Sony FE 400mm f/2.8 GM OSS at a glance:
- E-Mount Lens/Full-Frame Format
- Extremely Lightweight: 6.4 lb / 2.9 kg
- Rear-Weighted Design for Better Balance
- Dual XD Motors for Faster Focus/Tracking
- Aperture Range: f/2.8 to f/22
- 3 Fluorite Elements, 1 ED Element
- Nano AR Coating, 11-Blade Diaphragm
- Power Focus & OSS
- Weather-Sealed; Rotating Tripod Collar
Matt Granger seems to be the first one to post such a comparison. According to Matt Granger, the Sony 400mm “smokes the Nikon & Canon”, and is…
Lighter, fast and optically superior – the Sony lens is damned impressive! However there are two issues…
I guess there are no issues on the Canon and Nikon 400mm lenses.[via Sony Alpha Rumors]
Among all the swirling rumors about Canon’s full frame mirrorless camera, there is some lining on the horizon. And it comes no less than from Mr. Kenji Tanaka, Sony Senior General Manager of the Digital Imaging Business Group.
Interviewed by DPReview, Mr. Kenji Tanaka said:
This is just my personal opinion, but I think that maybe by next year’s CP+ you’ll see full-frame mirrorless cameras from Canon and Nikon. I think [by then] they will be participating in this market.
Just look at our technologies, like eye focus. All of that data comes from the imaging sensor. In DSLRs, the data comes from separate sensors. The main imaging sensor is blanked out, 90% of the time by the mirror. The sensor is turned off. But the imaging sensor is very important. So if cameras are going to develop, and be more able to capture the moment, manufacturers have to develop mirrorless technologies. So within one year, I think.
Well, folks, believe me: it means a Canon full frame mirrorless camera is coming (not that there is someone left having doubts about that). I’m pretty sure Sony has a close eye on anything the competition does.
Canon too clearly stated that they will go “on the offensive and work to expand our sales in the mirrorless camera market” (see this report too).
It’s coming folks. Stay tuned.[via Sony Alpha Rumors]
We usually see a lot of post/articles where photographers explain they switched away from Canon, usually to Sony or Fuji.
Photographer Marc Schultz leaved Canon for Sony, and now he is coming back. He lists 5 reason for his switch back to Canon.
- Better Autofocus for Video
- Canon Log
- Better Color Science
- Ease Of Use
- Feel In The Hand
I think the first 3 points don’t need much of a discussion, especially Canon having a much better color rendering than the competition. The last 2 points, “ease of use” and “feel in the hand” are rarely underlined when people compares Canon ergonomics to the competition’s solutions. Canon not only has a great interface and menu system, but as Marc Schultz says about holding a Canon camera in his hands:
One of the most important things, something often less emphasized by others, is how a camera feels in your hand when shooting. When I am clutching a Canon DSLR, I always feel like it is just the perfect fit and feel, which gives me a relaxed confidence when shooting. This is something that is very necessary in my opinion in order to stay focused on what you are shooting, and without being distracted by the awkward or uncomfortable shape of a camera that you don’t like.
Couldn’t agree more. These things are as much important as sensor resolution or fancy features.[via Marc Schultz via PetaPixel]
Sony α7 III at a glance:
- 24MP Full-Frame Exmor R BSI CMOS Sensor
- BIONZ X Image Processor & Front-End LSI
- 693-Point AF System & 10 fps Shooting
- UHD 4K30p Video with HLG & S-Log3 Gammas
- 2.36m-Dot Tru-Finder OLED EVF
- 3.0″ 922k-Dot Tilting Touchscreen LCD
- 5-Axis SteadyShot INSIDE Stabilization
- ISO 204800 & Pixel Shift Multi Shooting
- Built-In Wi-Fi and NFC, Dual SD Slots
- USB Type-C Port, Weather-Sealed Design
Sony press release:
Sony Expands Full-frame Mirrorless Lineup with Introduction of New α7 III Camera
Versatile New Model Combines all the Latest Imaging Technologies into a Compact Package
LAS VEGAS, Feb. 26, 2018 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced yet another impressive addition to their full-frame mirrorless camera lineup, the α7 III (model ILCE-7M3).
Sony’s unmatched innovation within the image sensor space is at the forefront of the new α7 III, as it features a brand new 24.2MPi back-illuminated Exmor R CMOS image sensor with increased sensitivity, outstanding resolution and an impressive 15 stopsii of dynamic range at low sensitivities. By combining this sensor with a variety of impressive features including extreme AF coverage of 93%, fast shooting at up to 10 fpsiii with either mechanical shutter or silent shootingiv, diverse 4Kvi video capabilities and more, Sony has created a new tool that gives all types of creators – from enthusiast to professional – the ability to capture content in new and different ways than they ever have before.
“We are continually pushing to deliver more for our customers – more versatility, more functionality and most importantly, more innovation,” said Neal Manowitz, Vice President of Digital Imaging for Sony Electronics. “With the new α7 III, we’ve taken many of our newest and most advanced imaging technologies from the acclaimed α9 and α7R III models and paired them with an all-new 24.2 MP back-illuminated sensor to deliver the ultimate full-frame camera for enthusiasts, hobbyists and professionals alike. It’s a camera that punches far above its weight class in every capacity. Combined with our impressive selection of 26 native full-frame E-mount lenses, it provides a level of performance that is simply unmatched in the industry.”
Sony A7R III vs Canon EOS 5D Mark IV – Which one is better for video?
Photographer and reviewer Dustin Abbott posted part 4 of his Canon EOS 5D Mark IV () vs Sony A7R III () showdown. This episode examines video performance of the two cameras.
Part 3 was about high ISO performance and resolution. Part 2 was about dynamic range, Canon isn’t exactly famous for being industry leading here. Part 1 of the EOS 5D Mark IV vs Sony A7R III showdown was about color science, where Canon is the state of the art other have to reference.