9-Point AF with Center Cross-Type Point
  • Extended ISO 12800, 3 fps Shooting
  • Built-In Wi-Fi with NFC
  • EF-S 18-55mm f/3.5-5.6 IS II Lens
  • EF 75-300mm f/4-5.6 III Lens

The Canon Direct Store has refurbished Canon Rebel T6 bundles with EF-S 18-55 and EF 75-300mm f/4-5.6 III lenses, on sale at $279.99. Hard to beat at this price. Refurbished gear from the Canon Store comes with 1 year Canon USA warranty.


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Samyang Announced XP 35mm f/1.2 Lens For Canon Mount

XP 35mm F/1.2

This is the fourth lens in Samyang/Rokinon’s “XP” lineup, the other lenses are the XP 14mm F2.4XP 85mm F1.2, and XP 50mm F1.2. The  XP 35mm F1.2 lens will be available in December at a suggested retail price of $1099.

Press release:

November 26th, 2018, Seoul, South Korea – Global optics brand, Samyang Optics (http://www.samyanglensglobal.com) is pleased to unveil the Premium Photo Lens – XP 35mm F1.2 for Canon full frame DSLR cameras. The XP 35mm F1.2 is the fourth lens in Samyang Optics’ premium line up, the XP series, created under the motto, ‘XPert Lens’. The XP 35mm F1.2 lens is expected to expthe brpower of Samyang in the premium lens market thanks to its exceptional image quality, following in the footsteps of the XP 14mm F2.4, the XP 85mm F1.2, the XP 50mm F1.2

Everyday creativity in F1.2

This lens, built fDSLR cameras, has a resolution of more than 50 megapixels fphotography 8K fvideo. As the first 35mm F1.2 aperture lens in the market, the XP 35mm F1.2 manual focus lens enables you to capture your creativity in perfect image quality. You can express unconstrained depth with the bright aperture, while the 9 blades also deliver beautiful bokeh, starburst, out-focusing effects. You can also achieve high image quality in low light conditions indoors thanks to the fast shutter speed.

The XP 35mm F1.2 is expected to be the icon lens fa broader range of photographer, who wishes to capture vivid colours, delicate portraits, landscape photography, pets, architecture, still photos in exceptional high resolution.

The high resolution expert lens fcreatives

Produced from a total of 12 lenses in 10 groups, you can minimize distortion various aberrations while producing crystal clear resolution. The special optic lenses, aspherical lens, high-refractive lens extra-low dispersion lens delivers sharp brilliant images to camera sensors by effectively tuning the light path. Flare ghost effects are also well controlled thanks to the ultra multi coating.

Available from December 2018

The absolute resolution XP 35mm F1.2 lens will be available in December at a suggested retail price of USD 1099. To celebrate the launch, Samyang Optics will hold various consumer events on Facebook
(http://www.facebook.com/samyanglensglobal) Instagram (http://www.instagram.com/samyanglensglobal). Fmore information on the product, visit Samyang Optics’ official website (http://www.samyanglensglobal.com).

Oldie But A Goldie: Canon EOS 7D Review (build like a tank and a bargain)

Eos 7d

Canon EOS 7D at a glance:

  • 18.0 Megapixels
  • 3.0″ LCD
  • HD Video Recording
  • Selectable Video Exposure + Frame Rates
  • Dust & Weather Resistant
  • 100% Viewfinder
  • Self Cleaning Sensor
  • High Sensitivity (ISO 12800)
  • 8fps Burst Mode

Carl Garrard of Photographic Central reviewed the original Canon EOS 7D. The EOS 7D was a revolutionary camera in some sense, and started Canon’s professional APS-C DSLR lineup.

The EOS 7D was released in September 2009, still has a more than respectable specifications sheet. It’s still a camera that’s worth your attention, especially if you consider you can get it for as little as $260. And it’s still the rugged and rock solid camera it has always been. Say’s Carl about the build quality:

[…[ it’s a camera equivalent of a tank. It’s construction is almost 100% magnesium alloy, and feels indestructible and built to last a lifetime. Judging by the huge amount of available second hand 7D’s on the market, it seems this is completely true.

canon eos 7d
The Canon EOS 7D has a magnesium alloy

About the image quality:

So long as you don’t push shadows in the 7D too far, and get your exposure right, it’s capable of some great quality images for the price. I’d say that this is the area where the 7D shows its age most of all, but that doesn’t mean you can’t make excellent images with it.

He concludes:

So overall the Canon 7D offers a great entry into the semi pro camera world, and you can do so without emptying your wallet. In fact, I’d recommend anyone considering getting into photography to go the used camera route first (after doing some reading and homework) before spending a lot of money on a system. These days you just have too many excellent options to choose from, but if Canon is a system you are interested in, the EOS 7D is definitely worth a look.

Read the review…

You can find used EOS 7D bodies at AmazoneBay, Adorama, B&H Photo and KEH.

Canon Might Make A Mirrorless Version Of The EOS-1D X, Exec Suggests

EOS-1D X Mark Ii Mirrorless

Amateur Photographer editor Nigel Atherton had a talk with three top Canon executives to discuss the EOS R. In the excerpts below it’s Mr Shingo Hayakawa, Deputy Group Executive, ICB Optical Business Group, Image Communications Business Operations, to answer.

The interview is all about the new Canon EOS R mirrorless system.

AP: When you decided to make a full frame mirrorless camera what were the main priorities for the system?

SH: We started out thinking about the lenses we wanted to make and what the ideal lenses would be. That gave us the mount specifications and flange distance we needed. Only then did we start to consider how Canon could improve the main body. We decided that we wanted to make a completely new body, and to reconsider the ergonomics and operation so that it would be different from previous models. Our task is to give our customers more choice and then let them choose. […]

Do you think that in five years time, Canon will still be making new DSLR’s?

SH: Of course the situation is always changing and in the future, DSLRs will most likely experience a decline in popularity compared to mirrorless cameras, , but the optical viewfinder still has some advantages and we will continue to offer a choice for as long as our customers want it.

The next question is particularly interesting. In the answer Mr.  Shingo Hayakawa seems to suggest there will be a mirrorless versions of the EOS-1D X within 5 years.

AP: If there was a mirrorless version of the EOS- 1D X, do you think people would still buy the EOS- 1D X?

SH: We would guess that a mirrorless camera like that would be popular, and have already analysed which technology will be required in a camera in five years time.

Read the interview here.

What do you think, does this mean we have to wait 5 years to see a mirrorless version if the EOS-1D X?