Canon Cinema EOS C300 Mark II Camera utilised by Leonardo DiCaprio and Fisher Stevens to Create Before the Flood for National Geographic Channel

Canon Cinema EOS C300 Mark II Camera Utilised By Leonardo DiCaprio And Fisher Stevens To Create Before The Flood For National Geographic Channel

Canon EOS C300 Mark II (B&H Photo | Adorama) at a glance:

  • New Canon 8.85 Megapixel CMOS Sensor
  • Dual Canon DIGIC DV5 Image Processors
  • Canon XF-AVC H.264 Codec
  • Internal 4K/2K/Full HD Recording
  • Twin 3G-SDI Outputs for up to 30p 4K
  • Full Manual Control
  • 1.77 Megapixel Color OLED EVF With Adjustable 60o Tilt Angle
  • Uses All Canon CN-E Cinema Prime and Zoom Lenses
  • Uses All Canon EF and EF-S Photo Lenses (Including Specialty Tilt-Shift and Other Models)
  • Built-In Mono Microphone
  • Removable LCD Monitor and Control Panel with XLR Inputs
  • Removable Hand Grip
  • Improved Low-Angle Camera Handle Extension
  • Built-in Dual-Band Wi-Fi for Remote LiveView Display and Camera Control

Canon press release:

Leonardo DiCaprio and Fisher Stevens Utilize Canon Cinema EOS C300 Mark II Camera to Create Before the Flood for National Geographic Channel

MELVILLE, N.Y., October 28, 2016 – Canon U.S.A. Inc., a leader in digital imaging solutions, is proud to announce that Academy Awardâ winners Leonardo DiCaprio and Fisher Stevens chose Canon EOS Digital Cinema cameras and lenses, including the Cinema EOS C300 Mark II camera, for their new documentary Before the Flood. Directed by Stevens and produced by DiCaprio, the film presents a riveting account of the dramatic changes now occurring around the world due to climate change, as well as the actions individuals and society can take to help prevent catastrophic disruption on our planet. Before the Flood premieres on National Geographic Channel this Sunday, October 30th at 9 pm ET/8 pm CT in 171 countries and 45 languages. Coinciding with the television premiere, Before the Flood will also be released commercial free on a number of digital and streaming platforms around the world, including NatGeoTV.com and Nat Geo TV Apps.

The two filmmakers, known for their environmentally themed documentaries, joined forces for Before the Flood’s two-year production, which follows U.N. Messenger of Peace DiCaprio as he travels to five continents and the Arctic speaking to scientists, world leaders, activists and local residents to gain a deeper understanding of the complex issue of climate change and investigates concrete solutions to the most pressing environmental challenge of our time.

“Canon is honored to have been selected as the camera and lenses of choice in the creation of this documentary,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Viewers will see on Sunday, with the clarity of the imagery produced with Cinema EOS products, a compelling picture of the current environmental conditions around the world.”

To capture the stunning visuals of the documentary, cinematographer Antonio Rossi relied on a mix of Canon EOS Digital Cinema cameras. He began production with the EOS C500 and EOS-1D C Digital Cinema Cameras, the latter often rigged to a handheld camera stabilizer. They shot portions of the documentary in RAW 4K using the EOS C500 camera in conjunction with an external recorder.

When the EOS C300 Mark II camera was introduced, the production adopted it as their new “A” camera. “The switch to the C300 Mark II camera was seamless and easy, and we were happy to have on-board 4K recording as well as extended color gamut options,” Rossi said. “Overall, we found that Canon Cinema EOS cameras were the perfect tools for this project, as they enabled us to shoot in a variety of configurations while maintaining a consistently beautiful look and image quality.”

Before the Flood mixes interviews with some of the most influential world leaders, with chilling but beautiful footage from locations impacted by our changing global climate. Rossi and his team traveled north of the Arctic Circle to Greenland and to Canada’s Baffin Island to show the rapid ice melts, as well as to Sumatra to capture some palm oil farmers burning rain forest habitat, among other shooting locations.

Rossi primarily outfitted his cameras with the Canon CN-E 30-105mm T2.8 compact zoom lens and the CN-E 17-120mm T2.95-3.9 CINE-SERVO lens.

Before the Flood is vital viewing for anyone who has any doubts about humanity’s role in global climate change,” Rossi said. “Working with Fisher Stevens and Leonardo DiCaprio on the film was a magical and elucidating journey.”

For more information about Canon Cinema EOS cameras and lenses, please visit the Canon U.S.A. website at cinemaeos.usa.canon.com

EOS C300 Mark II

EOS C300 Mark II

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Reminder: Get 15% additional discount for Halloween on Canon Store’s refurbished gear listings

halloween

The Canon Direct Store offers a Halloween 15% discount on select refurbished items. Just use code SPOOKYSAVINGS on checkout. Refurbished gear from the Canon Store comes with 1 year Canon USA warranty. These are the listings eligible for the Halloween discount:

Offer valid October 27, 2016 12:00 a.m. ET through October 31, 2016 11:59 p.m. ET, or while supplies last.

Canon presents research paper for 4k2k Super 35mm Global Shutter CMOS Image Sensor

canoncmos

Canon presented a research paper at IEDM 2016 titled “A 1.8e- Temporal Noise Over 90dB Dynamic Range 4k2k Super 35mm Format Seamless Global Shutter CMOS Image Sensor with Multiple-Accumulation Shutter Technology” by K. Kawabata et al.

The image above shows a side by side comparison of Canon’s Super 35mm global shutter sensor a sensor with rolling shutter. Look at the Ukulele strings (more in the abstract below).

The IEDM press kit has a downloadable abstract.

Large-Format CMOS Imager with Global Shutter for High-Performance Cameras: Canon researchers will discuss high-resolution, large-format CMOS imaging technology for use in high-performance cameras large enough to take photographs and videos at ultra-high-definition resolution.

Most CMOS imagers use a rolling shutter, which captures an image at slightly different times at different areas of the imager. This can lead to image artifacts, especially for moving targets, because the image is taken while the subject is in different positions in the field. Imagers with global shutters capture light from each pixel in the imager at the same time, eliminating these artifacts. However, a global shutter usually leads to less dynamic range and higher noise and dark current, and thus to inferior photographs.

The Canon researchers developed a new architecture that enables the readouts of multiple pixels to be accumulated and stored in memory, and then processed all at once. This technique enabled the implementation of a global shutter while also delivering excellent noise and dark current performance and high dynamic range (92dB at a standard 30fps frame rate).

The images of a vibrating ukulele were taken at the same shutter speed (1/5000 sec.). In the global shutter mode (a) distortion is successfully suppressed, while (b) shows distortion from a rolling shutter. The bottom images show the difference between (a) quadruple charge accumulation with the global shutter and (b) single charge accumulation, both at a 1/90 sec. shutter speed.

(Paper #8.6, “A 1.8e- Temporal Noise Over 90dB Dynamic Range 4k2k Super 35mm Format Seamless Global Shutter CMOS Image Sensor with Multiple-Accumulation Shutter Technology,” K. Kawabata et al, Canon, Inc.)

At the end of August Canon made an announcement for a global shutter enabled sensor. Not sure if this research paper has to do with the global shutter sensor announced previously. My guess is, the paper refers to a new development, i.e. to another sensor that will have global shutter. Being a Super 35mm sensor, Canon EOS Cinema line-up is the most likely candidate for such a sensor. The EOS C700, announced back in September, comes in three variations, one having a global shutter Super 35mm sensor.

[via Image Sensors World]

 

Ruggard Thunderhead 35 DSLR & Laptop Backpack deal – only $59.95 (reg. $169.95, B&H Photo)

Ruggard Thunderhead 35 DSLR & Laptop Backpack Deal – Only $59.95 (reg. $169.95, B&H Photo)
  • For DSLR, 70-200mm, 3 Lenses, Flash
  • Dedicated Compartment for 13″ Laptop
  • Three Front Zippered Pockets
  • Full-Front Access to Main Compartment
  • Padded Touch-Fastened Dividers
  • Exterior Side Mesh Pockets
  • Side Tripod Attachment
  • Water-Repellent Exterior
  • Removable Rain Cover
  • Security Whistle

B&H Photo’s DealZOne deal of today is the Ruggard Thunderhead 35 DSLR and Laptop Backpack, on sale for just $59.95 instead of $169.95. Free shipping.

Today’s Gold Box and one day only deals at Amazon US, Amazon DE, Amazon UK, B&H Photo, eBay and Adorama

Sigma 500mm f/4 DG OS HSM Sports Review (no sacrifice in image quality, Photography Blog)

Sigma 500mm F/4 DG OS HSM Sports Review (no Sacrifice In Image Quality, Photography Blog)

Sigma 500mm f/4 DG OS HSM Sports: Amazon, B&H Photo, Digitalrev, eBay, Adorama, Canon USA

At a glance:

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to 32
  • One SLD and Two FLD Elements
  • Super Multi-Layer Coating
  • Hyper Sonic AF Motor, Manual Override
  • Optical Stabilizer; Drop-In Filter Slot
  • Magensium-Alloy Barrel & Brass Mount
  • Dust- and Splash-Proof Construction
  • Rotatable Tripod Collar with Click Stops
  • Compatible with Sigma Teleconverters

Photography Blog reviewed the Sigma 500mm f/4 DG OS HSM Sports lens, a pro lens selling at $5,999 and still being substantially less expensive than Canon’s counterpart, the EF 500mm f/4L IS II USM.

From the conclusion:

The Sigma 500mm f/4 DG OS HSM Sports lens is a much more affordable alternative to similar lenses from Canon and Nikon without any sacrifice in image quality or performance. […]

The Sigma 500mm f/4 DG OS HSM Sports is tack-sharp at both the centre and edges of the frame when stopped down by one-stop, and it’s also very good even when shooting wide-open. Vignetting is apparent at f/4, but it almost completely disappears by f/8, or it can be easily removed in post-processing. Chromatic aberrations are noticeable only by their absence, and distortion is very well controlled too. Optically, there’s very little to complain about.

Build quality is excellent, with the brass lens mount and sober all-black design adding to the high-quality feel and the dust/splash-proof construction adding some peace of mind, plus there’s a very good carbon fibre lens hood and padded case. Read the review…

Sample pictures are here.

Canon EOS 5D Mark IV Video Quality and Features Review

eos 5d mark iv

The new Canon EOS 5D Mark IV

Canon EOS 5D Mark IV: Amazon, B&H Photo, Digitalrev, eBay, Adorama, Canon USA

At a glance:

  • 30.4MP Full-Frame CMOS Sensor
  • DIGIC 6+ Image Processor
  • 3.2″ 1.62m-Dot Touchscreen LCD Monitor
  • DCI 4K Video at 30 fps; 8.8MP Still Grab
  • 61-Point High Density Reticular AF
  • Native ISO 32000, Expanded to ISO 102400
  • Dual Pixel RAW; AF Area Select Button
  • Dual Pixel CMOS AF and Movie Servo AF
  • 7 fps Shooting; CF & SD Card Slots
  • Built-In GPS and Wi-Fi with NFC

In this video reviewer and photographer Dustin Abbott takes a nuanced look at the various video features and the strengths/weaknesses of the video side of the Canon EOS 5D Mark IV.

Images and sample pictures shot whit the EOS 5D Mark IV are here.