Sigma announce 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art, and 500mm F4 DG OS HSM Sport Lenses

Sigma 500mm F4 DG OS HSM

Sigma 500mm F4 DG OS HSM

Sigma announced three new Global Vision lenses, ready for Photokina. It’s the Sigma 85mm F1.4 DG HSM Art, Sigma 12-24mm F4 DG HSM Art, and Sigma 500mm F4 DG OS HSM Sport lenses.

All three lenses can be pre-ordered:

Sigma press release:

Outstanding optical performance, ultra-wide zoom range, and versatile flagship sports lens headline the Sigma line-up at Photokina 2016

Cologne, Germany – September 19, 2016 – Sigma Corporation of America, a leading camera, DSLR lens, flash and accessories manufacturer, unveiled its new 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art and 500mm F4 DG OS HSM Sport Global Vision lenses at the Photokina 2016 event (hall 4.2, stands B020, B028 and C029).

“We are thrilled to announce three state-of-the-art additions to the Global Vision line. The Sigma 85mm 1.4 Art has been a highly requested lens and we are very confident those customers who have been waiting for us to deliver this lens will be more than pleased with the superior optical performance and zero compromise,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “In addition, the re-engineered 12-24mm F4 and highly competitive 500mm F4 Sport lens both embody the world-class performance our Global Vision lenses are known for. We look forward to seeing the incredible images our customers will create using these new Sigma lenses.”

Sigma 85mm F1.4 DG HSM Art – The Ultimate Portrait Lens
Delivering the ultimate in creative expression, the new Sigma 85mm F1.4 Art lens is engineered to support the highest resolution sensors on the market with an exceptional degree of sharpness. The high-performance optical system is purpose-built by Sigma R&D to produce the attractive bokeh effect sought after by discerning photographers. The lens’ advanced architecture features two SLD (special low dispersion) glass elements and one glass element with a high rate of anomalous partial dispersion and refraction. A re-engineered AF system brings 1.3X the torque of its predecessor, while other features such as a full-time manual focus override have been added, which can be controlled when the focus ring is rotated, even during continuous AF.

The Sigma 85mm F1.4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature a brand new electromagnetic diaphragm.

The Sigma 85mm F1.4 Art lens will be available in late October and retails for a recommended street price of $1199.00 USD.

Sigma 12-24mm F4 DG HSM Art Ultra-Wide Angle Zoom for the Era of Ultra-High Resolution Digital Cameras
Boasting the renowned Global Vision image quality from center to edge, the new Sigma 12-24mm F4 features the largest aspherical glass mold in the industry, offering photographers an ultra-wide angle zoom with virtually no distortion, flare or ghosting. Encompassing the long history of Sigma wide angle lens development expertise, the new 12-24mm F4 performance highlights include constant F4 brightness and the brand new Sigma AF system with 1.3X torque boost. The 12-24mm F4 features lens elements made with FLD (“F” Low Dispersion) glass, which is equivalent to calcium fluorite in performance. Combined with an optimized power distribution, the result is outstanding image quality from center to edges. With a minimum focus distance of 9.4 inches at 24mm, photographers can compose incredible close-up shots with expansive backgrounds.

The all new Sigma 12-24mm F4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm.

The Sigma 12-24mm F4 Art lens will be available in late October and retails for a recommended street price of $1599.00 USD.

Sigma 500mm F4 DG OS HSM Sport Lens – Pro Fast-Aperture Prime Super Telephoto
The flagship Sigma super telephoto 500mm F4 Sport lens incorporates the very latest in Sigma optical technology and innovation. Designed for the professional sports and wildlife shooter, the ultra-durable lens features magnesium alloy components, a carbon fiber hood, a water and oil resistant front element, and is dust and splash proof. The 500mm F4 features a drop-in rear filter slot for polarizers, UV and other critical filters. To help prevent damage during shooting and maintenance, the lens is also compatible with the exclusive SIGMA Protector LPT-11 (sold separately).

The lens incorporates two FLD and one SLD glass elements, while the optimized power distribution helps minimize spherical aberration and axial chromatic aberration. The optical system also effectively minimizes transverse chromatic aberration, which can affect the edges of the shots taken in the telephoto range. In addition, image quality remains exceptional when the lens is used with a Sigma Telephoto Converter (sold separately).

Other key performance features include Sigma’s two-mode Optical Stabilizer for enhanced performance when shooting handheld for still subjects or panning and tracking for moving subjects. There is also a customizable AF “return” function for setting the focus position of one’s choice and returning to that preset distance.

The all new Sigma 500mm F4 supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm.

The Sigma 500mm F4 Sport lens, in Canon and Sigma mounts, will be available in late October. The Nikon mount will be available in late November. The 500mm F4 will retail for a recommended street price of $5999.00 USD.

All Sigma Global Vision lenses, including the new 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art, and 500mm F4 DG OS HSM Global Vision lenses, can be updated with the latest lens firmware from a workstation or laptop using the Sigma Optimization Pro software and Sigma USB Dock (sold separately).

Tested for Optimum Performance
Sigma lenses are born of well thought-out design concepts, exceptional Japanese craftsmanship and manufacturing, and advanced lens performance testing and evaluation. To this end, Sigma has developed its own A1 proprietary MTF (modulation transfer function) measuring system using 46-megapixel Foveon direct image sensors. Even the most elusive high-frequency details are within the scope of Sigma’s quality control inspections. Every Global Vision lens is A1 tested, analyzed and approved before leaving the factory, ensuring maximum performance out of the box.

For more information on Sigma’s industry leading testing, please visit http://blog.sigmaphoto.com/2012/a1-mtf-testing-for-new-sigma-lenses/.

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More Sigma “Sport” Lenses Coming in 2014

Sigma "Sport" Lenses

Sigma 18-35mm f/1.8 DC HSM
Amazon | B&H Photo | Digitalrev | eBay | Adorama | Canon USA

It appears that Sigma will enjoy us with more lenses based on their new technology. Various lenses that will be part of the “Sport” line-up may be announced. The rumor fits with the rumored list of next Sigma lenses we posted aome time ago.

The rumor has word that Sigma will announce first a 300mm f/2.8 OS and a 400mm f/2.8 OS lens. These lenses may be undergone field-testing during the Winter Olympic Games. The other lenses Sigma is said to work on are a 500mm and a 800mm lens.

I can just hope Sigma will again be able to pack all the engineering wizardry they put into the awesome 18-35mm f/1.8 DC HSM and 35mm f1.4 DG lenses.

[via CR]

[Video] The Making of Canon’s EF 500mm F4L IS USM (from the scratch)

Ever wondered how a Canon L lens is made? Well, there is a three part video series (by ) that covers each and any aspect of the manufacturing of the EF 500mm F4L IS USM lens. Above is part 1, below part 2 and 3. Enjoy!

 

[Review] EF 500mm f/4L IS II USM Lens (in stock at Amazon)

Canon 500mm f/4L EF IS II USM Lens

Photographer Richard Bernabe got an EF 500mm f/4L IS II USM lens and shares his thoughts on his blog. An EOS 7D was used to test the lens (samples provided).

 After comparing the new version to the previous one, I would have to say that it’s noticeably faster to grab focus, especially when working with moving subjects as I was. The IS is much more powerful as well. Before even looking at Canon’s lens specs, I noticed a change to the IS performance. Canon claims there is a 4-stop advantage from IS-ON to IS-OFF, which is double the advantage over the older version. There are three IS modes: 1 is for shooting stationary subjects, 2 is for panning in one direction, and 3 is for tracking moving subjects.

The EF 500mm f/4L IS II USM has a price tag of $10.500. Amazon has one (1) in stock (click here, also for product specifications). You can pre-order the lens at Adorama (click here) and B&H (click here)

  • EF 500mm f/4L IS II USM:

    • Redesigned Fluorite Optics
    • Less Chromatic Aberration
    • Magnesium/Titanium for Lighter Weight
    • 3 IS Modes for 4-Stop Advantage
    • Smooth Focus Change for Video
    • Redesigned, Intuitive Buttons/Switches
[via Richard Bernabe]

Firmware Upgrades For Wireless Transmitter WFT-E5A And 4 Lenses

Canon has recently released two new product advisories. The first one concerns the WFT-E5A Wireless Transmitter. The firmware upgrade (ver. 1.0.7) doesn’t tackle problems or malfunctions, it was released to support the just released, massive firmware update for the EOS 7D.

Next, Canon also released a product advisory for the following lenses: EF 300mm f/2.8L IS II USM, EF 400mm f/2.8L IS II USM, EF 500mm f/4L IS II USM, and EF 600mm f/4L IS II USM. The firmware update (ver. 1.1.1) will be performed by Canon Service Centers and brings the following enhancement:

Changes the control algorithm of the focus drive, and enhances the drive’s responsiveness for more precise focus and adjustments. In particular, the new firmware enhances the AI servo AF capability of the lenses to track objects that move irregularly in sports events, such as soccer or rugby.

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